Jump to content

Search the Community

Showing results for tags 'score'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • General
    • Community
    • Competitions
    • History & Study of Video Game Music
    • OverClocked Podcast
    • OverClocked Records
    • ReMix Requests
    • Site Issues & Feedback
  • Workshop
    • Music Composition & Production
    • Post Your Game ReMixes!
    • Post Your Original Music!
    • Post Your Art!
    • Projects
    • Recruit & Collaborate!
  • Comments/Reviews
    • Album Comments/Reviews
    • Judges Decisions
    • ReMix Comments/Reviews

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Website URL


Location


Interests


Biography


Real Name


Occupation


Twitter Username


Xbox Live Gamertag


PlayStation Network ID


Steam ID


Software - Preferred Plugins/Libraries


Instrumental & Vocal Skills (Other)

Found 6 results

  1. Hi, for a long time I wanted to write something like this: a flamboyant "final fight" track with broad, heroic themes swirling above driving ostinati. http://www.soundclick.com/bands/page_songInfo.cfm?bandID=674265&songID=13676086 Originally this piece belongs to the score I wrote for a student film project realised many many years ago. The music was produced via a MIDI-based digital sequencer and of course orchestral sample libraries. Unfortunately, the London Symphony Orchestra was just too busy at the moment for a recording session. While the last bars in asymmetric
  2. Howdy, I tried my best to compose the score to a little horror production called „Sarah”, a short film (18-19 min) produced by film students from all departments about a series of murderous events around a remote cabin the woods. It was executed for educational purpose only; nobody involved got any money. The film is to be released online after an initial promotion phase for short film contests, festivals etc. However, I am eager to get some early feedback on the music, especially some hints concerning the mix and the overall sound. Is it realistic enough? If not, what sucks the most
  3. This is a little ambitious project I've been working on lately for Halloween. The song is supposed to portray a man waking up in a mysterious forest after a night of binge drinking out of depression. As the man wanders through this forest looking for a way out, he has inner battles with himself about who he his as a person. At night this causes him to hallucinate his fears. It actually gets pretty crazy and ends with him running into a small alien scout group. The man eventually escapes them at the end. From this moment the main realizes what he needed in life: Inspiration. Enjoy and d
  4. I have a friend in Japan, who is a conductor and leads a professional game music ensemble. His dream is to preserve VGM in full musical scores. Not piano arrangements, orchestral arrangements, or any other kind of arrangements. Simply sheet music that shows all the instruments in the original music. He is working with Yuzo Koshiro and wants start with ActRaiser. He would like to do a Kickstarter project, but isn't sure how much demand there is in the West. What do you guys think? Would you buy the full score to ActRaiser? Is there any demand for full VGM scores generally? He tol
  5. Here's the second single from the music project i am part of. Hope you like it.
  6. Ladies and gentlemen i will like you to introduce the musical project i am part of: The Knights of Ceol. Conformed by Hathor members: Bryan Cruz Castillo (my music professor) and Gloria Peña (my classmate and piano player) and me Sr. Lan Belmont. Here's our first single "After The Darkness" composed by Bryan Cruz Castillo. And my version of the song "After The Darkness (Symphonic Version)". Hope you like them. ~Sr. Lan Belmont
×
×
  • Create New...