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About OmegaMan

  • Rank
    Glass Joe (+10)

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  • Location
    Currently: Shanghai, China


  • Occupation
    Actor, Graphic Design, Writer
  1. Wah-wah-wow! That was some firece guitar bending there! Blast of Lightning Larry, becomes face lift for unsuspecting listener. There's something about his track that really reminds me of those Anime series intro tunes. It's like rock and roll, but fun and funky, every once in a while they say something in English like "Lucky, lucky"... I think I've been staying up too late watching "Berserk"... Regardless, raging remixer, resume rock-n-rolling regularly! Respectfully, O M
  2. Nice reviews bud. You're right though...all these tracks were coming from a fan of music and games, who sadly has never been familiar with Doom (not really...I mean, we've ALL played one Doom title at sometime or another...) But I won't lie, and I won't exaggerate...after listening to this set, I've not only researched more on the game, but on the original tunes. I went into it thinking, "Damn! These tracks are (across the board) of such a high caliber and of my taste (The Kirby project was fun and beautiful, but I have to say DSoP rocks me in a way my squishy little star knight never could
  3. This thread is for you, TO. Not history. You're request has been understood. Won't happen again (perhaps a private message next time)... Let me just reiterate for all the fellow viewers out there: "Do you see what kind of in-depth tangential debate can come from such an inspiring track?" It really is a piece deserving of several threads: Native American history, Old American Western history, Japanese history, film history...the remix really resonates with so many varieties of themes...download it! Great work again. M
  4. Vamp Lord, you are absolutely correct 100% about the 90%. I should have clarified, it appears only 50% of my meaning was understood, by an unknown percentage of folks on the forum... By "recent phenomenon", I meant it relatively. The earliest reference to Samurai was roughly before the 1000 AD mark. The Old American West ranges as far back as America's colonial period, but is generally considered to be the 19th century (1800's). Akira Kurosawa's Yojimbo (1961) and a Fist Full of Dollars (1964), were both products from less than half of century ago... Thus: "Recent phenomenon". But in refere
  5. Oh it's nice, oh so nice to know that I've been found. You did it Blad. I don't know how, but you found that deleted scene from Amelie that I swore to everyone existed. You obviously know what I'm talking about: it's the date scene where Amelie and this guy have magical and bewildering adventures around her hometown. What you didn't know, was that the guy she hooks up with is ME. My thoughts and visions of Moontang: The scene begins in black and white as she waits in despair for her tall dark and handsome date to arrive. As she shyly takes a look around, she's further depressed by the many
  6. Another solid score for TO. While it appears the judges find this piece to have a more Western flavor, I’d have to lean more towards the East. Perhaps it’s due to the recent phenomenon of associating the Wild West with the Wild East: namely, the Samurai cowboy. The solo woodwinds introduce the blind samurai with a little boy tagging along beside him trying to match his steps (Lone Wolf and Cub style). After panning across the samurai’s (or should I say Ronin’s) stoic face, and the boy’s effacing visage, the synth-strings unveil the scene to a wide panoramic of the vast bleak hills of rural
  7. You know, it's a well known fact that we Omega men stick pretty close. And though I generally find TO's comments spiking the nail in the face, I have to roll with NeOmega on this one. Rammstein remixed by NIN into a swirly dark chocolate. Well composed and executed, as usual...so I'll save the praise...you know it's great. I think the track knows it's purpose, but there were a few things that I think (in my humble un-remixing opinion) that could have upped the stakes on this one. Namely, dropping the cute tickles and maybe adding some haunting choruses (deep demonic basses or shrill siren-e
  8. Honestly, I think Binster said it best...basically, if you don't particularly dig this song, it may simply not be your cup of tea. Personally, I enjoyed the track very much. It's a little dwarfish in size (get it? Dwarf? Because the song is from Gaunt...let...yeah, ok)...but not all tracks have to be hugely epic, especially when the seed of the fruit isn't all that involved or lengthy. With what you were given, I could see you pulling from other pools to spice it up...great. Two lumps of sugary scratches for my tea, please. Thank you. In the end, I also felt it was finished...I mean, it
  9. It's probably been a while since you got hit up on this sweet diddy...but it was bound to happen considering my excavation of OC's past projects: Theme of Great Ace: Remember that scene after the good guys have gotten the big ugly beat down by some stiff-collared evil army? The sparse bloodied platoon is sorely defeated and all hope seems to have run dry. The hero takes one scan around and stands tall -- like a glorious statue of William Wallace. [This is where the music does its thing] He then boldly announces to his broken comrades that defeat is not an option. Gathering their courage wit
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