Liontamer Posted August 2, 2023 Share Posted August 2, 2023 Link to the Submission: Alternative DoD link, just in case: Contact Information: Your ReMixer name: Daniel Caton Your real name: Daniel Caton Your email address: Your website(s): danielcaton.com, https://soundcloud.com/danielcaton, https://twitter.com/ninjapenguindan, https://www.youtube.com/@NinjaPenguinDan, https://open.spotify.com/artist/2fPuih349zW9oyY6TOSgC0, https://musicbrainz.org/artist/26c9c683-b732-4c8c-b7d4-68618a13a55e Your forum userid: 31868 Your ReMixer name: DeLuxDolemite Your real name: Scott Luxenberg Your email address: Your ReMixer name: Shea's Violin Your real name: Shea Henry Your email address: Your website(s): she's already in your system as artist 18601 and listing all her websites again takes effort Submission Information: Name of game arranged: Ori and the Blind Forest Name of arrangement: Branching Out to Adventure Name of original song(s) arranged: "Ori, Lost in the Storm" (https://www.youtube.com/watch?v=DvWp2h1R2ck), "Restoring the Light, Facing the Dark" (https://www.youtube.com/watch?v=kdaXMg-iULs), "Fleeing Kuro" (https://www.youtube.com/watch?v=i1yzFTkoRb0) Source breakdown: 0:00-0:24 mostly original mood-setting scoring 0:24-0:28 the glockenspiel/piano melody is the theme from "Ori, Lost in the Storm" 0:28-0:37 back to original stuff 0:37-0:51 taken from 0:30-0:39 of "Restoring the Light, Facing the Dark" 0:52-1:07 back to the theme from Ori, Lost in the Storm 1:07-1:49 the cello is that same theme from "Restoring the Light, Facing the Dark" 1:50-2:05 taken from 0:23-0:45 of "Fleeing Kuro" 2:06-2:21 a reprise of "Ori, Lost in the Storm" 2:21-2:54 Shea slaying it with an original violin solo 2:54-3:10 one last statement of "Ori, Lost in the Storm" Source ratio: 66 seconds of original music, 124 seconds of source material (65.25% source) Song Comments: Yo, OverClocked ReMix peeps! Prepare yourselves for some spicy stuff, 'cause I whipped up my version of the Ori and the Blind Forest bangers! This track was my contribution to Dwelling of Duels's Silent Protagonist Month, where we slayed the music game in July 2023! Get ready to be like, "OMG, this is lit!" 'cause "Branching Out to Adventure" is a mixtape that'll make you yeet into another dimension! I started this epic journey with soul-stirring vibes from Shea's Violin, like a dad joke warming up the party – cheesy but essential! Then, brace yourselves, 'cause I mashed up the dankest themes, and you'll be dabbing like an Ori spirit through sick forests and swampy quests. Shoutout to DeLuxDolemite for slaying those Taiko drums, glockenspiel and suspended cymbal vibes, taking us to the next level! And also to Shea, who lit the track on fire with her usual brand of insanely talented bowed ukulele (apparently all the cool kids call it a violin), and this time, the cello! I ain't no poser, fam. I'm a pro gamer who knows how to drop beats and compose. My plan was simple: capture all the feels and emotions like, "OMG, this game hits different!" I crafted an orchestral firestorm, blending in traditional and modern elements, 'cause it's like blending nature's swag with straight-up magic! And guess what? To add those extra sparkles, I brought in a rainstick, played by yours truly, to give the track that perfect atmospheric ending! So, don't be a noob, pop on your headphones, close your peepers, and let "Branching Out to Adventure" take you on a wild ride. You're in for all the feels – from happy dances to ugly crying, LOL! Thanks for giving my hot mess a chance. Stay chill, fam! Later gators, [Your Name] P.S. My collaborators might be questioning their life choices after reading this commentary, but you know what? I live for the thrill, and no regrets here! Link to comment Share on other sites More sharing options...
MindWanderer Posted August 23, 2023 Share Posted August 23, 2023 Great stuff. Epic orchestral with Celtic influence is trendy but for a good reason. Excellent violin and piano work, seamless integration of the themes, tons of variety, and excellent production. What's not to like? YES Link to comment Share on other sites More sharing options...
prophetik music Posted September 1, 2023 Share Posted September 1, 2023 what a unique submission email. i'll say that ori lost in the storm is IMO such an iconic track for this game, just love it. intro is beautiful. lots of playing with duple vs. triple, excellently handled dynamics and soundscape. the violin part was pretty but a bit high-heavy, which caused it to sound a little thin. i'd have preferred to hear more low/mid in the EQing of that instrument. 0:59 brings in more consistent drums, and the soundscape shifts to accommodate the cello is well-handled. love the violin pizz in this section. i think the cello could have definitely been much louder through this however. 1:46's change again has the leads a little quiet, but the scoring here sounds great and is appropriately epic. the flute and bells at 2:02 are great. there's some soloing and the a beautiful duet at 2:35. one last big crescendo, and it's done. this sounds great! the orchestral parts are really subdued, more than i'd have expected based on the description, but it lets the live instruments carry the track. enjoyable listen. YES Link to comment Share on other sites More sharing options...
Liontamer Posted September 1, 2023 Author Share Posted September 1, 2023 I appreciated the source tune breakdown. Agreed that the cello from 1:28-1:44 got pushed down too much. Other than that, loved the tradeoff of the themes throughout the arrangement. Awesome performances and textures. If you haven't nagged Gareth Coker and Bear McCreary to check this out yet, Daniel, what are you waiting for, an invitation? YES Link to comment Share on other sites More sharing options...
Emunator Posted November 4, 2023 Share Posted November 4, 2023 Stunning arrangement! If you told me this was a song from the actual Ori and the Blind Forest soundtrack, I probably wouldn't bat an eye. This is close to professional grade production and orchestration that exists in the same sonic realm as the original material, but distinguishes itself with the heightened focus on strings and a seamless fusion of multiple sources. The chromatic and untuned percussion propels the arrangement forward and is perfectly balanced. The only nits to be picked are the volume of the lead cello at 1:28, but aside from that? You nailed it. I suppose if you're going to commit to that many emojis in your submission letter, you gotta bring the heat to back it up YES Link to comment Share on other sites More sharing options...
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