Liontamer ⚖️ Posted June 28 Posted June 28 (edited) Artist Name: drizzle rainwater Press Garden from Sonic Mania (act 1 specifically, I don't think it gets enough love), had been stuck in my head, so I decided to give myself a crack at it. My goal was to emphasize the funky elements and give it a more jazzy flair. I added in a piano and organ solo to switch things up a little bit, and I changed up the instrumentation to make it more groovy! I hope you enjoy! Games & Sources Sonic Mania - Press Garden Act 1 (Tabloid Jargon) Original Music by Tee Lopes Edited 4 hours ago by jnWake
prophetik music ⚖️ Posted July 11 Posted July 11 (edited) at least 5db of headroom, realistically, probably more. opens with some clavinet, and we get some bass guitar and percussive elements pretty quickly before a full band sound at 0:15. nothing really sounds like there's been a mixing pass done on it - the snare's got a lot of fundamental, the kick is hard to hear, the bass is very fundamental as well and boomy, and it sounds like there's no room sound on most of the instruments that play notes. but the band sound is neat - i like the lead tone, and the keys in the background are nice as is the ensemble horns. the arrangement is surprisingly similar to the original given that they have very different feels. most of the burbles and accent elements are from the original. but the solos are really nice - there's some really solid playing there. several elements are reused a lot - the transition radio effect is used several times. the ending doesn't really exist, either, which is a bummer. adding a single rolled chord at the end would have been an easy way to end it. this is a fun, quick ride through a neat theme. the mix isn't near showtime, but the performance is. get some EQ on these instruments and some proper compression, and get the gain up, and this'll be good enough for me. but what i really want to hear is for that repeated transitional element to be switched out, add a bit more drizzle to the arrangement so the countermelodic elements aren't so similar to the original, and to get a real ending that isn't just layering in the previously-used clip. NO Edited July 11 by prophetik music
pixelseph ⚖️ Posted 19 hours ago Posted 19 hours ago It's probably heresy to say this - I'm not super familiar with any Sonic game after Sonic 3, so this source is a wild and catchy newness to me! Some of the backing elements in the source are unpleasantly cronchy to my ear, which I don't hear in this remix - that's a plus from me! Proph nailed the main points - this mixdown is quiet, and there's a big lack of mixing done on the instruments, even though there's been plenty done on the arrangement and composition side of things. I'm not against reusing the intro as the outro in concept, though I would advocate doing something with the line if it's going to be repeated. Same goes with the repeated use of the radio transition: the first time is reminiscent of the source, the next 4 times it comes off as a lazy copy-paste transition, even though I can hear there's some filter changes to it in subsequent repeats. For me to sign off on this one, I'd need to hear: a better balance of the drums in the mix - partickuarly audible kick and cymbals (or overhead mics if you have them as a channel) the snare I think is fine as it is, having the other pieces brought out would give it better context fewer wholesale repeats of the radiowave transition NO
jnWake ⚖️ Posted 4 hours ago Posted 4 hours ago (edited) Like seph, I hadn't heard the source before, surely a banger. Anyway, this begins with a clav doing the main chord progression and is quickly joined by bass and percussion. Immediately noticeable is the low volume of the master. At 0:15 we move to the first melody of the source, played pretty straight from the source, although the bass line is different. On that note, bass is very overpowering on the mix, should be tamed with EQ, especially on the low-mid range. As a probable consequence the kick ends up being quiet on the mix. At 0:30 we move to the second melody of the source, once again played very straight. In your take, thanks to the electric piano, there's a bigger focus on the chords but I can't shake the feeling that the remix is very very similar to the original so far. 0:47 introduces the third section of the source and my feelings don't change, bigger focus on chords but still sounds pretty close to the original. Next we repeat the intro and move into a piano solo. Nice writing here. We then get an organ solo, it's less exciting than the piano one IMO but it's still fun. At 1:37 we return to the third melody and we get a couple repeats of the intro until the track ends. On arrangement, I feel this one is extremely close to the original. While you put more emphasis on the actual chords on the writing, changing the very dynamic bassline from the source into a (still dynamic) bass line that marks the chords clearly, the end result isn't a big transformation. The solos are appreciated as a change-up but IMO more should be done to clearly set this apart from the source. On production there's a couple issues. Most obvious is the mastering, the track is very quiet. Mix also needs a refinement, especially on bass/drums. A track like this needs a punchy drumline with clear kick and snare (this one manages to cut through the mix but I agree with proph that it's very heavy on the fundamental). For bass I'd advise some taming of the mids in general (especially the lower ones) and would also suggest some love in higher freqs, maybe some distortion, saturation, whatever. Overall, I think this one isn't ready yet. While I think it's enjoyable and it has fun aspects (like the solos), the arrangement is IMO generally too close to the source and the production needs polish in the bass/drums department. NO Edited 4 hours ago by jnWake
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