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#7 is my favorite. I only have a limited amount of music friends from high school, and only one of them is at least a little interested in the same genre I am, jazz. I'm going to a school for Liberal Studies now (to ensure complete unemployability), and believe me when I tell you there are absolutely no other students at this school that play jazz. So my options are limited, and I don't have anyone better to play around. Being a big fish in small pond isn't that great for me. Being a freshman, I can only hope that I can find incoming students in the next coming years who know how to play, or at least want to learn just as much as I do. But for now, I have no expansions to my circle so I have to work inward. Taking hours and hours a week trying to make the most of Garage Band using Keyscape on my Macbook Air Laptop, and it's a really slow process. But it's all I got, and even if I wanted to go around gigging places, I wouldn't be able to rely on anyone. So I'm trying to push my performance ability and my production ability so that tomorrow, I'll be able to do these things a little better, and that ten years from now, I'll be able to keep a decent flow of income. I can really connect to #7. Hopefully after working this summer I can upgrade my DAW. EDIT: Number 7 from the original post to be exact.

Results time. Dex got eight point and gets the last place wooden spoon. Hoboka got a score of 10, enough for third place. Necrox did well but 17 points in only worth a second place And the winner of PRC373 is Ophanin with 22 points. Ophanin congratulations. You are the winner. You may pick a source for PRC374 (or PRC375). Send the source to me (with a MID/MP3 file, otherwise send a second source with a MID file) by PM, other options are PM me @ ThaSauce or by e-mailing to bambombim@gmail.com (I prefer a PM @Ocremix). Send your source as fast as you can, but before this Wednesday (16 May 2018), 10:59 AM ThaSauce time (18:00 UTC, 19:00 GMT). You may select any source for any game, but not a source with an OverClocked remix or a source which has been used in PRC before. An overview of the past PRC's can be found in the following links: http://sites.google.com/site/bambombim/prc http://bambombim.googlepages.com/PRCRemixList.doc (also downloadable via the link above). Check the ThaSauce Page for the results and votes. PRC372 also has ended. PRC374 starts as soon as I've received and checked one source. EDIT: Thanks for the fast submission. PRC374 has started with the source selected by PRC373 winner Ophanin Hoboka (PRC372 winner) may pick the source for PRC375, please send it to me before wednesday may 23rd.

https://storeus.sonarworks.com/products/reference-4-headphone-edition This is the best investment you can put into a headphone setup. They have EQ profiles for common pro headphones (including the 880 250ohm premium) and you can load it systemwide (and as a vst on your DAW master) to apply the exactly counter EQ contour to make your headphones as even and rounded (flat, yes, but I stopped using that term because it implies the music would sound lifeless) as possible. Systemwide is super great because I can listen to reference songs on my computer from music players or in the browser, or like play games/movies, and still have the sound correction. You can also simulate other headphones and stereo systems with their stored profiles, instead of just going flat. And if you personally don't LIKE the completely flat response, you can also apply minor treble and bass adjustments to suit your tastes. It also has a linear phase option, with some additional latency, to ensure there is absolutely 0 change to the sound outside of the spectrum's range of loudness. Once I did it for my DT 880's I've sworn never to go back. The difference is actually pretty dramatic; as soon as I toggle the calibration off, the life is sapped out of the mix, the sound of the headphones themselves is pretty tinny and boomy by comparison, and hearing the difference explained basically all of my common mixing mistakes that people point out to me. Weak low mids, excessive bass, harsh upper mids, which were all unknowing compensations for the 880's actual frequency response. Listening to my older stuff on this, it was pretty clear. Here is the DT 880's average freq response: As it says in the legend, the BLUE is the headphone's average response, the GREEN is the EQ it applies to counter it, and the PURPLE is the end result (mostly flat, with some bass rolloff that doesn't matter too much in practice, and is necessary because of physics and whatnot).

Sounds pretty good! One way you could get more views is to include links to your music on Spotify and Youtube in your signature on this forum (and other forums). That way every comment you leave will be a mini advertisement for your music.