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Navi

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  1. EvilHoarde, is that your final track?

    Well... If it meets the standards of this project then its ok for me. Too bad there hasn´t been much feedback on the updated version, so I really don´t know what to think about it.

    I´m a bit concerned with the overall volume of the song. Is it too silent? Besides that I´m pleased with it and I´m ready to declare it as the final song...

    But I´m begging for feedback.

    It needs to be jacked up volume wise. Also, it seems sort of like a straightforward cover of the song. I haven't listened to it in depth but I couldn't make out a lot of arrangement.

    I think we need to set a volume standard, by which the other songs should all follow, in order to maintain continuity. Also, if you plan on having your song segue into the next song, please plan that out now.

    Xel, I'm going to wait on confirmation before I cross em off. Larsec, I'm confirming ya.

  2. Ana, update the link in your sig!

    Awesome! Got some mad confirmation from: Carbunk1e, beatdrop, Adhesive_Boy, Nasenmann, EvilHorde!

    Also, the first song, from Beatdrop (which I will listen to tonight).

    Furthermore, I have no idea where klm09 went. Which is why i made a new thread, so I can control the front post.

    Updating first post with some more info...

    I need confirmation from:

    E1M2: Nuclear Plant (Xelebes):

    E1M4: Command Control (Mr. Anderson):

    E1M8: Phobos Anomaly (Ralphis):

    E1M9: Military Base (DamienKrauss)

    E2M2: Containment Area (Peeples):

    E2M9: Fortress of Mystery (secret level) (En Sabah Nur)

    E3M2: Slough of Despair (Larsec)

    E3M8: Dis (chester?)

    1. The Text Music (episode outro) (suzumebachi)***

    2. The End (Episode 3 Outro iirc) (Bart Klepka)

    ***Suzu may or may not be in. I've talked to him in IRC

  3. Another thing that bothered me was how there are only two main factors in the game that determine the game ending. In part one and two, there were so many things that determined the ending and I really liked that.

    There were only 2 main factors that determined what ending you got in Silent Hill as well.

    ...chainsaw?

  4. TO - Because, at this point in the Project, we aren't concerned with quality control, yet. Quality control will probably begin after the WIP deadline. Therefore. the decision to keep the song in the project is yours alone. If you feel it is good enough, stick with it. If not, create a new one. (PS: I think it sounds decent, but I know it was unfinished.)

    Sanguineuniverse - I'll add your name to the list. Is that a final song, or a WIP?

  5. RELEASE ON MONDAY

    Check PG 32 for new Info.



    COMPLETED TRACKS

    01. E1M1 - EvilHorde* - Hangarmageddon
    02. E1M2 - Joker* - Industrial Strength
    03. E1M3 - RoeTaKa - The Chemical Imps
    04. E1M4 - Sir Nuts - The Red Moon
    05. E1M5 - Dan B - The Dark Side of Phobos
    06. E1M6 - Beatdrop* - Reprocessed
    07. E1M7 - DJ Carbunk1e* - JDBC Request
    09. E1M9 - TO - Secrets and Lies
    10. E2M1 - RoeTaKa/EvilHorde - Infiltrator
    11. E2M2 - ArseAssassin* - This Can't Be Good
    12. E2M4 - Mythril Nazgul* - Ghosts of Mars
    14. E2M7 - TO/Bladiator - Jade Spawn
    15. E2M8 - EvilHorde* - The Leaning Tower of Babel
    16. E2M9 - nousentre* - Mystery Meat
    18. E3M3 - analoq - Demon Con Gusto
    19. E3M8 - Prophecy - Steel Cathedral
    20. Text Music - Larsec* - Darkness Dawning
    21. The End - TO - ElectroCute Bunny

    CONFIRMED TRACKS

    08. E1M8 - DJC/Ryan8Bit - Nameless
    13. E2M6 - Hemophiliac/Pixietricks - Aria of the Damned
    17. E3M2 - Sir Nuts or RoeTaka - Slough of Despair

    doomproj1.jpg

    The Doom Remix Project is the best!

    We're spitting fireballs on all the rest!

    If you don't believe me, wait and see.

    It'll feel like we hit you with a BFG.

    WOOO! Go Team!

    DARK SIDE OF PHOBOS

    Revamped and Under New Management

    All the necessary information:

    Point of No Return (from this point you cannot drop from the project): January 17th

    Final WIPS (I say WIP for a reason) due: Jan 31st

    Evaluation period: Feb 1st+ (during this time other mixers will critique the WIPS and give input for improvement on the songs. I don't know how long this period will last. However, this is a vital time for the songs, as it allows for touching up and perfecting the songs. Thus: DO NOT DELETE YOUR SONG FILES, FLP FILES, ETC>I know there are a few people who already have, but if you havent DON"T.

    here is a list of potential seeders. if you have bandwidth to give, please sign up. If you have HOSTING, that is even better.

