Argitoth Posted November 12, 2008 Share Posted November 12, 2008 So I recently finished building my first analog modular synth and right now it's just sitting here because I don't have time to do much composing right now, but I'd still love to use it. So here's the deal. If any of you composers are using a software synth patch in your composition (screaming saw lead, hard bass, a soft-filtered saw, etc.), post a midi and an audio demo and I'll record my analog synth to match the sound of your software synth, except with the goal of giving you the nicer sound of analog. Any takers? Patches based on others' works Meteo Xavier - Synth Demo: You will hear the original -- recreation -- original+recreation. Having an analog comb filter would have gotten me closer to the original synth sound. That will have to be added as an effect. Filters - Model 12 6/12dB Low/High/Band/All (Feedback Demo) - A-106-1 12db Low/High/Band/Notch (Performance Demo) - RS-110 24db Low/High 12db Band/Notch (Performance Demo) Audio Demos Model 12 and Envelopes: Fun with envelopes! - Asys Envelope - Plan B Envelope - Software Delay Sound Desing 1 - Air Current: Recorded three patches two minutes each, split recordings up into Left Right and Mid channels. Used volume fades and moved audio around. - A-118 Noise (sound source and modulation source) - A-122 Filter (sound source + filtering) - Model 12 Filter (trim frequencies) Composition 4: Something a little more acidic. - A-110 Oscillators - Model 12 Filter - Model 38 Envelope - Software Effects - manual modulation Composition 2: A simple composition using my modular synth. - A-110 Oscillators - Model 12 Filter - A-136 Distortion - Software EQ, Software Delay Composition 1: A simple composition using my modular synth. - A-110 Oscillators - Model 12 Filter - Model 38 ADSR - Software EQ, Software Delay - manual automation Common Patch 1 : A simple patch with a simple melody. - A-110 Oscillator Triangle out - Model 12 Filter Lowpass out - Model 38 ADSR - Software EQ, Software Delay - manual automation Common Patch 2: A heavily-distorted patch. - A-110 Oscillators - Model 12 Filter - A-136 Distortion - Software Delay - manual automation Common Patch 3: Lightly distorted sound with a huge bass mixing saw and trisaw oscillator shapes. - A-110 Oscillators - Model 12 Filter in High Q mode for nice bassy ring - A-136 Distortion - manual automation Charseisis VST on Bass patch - A-110 Oscillators - Model 12 Filter in Low Q mode - A-136 Distortion - Velocity-controlled automation Quote Link to comment Share on other sites More sharing options...
Meteo Xavier Posted November 12, 2008 Share Posted November 12, 2008 I'll bite. I don't really have any MIDIs of anything I do with a synth lead in it, so what do you need and when can you do it? Quote Link to comment Share on other sites More sharing options...
Argitoth Posted November 12, 2008 Author Share Posted November 12, 2008 I can do it today. I need a midi so that I don't have to try to recreate the melody. Of course, midi can't always hold all the modulation data, that's what I'll be working to recreate. I need an audio demo to hear all those modulations. Edit: Also, let me know what the BPM is. If it ends up that the synth audio doesn't stay on beat (difference in software sequencers), there may be a way to solve that. Quote Link to comment Share on other sites More sharing options...
Meteo Xavier Posted November 12, 2008 Share Posted November 12, 2008 its email'd edit: Wait, it won't let me do it. I'll do it here soon. Quote Link to comment Share on other sites More sharing options...
Argitoth Posted November 13, 2008 Author Share Posted November 13, 2008 Patches based on others' works Meteo Xavier - Synth Demo: You will hear the original -- recreation -- original+recreation. Having an analog comb filter would have gotten me closer to the original synth sound. That will have to be added as an effect. Quote Link to comment Share on other sites More sharing options...
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