Liontamer

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Nice to have something join djp's version of this theme on OCR; I'm so conditioned by Dave's arrangement, that it struck me as odd when I heard the differences in the original song compared to his take, so that just shows how long it's been since I've listened to any of this. It's been 9 years since I've heard the rejected version of this, so I supposed the old expression fits: "You've come a long way, baby." Great energy, Guilherme; just a totally different animal compared to the source tune. YES

I'd actually argue this was mixed too hot; the volume too much for my old man ears; nothing dealbreaking, but it could have been pulled back. Other than that, lovely rubber stamp-level stuff from Rebecca once more. YES

I was waiting for the structure to change at 1:07, and it did, so props for not getting to repetitive there; you had a good change in the instrumentation, placing the strings as the lead, followed by the dropoff at 1:23 allowing a small bit of original writing before going back to the theme at 1:38 and repeating the choir at 1:46 (sans piano). IMO, when a piece is so short, it shouldn't repeat sections; for a short 2:13-long piece, having a quarter of it repeat in a cut-and-paste way was too much for me, so unlike Gario, I felt this actually was an incomplete package. At least some sort of further variation from 1:38 until the end would seal this for me, as it's a great arrangement of a short theme, but felt lazy and underdeveloped for the end. Any sort of other creative changes in melody, tone, textures, rhythms, instrumentation for the final 35 seconds would make this an easy pass. Good work so far, Federico, and good luck with the rest of the vote. NO (resubmit)

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Rubber stamp, son! YES

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Absolutely not. When you submit something to OC ReMix, OCR doesn't take any ownership of your arrangements. Definitely promote yourself anywhere and everywhere you want.

Beyond the basic adaptation to EDM, there's not much more going on in terms of interpretation; if that's definitely the direction you want to go it, that's OK, but this would need stronger, fuller-sounding production, and more dynamic contrast to complement the meaningful but still straightforward genre adaptation. Pretty generic and thin synths, so at no point was the soundscape ever filled out. The initial beats were meant to be thick, but the writing underneath the beats was both too thin and too quiet. At 1:35, the textures were super dry and hollow. At 2:05's section, the textures should have been fuller relative to what came before, but the intensity is still the same as when the beats originally came in at :58; same problem for the close at 3:59. Even when you have the textures change for the chorus at 3:33, there's no body to any of this, just the thicker beats/kicks. I agree with MW that you shouldn't be discouraged, Harold, but you should still use the WIP feedback and production discussion forums here as well as any other audio forum you visit to continue upping your game. We all have to start somewhere, and this is far from the bar here, but your arrangement did show off your attempts to personalize the sound of "Chrono Trigger". Keep at it! NO

I thought the main snare sound was in the uncanny valley and didn't quite click with the rest of the instrumentation (this stood out even moreso during the machine gun drums from 4:18-4:30), so the rock opera synergy wasn't there, IMO. Agreed with MW on the lyrics being hard to make out at times due to the mixing. Other than that, creative and ambitious! Rubber stamp. YES

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Nice work!

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Thanks for the catch; all good!

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https://ocremix.org/remix/OCR01020

You don't need any technical know-how to direct an album project, just putting that out there. You just need to have the time & energy to organize it and keep things progressing.

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Sorry for the long wait on formal feedback; always love SoE music, so I wanted to check this out. As soon as I heard the opening synths, the parts seemed really vanilla and bland, BUT I could definitely imagine a capable producer then busting out of a purposefully minimal opening to hit you with a dense track, which is exactly what should have happened at :29 but unfortunately didn't. In any case, the sequencing's too stiff, the soundscape is too dry, the parts don't have any meat/heft to them, there's little in the way of dynamic contrast (because even when parts were dropping in and out, and the overall energy level was always at the same). The arrangement's also way too repetitive and undeveloped, but it appears as if maybe the length was more about showing a proof of concept. The sitar at 2:16 was a cool approach as the lead. Obviously you have a lot to learn, so there's no problem starting from somewhere; you'd do well by checking out other artists doing stuff in the vein of what you're doing here and find out what they do - Just Coffee would be the person that comes to mind given the initial instrumentation of this SoE piece; I know it isn't going for an 80s-pop style, just that he's successful in styles where you have more robotic/grid-style timing and need denser effects/fuller soundscapes.

[This is an automatically generated message] I've reviewed your remix and have returned it to Work-in-Progress status, indicating that I think there are some things you still need to work on. After you work on your track and feel that you'd like some more feedback, please change the prefix back to Ready for Review and I'll review it again! Good luck!

Sorry for the unreasonably long wait on a formal evaluation, but I'm glad to check into this now. I'm definitely open to tracks where the source tune references are more quiet than usual, but I'd argue they were too quiet and understated in this case. That said, it's a creative approach. The opening stutter build subtly referencing the percussion parts of the source's intro was a detail that I could see most people overlooking, but I appreciated it. The drone/beat was creatively done but ends up feeling not substantive enough due to how quiet and de-emphasized the other "Terra"-based part-writing was. It comes off as not much of an arrangement, not out of a quality sense, but in the lack of prominence of the source material; that said, it's a intriguing experiment. For consideration to OCR, consider making the lines/parts based on "Terra" more audible, and providing more variation/evolution to the droning beats. This is cool and interesting thus far though; you do have a lot to learn, but don't short-change the creativity you're showing off already. I hope we hear more from you.

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