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m68030

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Posts posted by m68030

  1. Those first four notes are really started to get overworked sounding to me.

    I think Magus theme is becoming the next Terra.

    Anyway, back to the mix... Something about the bizzare ASDR on those

    strings intrigues me and disgusts me at the same time. Interesting. What's

    up with those chords at 1:30ish? The hats at 1:50ish are a little flat

    sounding.. i'm not big on that choralish sample either..

    Magus has been done so many times that if you really want to do anything

    worth posting anymore it has to be some pretty awesome shit. This isn't

    terrible, but it's not going to be on my "man you've got to hear this list"

    The ending was interesting, but felt sloppily done, and yeah whats up with

    the silence at the end?

    NO

  2. As much as I find dance music mostly dull and aggravating, the one thing

    I normally DO like about it (when it doesn't suck, anyway) is that if it's

    going to do anything neat musically it's going to take it's damn time doing

    it and let you appreciate the transition for several minutes.

    the samples here are just too low quality to be meaningful in the context

    of the track. Sometimes low-fi just sounds cool, like in that T2 track we

    saw a few weeks ago, but here it just sounds awkward.

    The ending is non-existent, and the drums really could use a little spice in

    them.

    Keep pluggin at it, there's still progress to be made. The game might be

    easier when you're level 99, but half the fun is getting there.

    NO

  3. As detailed as some of the synth work was in the original, this remake

    (not a whole lot of creativity taken with it) just sounds tired by

    compairison.

    The drumkit is unarticulate and dull sounding. It just sounds flat. Try some

    distortion on a highpass layered in, maybe some compression to tighten

    up the sound, and more dynamic variation, esepcially on those snares.

    NO

  4. Yeah, I'm definatly up there with Dan on this one. Very neat stuff going on,

    but just not where it needs to be. I like that little lead, and the beat is a

    very well used loop, chopped up in a few places and all that good stuff.

    Definatly neat ideas going on, but the samples really need some sugar and

    it's just sooo short.

    NO, but please please get some higher quality samples and flesh this out

    more :( (Does that sound like the Dune soundtrack by Toto at the end, or

    is it just me?)

  5. Multitrackers: Acid Pro 4.0

    Carrying a heavy pricetag, Acid Pro (the stepped up version of several

    other 'lite' versions) is a good multitrack arranger which allows DX effects

    per individual track. The full boxed version will come with a rather healthy

    set of loops that can get you started on the concept of loop and multitrack

    arrangement, but for any serious project you will almost certainly want to

    look at other loop packages (which are also expensive) or write your own

    drum sections. This is not to say you should avoid default pre-sets; they

    can often be a good source of inspiration.

    Free multitracking is a slightly different beast. Offhand I cannot name any

    programs which will easily and graphically let you arrange multiple

    wave files for editing in a 'mixdown' format. Buzz could be adapted to

    do so, loading each line into its wavetable, then playing them via a

    sampler and then chained into apropriot effects, but this would be tedious

    and problematic with timing.

  6. Pretty cool. very light and all that stuff.

    Totally unfamiliar with the original, but I have enough faith in Vig to

    not try and pull a fast one on us :P

    Sounds very nice.

    There really isn't a whole lot I can say critically on this one. This particular

    style is pretty hard to critique since it's so free-form. The technical aspects

    of the recording are great, very crisp and clear. My only concern is that

    some of the bass bits are a TAD resonant... sort of a blooming effect.

    I'd have put the mic nearer the neck, or used a higher up pick up if it

    were electric, but thats me.

    Also I would have rather heard the vocals in the end instead of the start.

    It's sort of a climactic effect since it's such a nice haunting sound, and

    it makes you want a bigger high point the rest of the track, which never

    really comes. Nothing technically wrong though, so I'm not gonna rant

    over it.

    YES

  7. You know this was going really neat until the end... from next to me I

    heard my girlfriend comment: "... That's it?"

    My sentiments exactly. The fade-out ending is a complete cop-out after

    the neat quality of the rest of the instruments, arrangement not

    withstanding.

    Definatly some neat ideas going on in here, but this time I will say

    NO

  8. There are a few places where I was really left going "Errr..." in this track.

    While I do really enjoy the feel of it, I'm a little confused by a few sections

    here and there where the sample quality and arrangement just

    bombshells.

