An orchestral arrangement with a piano solo in the first minute? Sweet. I'm envious of your brass (that's a rare statement, isn't it,) especially right on 1:01 to 1:13. I think a little dramatic emphasis could really give this some (dragon) punch. Take 1:14 to 1:16, one of the repeating parts of the song. The E flat and the F right at the end of the measure. Each time you play that segment, those notes are a little quiet. Each time I heard it, I wanted them to punch out, you know? Probably wouldn't be good for that emphasis each time, but just a suggestion. Anyways, this is good work with some real nice innovation.