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Voting Guidelines Teams were tasked with writing three mashup arrangements of two songs each, one from a Mega Man game and the other from a Mega Man Successor game. In order to make your vote, listen to the remixes and, for each pair, choose the remix that fulfills the following criteria (listed in order of importance): The remix arranges both source tunes in an interesting and identifiable way into one cohesive piece of music. The remix is well-produced within the conventions of the genre. The remix is enjoyable to listen to. Stream the remixes via Soundcloud or Download the Round 2 Remix Pack (MP3). For your reference, here are the source tunes for Round 2. Mega Man 4 vs. Gravity Circuit Pharaoh Man Theme of Ray (Optic Circuit) Mega Man X4 vs. Mighty Gunvolt Burst Cyber Space Beyond the Watery Vortex Mega Man Zero 4 vs. 30XX Ciel d'aube Slave to Duty (Midgard Boss 1)

🦇 Ahhhhhhh, yes. . . 'Tis the time, my children -- The Witching Hour *(GMT)! 🦇 Gather 'round!--for the Oogie Boogie Man has come to me bearing gifts on this eventful All Hallows' Eve! 🎃 It is (a)live, my darlings! The first ever 'Unofficial' An OverClocked Halloween, Volume I! 🪦 https://overclockedhalloween.boo/ 🪦 Get it now while it's *F R E S H* from the witches' brew, empowered by the fires of Hell and Brimstone!!! 😈 Have it in the background for your sordid partying affairs! Groove away the blasted day on-through till the dead of night with these wonderful tunes! I'd like to thank everyone who believed in this project: helped out, made the website, endorsed it, made their tracks for it (and placed them trustingly and lovingly into my claws to help produce and master), AND (lastly but not least-ly) those of **YOU** who're downloading the .zip folder *RIGHT NOW* and partaking of the treats (and tricks) this marvelous day! 🧡🌹 Thank you so, so much, from the bottom of my hearts (all three of them!!); have a lovely Halloween, and I look forward to spreading the spooky cheer next autumnal season, October 2026! ENJOY--and remember kids: "don't ever invite a vampire into your house, you silly [humans]. It renders you powerless!" 💀

(Bit late, but The Coop had a point.) 🦇 Ahhhhhhh, yes. . . 'Tis the time, my children -- The Witching Hour *(GMT)! 🦇 Gather 'round!--for the Oogie Boogie Man has come to me bearing gifts on this eventful All Hallows' Eve! 🎃 It is (a)live, my darlings! The first ever 'Unofficial' An OverClocked Halloween, Volume I! 🪦 https://overclockedhalloween.boo/ 🪦 Get it now while it's *F R E S H* from the witches' brew, empowered by the fires of Hell and Brimstone!!! 😈 Have it in the background for your sordid partying affairs! Groove away the blasted day on-through till the dead of night with these wonderful tunes! I'd like to thank everyone who believed in this project: helped out, made the website, endorsed it, made their tracks for it (and placed them trustingly and lovingly into my claws to help produce and master), AND (lastly but not least-ly) those of **YOU** who're downloading the .zip folder *RIGHT NOW* and partaking of the treats (and tricks) this marvelous day! 🧡🌹 Thank you so, so much, from the bottom of my hearts (all three of them!!); have a lovely Halloween, and I look forward to spreading the spooky cheer next autumnal season, October 2026! ENJOY--and remember kids: "don't ever invite a vampire into your house, you silly [humans]. It renders you powerless!" 💀

Fantastic round 1. Very impressed with what came out. Looking forward to the future rounds.

Amen. Highlight of the round for me :)

This is definitely "..oops! All Bangers" In particular shout outs to Dyluck and CW for doing what I love to do and do cheesy vocals over Mega Man Music.

Here's to the first of (hopefully) many Halloween album volumes to come! Thank you for putting the project together and sharing it with the world.

