Just some quick thoughts on the tracks that hit me strongest on my first listen through the album. Disclaimer: I tend to be a fairly distracted listener of music, generally doing 3 other things at the same time, so if some of these are a bit general, or even just wrong, that's probably why. Also, if I don't mention a track, it wasn't necessarily because I didn't enjoy it as much, I was probably just focused more on what I was doing during it. On the whole I thought the quality bar on this album was really high. Usually on these massive collabs there's a track or three that stands out to me negatively in terms of production quality or just a failed central idea, but nothing here really hit me that way. Awesome collection, and much appreciation to everyone involved. djp's tracks: Frankly, I have a nostalgic reaction to everything djp does that's quite similar to what I feel towards the original tracks themselves. His sound was what I originally got used to from this site, and all his tracks bear that familiar sonic signature. Particularly enjoyed the low-key (that's... probably not quite the right description) intro to sturm und kong. Rare Respite: Once the meat of the mix was reached, I really loved the combination here of the light and playful feel much of the accompaniment had with the more melancholy and peaceful main melodic line. Just a really nice mood evoked by this track, very relaxing. Old School: This track just had a really massive feel to it that I liked, most likely brought about by the combination of the really strong bass line and the slow pace. Token Up: Have to wait and see the results of repeated exposure, but at the moment I feel like this is probably going to wind up being my favorite track from the album. I absolutely love the combination of things being fairly faithfully reproduced from the source tune with the various original guitar/synth bits thrown on top. Very nostalgic, and it just has a fantastic feel to it. The use of the many rather sharp transitions from the source kept what was an otherwise somewhat meandering track constantly interesting. A New Place: Most of the time if I have an issue with a vocal track, it's because almost all of the arrangement work is done on the instrumental side of things, and then the vocal just feels tacked on - as an example, perhaps just duplicating a main melodic line already present in the underpinnings. This tends to leave me with the feeling that the vocals are really just a distraction, and I'd be getting more out of the mix if they were removed. From the volume of complaints on the subject, I suppose I'm not alone in occasionally feeling that way... but it was a complete non-issue here. This track was very clearly built as a vocal arrangement, with the human "instruments" carrying the main part while present and the rest of the track supporting them. Further making this track stand out was just how well mixed the vocals were with the rest of the track, it just had a very polished and professional feel that's frequently lacking. Fantastic job here. (Yeah, btw, I liked the song too ) Paleolithic Park: This was one of my least favorite source tunes from the game, dominated by a repetitive and verging on just downright unpleasant rhythm section, and featuring a short melodic figure that really didn't seem to go anywhere to me. Problem solved, eh? Fantastic cinematic feel to this, I found myself day dreaming some sort of indiana jones-esque action sequence while listening. Great production, and the many additions to the central melody really fleshed it out for me. Backwards Room: No idea whatsoever how you got the idea for this out of the source tune, but I'm extremely glad you did. Love the dark, almost desperate, feel that this track has, put me in mind of Bauhaus style gothic rock. Plus I'm pretty much a sucker for anything that combines heavier rock/metal elements with the electronic. Dance of the Zinger: This is just so cliché sounding, and so obvious from the source... but just so well done, and so damn fun, that I can't help but love it. Massive trance sound, massive nostalgic melody, 5 minute long constant build... it's great. Dead Raggening: First of all, disclaimer: Mazedude's my favorite mixer on the site, by a fairly wide margin. I've absolutely loved pretty much everything he's put out, and his classic deconstruction of a familiar tune is something I always look forward to. As such, seeing his name show up late in the tracklist it was a pretty obvious song to look forward to as a likely standout for me. And... at first I was a bit disappointed. The atmospheric and low-key nature of the track just wasn't going to be able to live up to my hopes. Frankly though, given the simple and repetitive nature of the source, there really wasn't much chance of that to begin with. Really enjoyed the slow build this had, right up to the Requiem for a Dream-esque repeating synth line at the end. Tight, very tense mood, and it gets high marks as something that would actually fit into a game well itself. High Seas: Not sure what specifically I like about this so much... it just _feels_ like a video game tune, despite not really recalling the source for me. Just something here that I really enjoyed, made me stop what I was doing and pay attention. Pickin' Out The Fleas: Great late 80's hard rock/metal feel to this, a nice guns n' roses-like base with classic guitar god wankery over top. Fantastic all the way through. Castle Crescendo: Another one that made me sort of sit up and take notice. The kind of industrial sounding rhythm parts combined with the string and synth leads really worked well for me. Monkeys Disarm Their Kremlings: As someone who actually listens and enjoys a fair amount of the more extreme side of modern metal, I figured I should comment on this. First, while I wouldn't say Brandon's vocals stand out, they are quite acceptable, and that alone is quite an accomplishment in this genre. There're really only a handful of truly exceptional death vocalists, as despite the rather understandable "wtf is that noise" reaction many have, it's an extremely difficult thing to do. Brandon's vocals were clear and understandable, which puts him a leg up even on quite a few of the people who spend much of their lives traveling around touring this style of music... and it was very important, because the lyrics to this song are fantastic and hilarious. Not sure about the recorder finish, but since the lyrics themselves had already killed off any seriousness the track might have had, it worked ok. Re-Skewed: There's something about having the original composer work on, or even just acknowledge, a project like this that just lends an air of legitimacy to the site. It probably shouldn't be necessary, the great music here stands up on its own merits, but it's still a nice bonus. Add in the fact that this really was a solid musical contribution, and you've got a truly wonderful conclusion to an already great album. All in all, a fantastic album, and thanks so much to the many people that gave their time to make it happen.