    I dont understand how so many people could have worked on this track

    and so little be going on. Don't get me wrong, there are some

    wonderfully rich minimalistic moments here (oxymoron?) but I just don't

    see how places like 2:35-2:45ish can happen. That snare and percussion

    is just abysmal in the context of the rest of the mix. It's not that it's bad,

    it just seems horribly out of place. Given the rest of the track though,

    and how it builds and floats in teh background, I'm giving it a thumbs up.

    I think this track could have gone further and into more depth, but it's

    still a nice little light journey as is.

    YES

  9. Ah, one of my favorite songs from the Dune soundtrack.

    I'll definatly be doing a remix of this one day.

    First off some definate issues with volume level.

    Secondly this really isn't much more than the original with some new

    drum breaks and sections where the bass is expanded.. It's really nice,

    mind you, and I'm digging what you're doing with it, but it still sounds

    like it could be an S3M, as far as instrument quality goes. Now while

    I'm very cool with S3Ms and all that (yay for amiga in my youth), that's

    not what we're aiming at here at OCR and all.

    Ah cool, this near the end bit is a pretty cool expansion of the theme.

    I'm really digging this arrangement so far.. it just still feels incomplete

    somehow. While we all know I love minimalism to death, this is just

    arranged like it wants more going on, to my ears. (btw, I did NOT dig the

    keychange bit that wasn't in the original)

    Somehow that lead flute reminds me of a patch used in "Ascent of the

    Cloud Eagle" by Necros I think..... that was a damn spiffy S3M....

    Anyway, on to the sad part:

    NO

    Definatly get this posted up somewhere else though. The Dune soundtrack

    is way way way way too overlooked. Definatly some solid gold stuff there.

    I'll be hanging on to this mp3 (:

  10. The quality of the recording definatly is nice... very clear.

    I do rather like the style of the arrangement, very much digging the

    feel of the track, but there are a few rough spots that sort of make me

    tilt my head and go "huh?"

    But.. um.. I've hardly heard any bit of Aeris in here. It's a pretty beloved

    theme among the fanboys, and this is almost too much of a minimalistic

    take on it to work given teh genre context.

    Neat, but feels to unfocused.

    • NO

    Sounds like like Oasis.... I kinda like Oasis.

  11. While i'm not overly thrilled with the mix as a whole, it does have a

    rather nice 'complete' sound to it. Like Ari said, it's pretty simplistic, but

    I think that in that, it still sounds pretty good as a goofy little electronic

    track.

    Obviously nothing terribly groundbreaking here, but it's still a solid little

    track from something we don't hear too terribly a lot of.

    Not one of my favorites, but still decent enough for a YES

  12. Ehhhhhh I dunno, I'm kinda digging the low-fi drums.. I'd be digging them

    a whole hell of a lot more if that bass hit were higher quality and the

    other instruments were also. Damn I'm torn on this one, because it

    really is a spiffy little track, but those instruments just need some help.

    Now whats this second little section here? more kinda neat stuff that needs

    better instrument loving.

    This has me split four ways to tuesday..

    damnit... what the hell.

    YES.

  13. Yeah, this almost sounds like it could be straight off like an N64 game

    or something, as far as soundquality goes. I'm not too familiar with the

    original, but now only a minute and a half into the song i feel like I've

    been listening to it for a half hour.. just too much of the same over and

    over.

    NO

  14. It makes me sad that trumpets generally sound like such crap if they are

    not real. So far, just a few seconds into this track it's a neat little

    arrangement, but there are some instrument quality issues that are really

    killing it for me... if a few of those lead trumpet lines were replaced with

    something that wasn't suffering from bad midi patchitus I'd give this a

    yes, but right now those few moments are just killing an otherwise killer

    little latin track. I just don't think it's fair to let something that has such

    fun potential get away with something that can be fixed.

    You can drive a car with shit smeared on the windsheild, but why not

    do something about it?

    NO

  15. I really didnt' find this all too terribly different from the original, save

    for the instrumentation..

    Past that, it just felt very undefined with all the softness of the sounds,

    it... it is pleasing, but still not something I really enjoy.

    I dunno I'm torn, but I guess it's enjoyable to some people, so I'll

    say YES and see if it's not outvoted.

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