Hey all! I'm not on either team this time but wanted to stick my notes in writing somewhere: Калинка Cool proggy/post-rock opening, good vibe to start GSM4 on. Sounds like seph did a ton of overdubs. Ending is also cute and well thought-out. I Wish I Wish I can see people wishing the sources were more dominant but this is my second-favorite one for this round. Not sure who did what (I'm not familiar with Oscar/Atcero's styles) but it does a lot with a little* and I love the Satisfaction/VN-sounding portamento saws. Burning Obsession Perfect "fire stage" intro with the guitar trills and toms. Thought josh did these drums at first. Heard Queen did the mixing, sounds great. The bridge being tongue-in-cheek is really funny and Weeks' range works good for the X VA. Only real critique is that I think it could either be a little more punk/sludgy or a little more Broadway; as-is the backing track sounds almost surf rock at points splitting the difference. Vulcan's Doorstep Was expecting this to turn into full-fidelity psytrance at some point but kind of glad it didn't; JSA's writing with Xaleph's mixing/perfectionism is a great combo, reminds me of Project S-11 in some places. Specifically wrote down that the bass at 1:44 and Rocket Hideout-sounding foley at 2:08 are cool. Vile Circuitry Think this is my favorite one of the round. Seph(?)'s vocal foley at the start is funny but this one is really technically impressive. The almost djent-y rhythms and stuff in the second half help spice it up. I heard yami did the mixing - I'm not familiar with their style yet but it's a great start for mixing metal, the kicks around the 3 min mark are super aggressive. A Vile Medley Weil and Wave are both crazy sources - surprised neither team just called it Weilwave. Medley is really, really well-produced, to the point that I think it would have trounced anything from GSM3 Round 1. It's lush but not muddy. cammy's sax kicking in is comparable to Weeks' soprano coming in for Sakura Wa Karenai during GSM3. In practice this track has everything I'd want out of a jazz/funk mix, but I'm leaning slightly towards Circuitry, just because I'm familiar with seph's workflow and know he would have sunk a ton of time into doing those guitar overdubs/countermelodies for like 4 minutes straight. Hemo's debut on the keys is cool too - they're slightly too humanized imo, but a really strong opener and again, production is crazy across the board. --- Overall notes It's fun seeing the genres/production of each GSM based on who's playing. GSM2 leaned a lot more electronica, GSM3 was weirdly super consistent with longform pop/rock tracks. It was fun for 3, but I don't think 18 four- to five-minute tracks is sustainable or a normal expectation for every GSM. *The tracks being shorter but "burning brighter" for 4 gives it more room for stuff like I Wish I Wish to exist. I wouldn't really describe 4 as anything but "experimental" genre-wise so far but it'll be cool to see teams find more niches round-by-round. Also, just a suggestion for Team Mega Man - do something Splatoony! Get seph or someone to do some wobbly resonant synths and it splits the difference between the punk instrumentation and the more "aristocratic", un-filtered vocals on Burning Obsession.

We love a little Licc every now and again 😂

Still proud for contributing to that song via bell synths hehe Also I may have put... too many Lickitungs in the MIDI...

We are three days out from Halloween! I am pleased to announce that almost everyone has approved of their final tracks, and the track-list itself has been approved, and I also have the front and back covers for Vol. 1 fully done! :D Now it's time to get that website done up! ♥

I'm baffled there are not tons of remixes from this game on the site, the songs are all so catchy.

Howdy, here's my track. The source is Kirby's Epic Yarn - Snowy Fields https://drive.google.com/file/d/1XhjH2RCEQ1ECXwpORlO01gn2Z5UIwJpx/view?usp=sharing There's a nonzero chance I'll send a tweaked version down the line but mentally it's good to get this off my plate by sending this verison.

You already know Josh and I are down - we’ll be mashing AQA from Fusion with Heart of Fire from Castlevania Aria of Sorrow

This will indeed become an annual album (classic, hopefully like AOCC). :) I will do my utmost to ensure it continues long after this year. ♡ Hope you enjoy it!

Hey! Kinda weird to post a comment on my own track, but there's just a couple things I wanted to respond to from what was said by the judges. First, @Chimpazilla the fact that you assumed this was @jnWake's own arrangement was like... one of the biggest compliments I got in a long while 🥰 You are right on how the original source totally fits his style, tho, and that's why I called him for keys. Also to @Hemophiliac, you are right on that more stuff could be added after the outro and voice clips. I can totally imagine more action coming, with the initial riff along with some drum hits caving the path for a somewhat funky section and then having a solos duet between guitars and keys. I note that for a potential future versions if everyone else involved agrees (maybe just toying on my own DAW with the additional stuff and then @minusworld adding the extra parts on his own mix project). And in general, thanks all 3 judges for the nice comments! I was quite discouraged after the first rejected track because that one was too much personal in many ways, so I'll consider submitting more tracks like this that, while proud of them, aren't that important in a personal/emotional level. In fact I was already toying with the idea of submitting the track 5 from the same Phantasia tribute album, which has a very similar lineup.

