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Showing results for tags 'film music'.
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Hi there, I postet this piece almost exactly five years ago in a very early version (it was actually more of a MIDI mockup) and now in the last few weeks I've been working on it again very intensively. The whole thing was recorded with new and – hopefully – more realistic orchestral samples and re-arranged here and there. I would be happy to get some feedback, especially on the mix or the sound in general and what could be improved. Synthetically realizing an entire orchestra on a PC is really a science in itself (at least for me) and I must honestly admit that it took me at least two to three times as long for recording and mixing in the sequencer that for the actual composition in the notation program. On Soundcloud On youtube with excerpts from both score and sequencer Thanks for your feedback :) Dustin
Hi there, I spent the last days working on this little tune... https://soundcloud.com/dustin-naegel/journey-onward ...a somewhat rhythmically driven (almost march-like) medieval/fantasy theme soundtrack theme. It's build upon a (hopefully) heroic melody and is intended to accompany the travel montage of a fantasy epic (game/film). If you have some handy tips, especially concerning the mix, please do not hesitate to share your insights. Best regards Dustin
Hi, for a long time I wanted to write something like this: a flamboyant "final fight" track with broad, heroic themes swirling above driving ostinati. https://soundcloud.com/dustin-naegel/battle-of-the-champions (or) http://www.soundclick.com/bands/page_songInfo.cfm?bandID=674265&songID=13676086 Originally this piece belongs to the score I wrote for a student film project realised many many years ago. The music was produced via a MIDI-based digital sequencer and of course orchestral sample libraries. Unfortunately, the London Symphony Orchestra was just too busy at the moment for a recording session. While the last bars in asymmetrical 7/8 meter surely feel a bit overloaded (with syncopated choir fills and such), I am quite happy with the overall arrangement and the final mix. But maybe I am a little bit biased since I listened to it too often and it's just chaos to your ears... If you have some hints on how to improve the mix, sound, orchestration etc. please feel free to let me know. Best regards, Dustin
Howdy, I tried my best to compose the score to a little horror production called „Sarah”, a short film (18-19 min) produced by film students from all departments about a series of murderous events around a remote cabin the woods. It was executed for educational purpose only; nobody involved got any money. The film is to be released online after an initial promotion phase for short film contests, festivals etc. However, I am eager to get some early feedback on the music, especially some hints concerning the mix and the overall sound. Is it realistic enough? If not, what sucks the most? Of course, there were no real accoustic instruments involved. Fell free to tel me what you think about it. Maybe you'll recognize the major motif (a falling fourth/tritone shift) here or there. https://soundcloud.com/dustin-naegel/resolution-and-end-credits https://soundcloud.com/dustin-naegel/a-dark-discovery https://soundcloud.com/dustin-naegel/shortcut-through-the-woods https://soundcloud.com/dustin-naegel/interrogation https://soundcloud.com/dustin-naegel/an-axe-in-a-nature-reserve https://soundcloud.com/dustin-naegel/run-away https://soundcloud.com/dustin-naegel/opening-teaser Best regrads Dustin