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Archangel

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Posts posted by Archangel

  1. I'm sorry if this is a stupid post, but I don't have time to read through the whole thread, and I'm posting this answer based solely on my first impression of what your problem might be. =D

    I also had problems using Wordbuilder in FL Studio, but then I found a pretty simple solution (with no complicated Midi port stuff). I've put everything you need (instructions included) here on Mediafire: http://www.mediafire.com/?kalb3txgueu5e32

    It should solve the problem. You can send me a message if you need any more help. I know Symphonic Choirs can be pretty user-unfriendly, especially in FL Studio.

    Hope it helps!

  2. I agree with Nutritious. I used to have the same problem--actually, I still do sometime--I added too much reverb and too many instruments, and I wanted all of them to play the main role in the song. Sometimes you just have to face the fact that some instruments have to take a back seat (sometimes to the point of being almost inaudible).

    Plus, it helps if you keep switching them - for example, one of them plays the melody for a few bars, then another one takes its place and so forth. That way you can still use a variety of different sounds AND make sure the song doesn't sound overcrowded.

    And don't be so pessimistic about your work! All it takes is some practice, so keep doing stuff and you'll see that you'll learn something new with every track you make.

    Sorry I can't be of more help. I too am an amateur when it comes to equalizing and mastering. =D

  3. I agree whole-heartedly! Ultima's music is superb. I've been planning on doing some Ultima remixes for quite some time, because I was so shocked and appalled to see that there's almost no interest in this franchise here.

    I've actually already started work on two songs (not Stones, though, although it is on my list), so you can expect to hear something from me as soon as I'm done with my project duties here.

    It's nice to know there are more Ultima fans here. =)

  4. Dear OCReMixers and whatnot!

    The year 2010 was my first year as an active member of the OCR community. I had loads of fun remixing, I learned a lot, and I met a lot of nice and knowledgeable people. =D

    I just wanted to say that I truly appreciate what this site has helped me achieve and all the effort put into this community by the people in charge and by lesser mortals (such as myself) who only hope to partake of their divine wisdom. I'll definitely be staying for many years to come!

    I have a tradition of composing a song every December and sending it to my friends. I thought I'd share this year's song with you guys as well:

    Archangel - Aurora Caelestis (Sožitje - Harmony)

    Enjoy the music and have a wonderful year 2011!

    Thanks for everything and srečno novo leto! =D

    J.

  5. Maybe it goes away if you start brushing your teeth...just sayin'

    That's just not cool, man, even if it was meant as a harmless joke.

    I'm going to do these in the order that they were requested, so I think Harlequin Forest is next.

    Weee, I can hardly wait! =D

  6. I have another question!

    What is OCR's policy regarding the language used in a remix? First of all, do all the titles have to be in English? And if not, can a title contain special characters (like č, š, ž and so forth)?

    Second of all, if the remix is a vocal arrangement, is it okay if it's not sung in English? The reason why I'm asking this is because I have quite a few friends who have very nice voices and would be more than willing to contribute to a nice arrangement, but their English pronunciation is not exactly flawless since English is not their first language. It would be a bummer if the judges (and the listeners) thought less of the song just because the pronunciation wasn't flawless.

    Thanks in advance for your answer!

  7. I have a request too! Something from Harlequin Forest, just a verse or two is fine. =D I'd also like both clean vocals and grunts. Thanks!

    ITT Brandon wouldn't know good music if it slept with his mom.

    This is probably just an inside joke, but so help me, you'll have to face all the powers of Hell if you're saying Opeth's not good music!

  8. skånska

    OK, I'll admit this one would be funny. =D What's wrong with Stockholmska though? I've heard it sounded somewhat snobby, but I actually didn't perceive anything when I was in Stockholm. =D

    Svenska är gay, och de som talar det är homosexuella.

    Thank you. =P I also speak Slovenian, Italian and a little Japanese, hopefully that cancels out the overwhelmingly homosexual effect of English. =P

  9. I've only listened to a few of the tracks since I don't have the time to listen through all of them thoroughly (which is what I like to do when projects such as these come up!).

    However, I have to say that this is extremely well done. Especially considering you've only done it using some soundfonts! I've got so used to higher quality samples that it usually bothers me when I hear something done with soundfonts, but I enjoyed these tracks very much, and I can tell that you put a LOT of effort into humanizing the instruments and making them as realistic as possible.

    If this were played by a live orchestra, it would be even more fantastic.

    I'd also like to say that I admire your devotion to this project. Congratulations, really, this is a stellar achievement!

  10. I have a question regarding the proper procedure to submit an arrangement of an "unknown" or "less popular" source.

    If someone were to remix a source tune from an extremely ancient or obscure videogame, with no original soundtrack or MIDI files available on Youtube or any other site, what would be the advisable course of action?

    I suppose the remixer would be obligated to provide the source tune together with the arrangement. Would it be OK if they recorded the source tune directly from the game (in mp3 format), hosted a ZIP file with both the arrangement and the source mp3, and provided the link in the submission e-mail?

    The submission instructions don't address this issue, and I think you should add a paragraph explaining the proper way to do it. I realize that most arrangements have their original counterparts available on the internet, but this problem is bound to arise sometime (hint hint).

  11. Congratulations on your first OCRemix mix!

    This is a wonderful arrangement of a spectacular source. The soundtrack of Final Fantasy VIII has always been one of my absolute favorites, and Compression of Time is one of its most underrated songs, so this piece was extremely welcome as far as I'm concerned.

    Like a lot of people have mentioned before me, the slow build-up really adds to the innate atmosphere of the song.

    Very well done, indeed, I can't wait to hear more remixes from you.

  12. I agree with Fishy, there shouldn't be so many mistakes, it's not to be expected at this level.

    I really hoped we'd beat the Yanks. Our team got a bit sloppy in the second half though. Congratulations to both teams, although in my opinion they both deserve a few fair-play lessons. =P And the referee seemed somewhat fishy (no offense, Fishy! XD).

  13. I've just received the following message from a user named turing:

    Hey,

    I'm new here, how's it going?

    "The most fundamental harm we can do to ourselves is to remain ignorant by not having the courage and the respect to look at ourselves honestly and gently" - Pema Chodron"

    There was also a strange link in the user's signature, I'm not going to post it here as it seems unnecessary.

    Off with his head, I say!

    Edit: Forgot the link to his profile: http://ocremix.org/forums/member.php?u=20927

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