    • Mythril Nazgul
    • Geko
    • Richter (mirror)
    • KyrenGraves

    Global Trance is designing the page, and he needs good high quality front face portraits of the mixers. Anyone also deeply involved in the project without necessarily being a mixer (caleb and gt himself come to mind) will also have a portrait on the site. I will also need a short paragraph of information on yourself and a short paragraph on your mix(es) for my write ups for the site. Please try and get those in asap

    Keep on mixing folks. this project is coming along VERY well. Kudos to you all.

    Also, again. Think about transitions. If you want to segue into the next song, please contact the mixer of the next track and work something out.

    THE OLD SHIT

    The songs

    The Rules

    +Remixers must meet the deadlines given to them. If you cannot meet these deadlines, please take your name from the project as soon as possible.

    +Multiple entries for a track are allowed. Voting on the tracks will occur AFTER the FINAL deadline for tracks.

    +Mixers must check in with their progress at least once a week. Failure to do so, and failure to respond within three days of a PM will result in the mixer being dropped from the project

    The Current List of Remixers Involved. If you do not meet a deadline, you will be dropped from the list. I am already questioning some of the names on the list, as to their “existence”ablilty, but I will go with the benefit of the doubt and give them one week. Once a track becomes open, feel free to claim it.

    THE NEW DEADLINES

    Have a WIP of substantial length by December 10th

    SONGS MUST BE COMPLETED BEFORE January 24th*

    Tentative date

    Also, anyone needing server space is welcome to upload remixes at PaletteSwap. You can also attach your working files (like Fruity Loops or Reason files) there so other folks can help you with them or whatever.

    (Outdated) Doom REMIX Website - http://www.peoplesremix.com/doom (contact Caleb if you need webhosting as well)

    Apologies for the new thread. I need to be able to control the thread title in order to run the project fully.

    This post will be updated with new Information as soon as it becomes available.

    Use this thread to check in, discuss the project, post WIPS, comment on WIPS and post final mixes.

    If there is any information I have missed, please tell me.

  6. Wow. That was quick. Teh_goat showed this to me in IRC and I loved it. Had it on repeat for almost two hours. The production on this song is excellent. No muddiness, no instrument clashing, just clean Top 40 rockin goodness. Vocals are witty, well recorded and suit the genre perfectly. The guitar solo is not extravagant, once again fitting the "vocal line improv" soloing that is quite common in songs of this genre.

    I am very impressed by this mix. And, to clear up my confusion, this is NOT by Goat. :)

  7. Look Gray! I did it!

    Gray Lightning’s latest remix, a self proclaimed return to “new age/ethnic” style music after his recent endeavourers into more cinematic styles, is an excellent example of how one can take a small amount of source material and turn it into a four minute long epic piece that is chock full of Gray’s touch. While this may not be his best mix, it definitely works as an excellent remix with

    We open up with chimes and waves, a soothing ambient opening with bells, which, as DJP stated, have become Gray’s staple instrument. The strings are emotional and work well to compliment the mood of the mix.

    As the song continues, the bells continue to repeat their melody and we are introduced to a filtered choir that has an ethereal feel to it. The drums are subdued during this part, and along with the piano that plays segments of chords as well as the waves that resurface, create a moody ambience that builds up to the next section.

    At 3:00, we shift gears to the finale. The strings pick up the pace and we have an increase in percussive activity. The song ends and we have closure, with the waves that brought us on our journey, bringing us to the end.

    While this mix may not have a lot of energy until the last minute, its beauty is in the emotions it creates. DJ Pretzel described it as hypnotizing, and I doubt I could come up with a better word than that. Excellent stuff from teh Lightning that is Gray.

    ~Mythril

  8. Hmm, I know it's highly unlikely that I will find any of these soundfonts free, but I am going to ask anyways. Does anyone know where I can find decent quality soundfonts of any of the instruments from Hero? Kodo drums, "oriental" sounding strings, chinese lute, etc. Thank you!

  9. don't say this is another "Fake Mustin" call again by Danny B. cuz those are just getting lame and not funny.

    bring substance man

    No, I heard from the OUS forums.

    Real Mustin, not Gay Mustin.

    Good. I want to hear him speak....saying something other than "Damn good coffee"

  10. This has to be THE defining year for GrayLightning as a mixer on OCR. He becomes a judge in December. Eight mixes of excellent quality since january, the most recent being his stunning Shining Force mix, which clearly placed him amongst the best mixers in the community. His sound is professional and clean; his mixes are film score lush and vibrant with images. His latest mix, the second OCR release from the Kong in Concert project (fast on the heels of Vig's excellent mix), is probably one of, if not, his best mix to date. The arrangement is seamless; the quality is top notch.

    The instruments are beautiful and realistic, organic, to steal rellik's word. Gray might have had some minor problems with precussion in the past, but that is not to be seen here at all. Everything in this mix clicks together like pieces of a puzzle. Gray is proving himself to be the master of ethnic orchestral.

    I don't see any problems with this mix. Excellent title; delivers the goods on time, without any shipping or handling charges. GrayLightning has shown incredible maturity as a mixer, and, as always, if this is any indication of what is to come, then I will be blown away.

    Great stuff.

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