I'm having the strangest sense of deja vu right now 😛

Voting Guidelines Teams were tasked with writing three mashup arrangements of two songs each, one from a Mega Man game and the other from a Mega Man Successor game. In order to make your vote, listen to the remixes and, for each pair, choose the remix that fulfills the following criteria (listed in order of importance): The remix arranges both source tunes in an interesting and identifiable way into one cohesive piece of music. The remix is well-produced within the conventions of the genre. The remix is enjoyable to listen to. Stream the remixes via Soundcloud or Download the Round 1 Remix Pack (MP3). For your reference, here are the source tunes for Round 1. Mega Man 4 vs. Mighty Gunvolt Burst Cossack Fortress 1 Joule's Wish Mega Man X4 vs. 30XX Volcano At Her Doorstep (Aspera 1) Mega Man Zero 4 vs. Gravity Circuit Fate - Theme of Weil Theme of Medley (Wave Circuit)

Didn’t do any vocals this round, them spooky noises are all foley found on Splice :)

Absolutely legendary!

WHY ARE ALL OF THESE SONGS GOOD??? I really had to hesitate and decide for a long moment for all of them...

I really like the tempo shift in the middle. The ReMix goes hard and has some neat modulations! Somewhat heavy but maintains jnWake's jazz background.

It's such a good song from a good game! Glad to know people still remix the OST from this game.

That synth and percussion work is glorious. The shift from the opening to the main beat in the middle was cool, and it makes sense to shift back at the end. Damn good arrangement for a very nice ReMix.

This also would have fit nicely. RoeTaKa's got the mood nailed based on the number of times he already showed up. :-)

Interesting chord options in that sample. I suppose I should've been a little more clear on my approach. I'm going more into a direction of non-functional harmony. I'm trying to get a blend of diatonic and non-diatonic, hence the A♮ in my composition. But I will consider the options you provided. That third chord sounds the most promising to me. It's unfortunate, though, because the E and E♭ is a bit jarring. But even with open voicings, I was hoping that it'd sound a little more pleasant. I'm trying to create a "desert" theme, but without going the stereotypical route. Anyway, thank you for your input. I appreciate it.

Hey there old timer. The last time I did any serious music arrangement work regularly before the last couple of years was back in the first half of the '00s. I know where you're coming from. Technology now is at the point where I can make the kind of things I want to make easily and cheaply compared to 20+ years ago when it was all locked away in ivory towers and you couldn't just "go on YouTube to learn how to do something". If you still have a grasp of the arrangement fundamentals – and judging from your past contributions you did then and I doubt it's left you – you'll be fine. I have learned so much in the past few years through osmosis and from trying things out. That's the most important thing. Try things out. Like Zack said, join the Discord and hang out. There's usually a regular WIP commentary night called Office Hours on Wednesdays, but even outside of that, the #workshop is always active. Make stuff, see what others think.

Join the discord and mingle. Workshop is a great spot to rediscover yourself.

I can literally smell a human sinner here. For this incredibly grave sin, you should regularly repent and synth hard! ... Dude, 15 years? Were you in a creative coma as a musician, snoring away comfortably like a huge Flemish Giant flopped into the cozy meadow, or were you somehow on the run from the Mafia or something? I mean, hey. I'm also kind of a pro at picking up an old remix from over 10 years ago and completely remixing it or rewriting the composition (simply because I've just started getting into music, composition, mixing and mastering around this time). But if you haven't done anything musically in all these years, you've really let yourself go and metaphorically left your passion in your bum bag. ... Nevertheless, welcome back to the club. ))

Just jumping in and writing is probably the best way. Work on the broad strokes of composition without focusing on details, making stuff you don't intend to polish to a 'finished product' to keep yourself familiar with tools, and possibly trying out ideas or techniques you are not as familiar with to stretch yourself. If you end up with something you particularly like the direction of, then maybe circle back to work more on it.

Coming from a DKC2 aficionado such as yourself that's high praise!

My understanding these days is the preferred way to emulate games on Linux is RetroArch (https://docs.libretro.com/guides/install-gnu/ ) which also integrates with really neat stuff like Retro Achievements.

So i happened to find THIS absouletly SLAPPING metal orchestral Remix of the Cog Dancers song. Which is not only BEAUTIFUL but it just is like a Banger! So please find a way to get this song onto the site!

woah!!!

Played FFV for the first time a few years ago on the ole SNES, and this jam goes so great could see myself just flying around in the airship listening to this with a nice drink and the cat on the lap and the kiddo screaming in the background throwing stuff at me.

I hope this starts an annuel thing (Like the Overclocked Christmas)... Last Halloween Album I downloaded from here was "Candy Corn" .... Keep up the amazing work ... Cheers!

I agree that this subforum might be not the most appropiate if we want more people to notice the album release. After all, this is more like the place to find people interested to make something new, rather than showing the world the cool stuff that was just already done. As a former lurker in the scene (and including these forums) I might not even check here at all. But yeah, I understand the hesitance, and even more so in times when forums in general aren't as active as used to, unfortunately. So, if anything, my complain is that... why not adding the spooky front cover artwork to the first post too, instead of just the spooky Santa or whatever that creature is? :P

Well, you've got about 49 days to get something done. If you believe you can do that, then welcome aboard.

