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*NO* Chrono Cross 'Destine'


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AmR - Destine.mp3 (pop-up)

SUBMISSION Info:

Game: Chrono Cross

Track title: Life ~ Faraway Promise

Comments: Sequenced in Logic Pro 7. I'm a traditional remixer; meaning I remix for the DJ, and with the DJ in mind. I've paced around submitting this remix for awhile simply because of the source. This is a Trance / Dance geared remix of the Life ~ Faraway Promise track from Chrono Cross.

CONTACT Info:

Remixer Name: AmR

Real Name: Aaron Rigby

E-mail: rig1015@gmail.com

Website:

http://www.soundclick.com/amrus (Artist)

http://www.soundclick.com/rig1015 (OCR)

--

rig1015

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The production was decent but it seemed to me like there was a bit of excess in the mids, causing a bit of mud, and a bit of brilliance was missing from the highs. The sounds chosen melded pretty well and went a bit beyond the typical trance, though the lead seemed a little too fake-organic, rather than intended synthetic. What I mean by that, is that it sounded like it was supposed to sound like a real instrument, but poor sample quality held it back.

Arrangement was generally conservative, but had long stretches of chord build ups. The rhythms were altered a bit on these, and there was original writing as well, but i felt that the source happened to fit into something you had already written, rather than the track being written for the source. I think doing more with the specific source would make me more comfortable with the arrangement, and tying it closer into the sections that are just the progression.

no, please resub

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Well, I don't really have any critical gripes as far as the production is concerned. My main red flag encompasses one thing: the length. I'm always a little bit pessimistic when people remix songs specifically stating that it's either a trance mix or else anything regarding being "DJ-friendly" etc. Not because I don't like dance/trance tracks--that's far from true. But rather, because by default these tracks tend to clash with our standards. Traditionally, dance/trance have lengthy intros and outros, and lots of grooving, which is obviously why they're so good for remixing and mashing-up with other tracks, especially by a live DJ. Here at OCR, while we don't mind a degree of repetition, our guidelines generally intend that arrangements are kept fairly concise and direct. There's definitely room for a nice groove, so long as the arrangement is noticeably and distinctly moving forward.

Anyway, it took about 1:43 to really get to the first notable melody drop. It's cool to have a lengthy intro, but that's a good chunk of time, probably more than it should be for an OCR. Then, the momentum sort of dies at 2:43. It really felt like the song was ending. And that lasts for almost a good 30 seconds. That could definitely be condensed.

Anyway, I think the track is pretty great otherwise, but you see where I'm going. I think a quick uh, "radio edit" I guess would probably be a good way for a resub to go. Basically, just cut out all the unnecessary parts like the 30 seconds of dead-groove, trim the intro a bit, maybe try to cut it down to 4-5 minutes or so and I think you'd be gold.

Feel free to PM one of us if you can do those things and I'm sure we can fast-track it back to the panel.

Resub

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[00:11] * Liontamer is listening to Rig1015 - Destine [] (06:34)

[00:13] <Liontamer> A little cluttered, but not hearing anything particularly wrong with it so far

[00:13] <Liontamer> about 2:15 in

[00:13] <Liontamer> Could use more melodic interpretation

[00:15] <Liontamer> The synth design and gating stuff sounded a bit vanilla

[00:15] <Liontamer> The beats brought in at 3:54 were definitely tame

[00:16] <Liontamer> Soundscape also started getting cluttered, and the string sequencing sounded a bit behind, which wasn't a big deal

[00:16] <Liontamer> Even though there was development with the foreground writing, the backing patterns also became too repetitive

Clean up the soundscape a bit, keep the backing pattern fresh and evolving a little more, and see what other new ideas can be introduced with interpreting the melodic arrangement. Otherwise, I think this isn't far from passing, but needs that additional push of development and polish. Very promising stuff, so far, Aaron. Hope to hear more from you!

NO (resubmit)

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