I'm still relatively new, but I'd like to participate.

Nice. Very nice. In fact, you might say this is **puts on sunglasses** Nice Work. However, I think this was the wrong place to put the album release thread. When AOCC albums are ready, I make a post in General Discussion. It gets more traffic overall, and it puts the album release in a more noticeable spot. Not as many people are going to look in the Recruiting forum for album releases, especially for something seasonal like AOCH (and AOCC). That said, congrats everyone on getting it done and out the proverbial door 😊

really lovely to listen to

So I'm a little ahead of the game on this, as I've been using Linux as my primary OS for about 20 years now. The good news is that switching to Linux has never been easier. There's never been more options for user-friendly distros, and almost everything just works now. For general Linux advice, almost any beginner distro will do. I would personally avoid Ubuntu (and its flavors, Kubuntu, Xubuntu, etc). Ubuntu derivatives are fine, but Ubuntu itself has a new package format (snap) that only it uses, and I've found it to be a bit janky. I would also avoid Arch and its derivatives because first of all Arch is not user friendly at all, and second, Arch updates tend to be pretty unstable. Updates are frequent and pretty bleeding edge and you can expect stuff to be janky or stop working over time. I think the current best beginner distros are PopOS, Mint, and MXLinux. Honorable mention for ElementaryOS. As for DAWs, for obvious reasons I only ever considered DAWs that run on Linux. I found Ardour to have too much of a learning curve and not enough documentation to surmount it. Audacity is easy enough to use, but pretty clunky and not really intended as a full DAW so much as feature-heavy audio file editing. Someone (I think Argle) brought Reaper to my attention. I tried it out, fell deeply, madly in love with it, and have been using it ever since. That said, I'm only using it to do podcast editing. The closest I get to actual music production is Furnace Tracker, which does run flawlessly in Linux. I'm sticking with Linux for the foreseeable future, but I do have a couple of caveats and quibbles with the modern state of Linux. I don't mean this as a discouragement, but just to temper expectations. Things are improving but not perfect in Linux right now. We are somewhere in the middle of a major infrastructure transition. Everything still works, but you might notice more little inconsistencies and bugs and jank than you would have even five years ago. Distros and desktop environments are moving towards making the newer Wayland windowing system the default instead of ye olde X11. Wayland is a much cleaner design than X11, but it is less mature and rougher around the edges. My experience using Wayland has been a desktop with annoying little bugs and bits of jank everywhere. Because of this, I still run X11, but I know someday I'll have to make the switch. Linux audio infrastructure is also a bit complex these days. Something called PipeWire has largely replaced the older PulseAudio and is backwards compatible with it. There is a similar story with PulseAudio and JACK. But if you need to do anything off the beaten path with audio at the moment, which I suspect a lot of us might, you will probably find yourself having to wrestle configs that have to mess with pulse and pipewire and JACK all at the same time. As for what made me switch? Windows Vista was waaaaaay too slow on the laptop I had 20 years ago.

Hi everyone! We're nearly there, folks! Today I'll be sending everyone the version of their track that's to be on the album, after any mastering/clean-up/balancing I've done to them! This is to ensure artists are 100% happy with the final product, before I send a zipped file of the tracks to my website team to get them up and on there in time for the 31st of Oct! Be on the lookout for my DMs/PMs either through Discord or on the forums soon! ♥ Can't wait to show people how cool they all sound! \o/

This is SO good!! We need more of this style haha. 😎

Epic Idk how this all works I just made my account

Cool approach giving these themes a darker mood and harder edge. To me, the high end of the sequenced bowed string lead was shrill, but I'll live. Love the blocky percussion accents thrown in here. Really interesting shifts in the textures in tandem with the theme tradeoffs. Small detail, but what great tension with the usage of the heartbeat SFX at 2:42; very menacing! I wanted the core beats to have a thicker sound, but the overall sound design and mixing hit hard and had a wide sound. Really strong way to personalize the treatment of the sources, timaeus, this sounds like you had a blast experimenting with some bold sound choices. :-) YES

Okay, Timaeus, you got me: I was definitely headbangin'. 😆 Always appreciate the solid source usage breakdown. Love the personal touches on the Ice Path melody and bassline, as well as the filter automation and sfx usage. There's a residual shimmer on the bongos from the comb filtering that I think actually does help them fit in at 1:09-1:21 and 2:27-2:40, but my strong acoustic drum and percussion bias might be why. Reasonable minds may differ. Nice work! YES

how would you feel about uploading a zip file of all of that somewhere?

LOL