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Everything posted by djpretzel

  1. @begoma We're working on it; need to get the last few tracks, do a quick gap analysis, and sort out artwork... Q1 is the target but might slip to Q2!
  2. @GSO Thanks for reporting this; we've switched to a new tags plugin that *should* fix the issue. Please test & let us know!
  3. @Pyros777 Wow, blast from the past, thanks for the feedback on Alex Kidd! Ultimately, while the SSL on images was annoying, this is more about streamlining the overall forum experience - we plan on leaning on the forum software a bit more, and feel that a more streamlined experience is not only cleaner & more usable, but more consistent with most modern forum experiences.
  4. Interesting suggestion... will discuss with staff!
  5. FUN! A half-tempo glitch-laden break would have mixed things up more & the melody/source lends itself, but I get that this was a stylistic thing, going for a purer Moroder vibe and not injecting too much modern EDM into the picture. The sound design on the synths, in particular some of the releases and layering, is slick - the power of Bitwig PLUS Reason is insane, and you're already leveraging it to great effect. On the main melody line, when it dips down, I might have swapped to a different synth, panned further left, for a call-and-answer sorta thing; it was a little odd hearing that particular synth cover that much range. That being said, that could arguably be a Moroder thing as well @prophetik music did have some good pointers; I didn't have issues with clutter, personally, but maybe my threshold is a bit higher - everything was discernible/intelligible, even during more active passages. This is a pretty easy YES for me, and I'm psyched both to have a Shadow of the Beast / Amiga mix to be posted after so long, and also to see what Mike's capable of with the arsenal of his old DAW strapped onto the equally-formidable power of his new one.
  6. @Master Mi I don't think upgrading will buy you much, to be honest - your existing 24-bit/192Khz UR44 (recording at max settings) is offering plenty of fidelity and headroom. Unless latency is an issue working at those settings, you're good to go... Bit-depth affects noise floor and can be misconstrued as "quality" when in reality there's more going on; you can go nuclear on this topic, but generally speaking: most folks listen at 16-bit, and professionals *tend* to record at 24-bit. 32-bit is considered a bit overkill and also makes file sizes much larger. Your current interface is still relevant. USB improvements have focused primarily on bandwidth, not latency. Basically, any given 3.0 interface might be faster than a cheaper 2.0 interface, but this is more because of the drivers themselves, and how they've been optimized. It is possible to buy a USB 3.0 interface with worse latency than a 2.0 interface, in other words - it depends more on the drivers. See Loading speed of projects is based more on # of plugins, tracks, and samples being loaded, where the bottleneck is far more about disk I/O - an SSD helps with this, and USB 3.0 would only be relevant if it were the protocol for an external drive.... not for the audio interface. CPU/DSP use would be dictated by the quality of the interface drivers, not by USB 2.0 vs. 3.0. It's possible that you have a motherboard/system where the USB 3.0 bus & its driver are more efficient in general than the 2.0 bus, and its driver. In this case, absolutely, USB 3.0 might provide both stability AND latency improvements. However, you haven't mentioned any real problems with your current UR44 in this regard.... unless it's crashing, losing connectivity, or adding too much latency, or crackling, etc., then upgrading JUST for 32-bit & USB 3.0 doesn't make much sense. Ain't broke, don't fix, etc.
  7. Agree with criticisms, namely: Volume a bit low (though choir at times is overpowering) Choir not always well-integrated with overall palette (see above) Repeats melodically/harmonically/structurally; first half not distinguishable from second half by much other than instrumentation... The most nagging thing, to me, is that every note of the neat, slightly sinister trade-off melodic exchange that you could call the "chorus" remains static, and is quite close to the source. There's a missed opportunity here to establish variation by altering the melodic line, ending an octave up or down, or somewhere in between.... it's a playful, chromatic motif, so modifications should be all the easier to incorporate, but... no. It stays the same. This does eat at me, and rather a lot. Every time I hear the phrase play out the same exact way, I deflate a bit. It's arrangement potential that is repeatedly squandered, in my opinion. Not every source/arrangement calls out for altering the melodic line - it's not a mandatory thing - but I feel that this one really did. However, w/ regards to the judging process, I have to force myself to think of this as a random mix by a random artist. Evaluated next to Rebecca's other work, I think the concerns above would tend to push me to rejection. Anonymously, however, there are a bunch of cool textures going on, the atmosphere is spot-on, and I like the tempo variation as well. In the vacuum in which we aspire to evaluate submissions, I'd this give it a: YES (borderline)
  8. We've gotten three WAVs from @Sixto, we've confirmed @OceansAndrew abandoned his track & won't be revisiting, and I'm pestering @Flexstyle about the status on his track. @Rexy has been assisting. For OA's track, the source is (apparently?) relatively popular/critical, so this might be one we want to fill in the gaps for...
  9. @Gario Stop making political tweets for a minute and submit the album for eval
  10. Neat! Was always a huge fan - had the huge gallery/compilation books, way back when, and would pack them on family trips. Hopefully this sees his work preserved online for eternity - although new stuff would also be great.
  11. For EDM, specifically, this is pretty darn good:
  12. And... The vision of the site has always been to have a big enough tent for both; we could have fewer headaches, and probably more followers, if we stuck to popular games, or genres, or gave flagrantly disproportionate emphasis to either, but then I'd have to punch myself in the head every day and die w/ regrets, etc.
  13. Done; @HoboKa, this issue should now be addressed.
  14. Somebody set up us the bomb Sorry, just had to.... as @Gario wrote, this year is going to be a little lop-sided. Part of that is that we're finally doing some things that are long overdue - new YouTube videos, for one, but also a new site design should be live before 2020
  15. This was indeed disabled; if at any point in the future we wanted to support a dark theme, one big issue with the richtext paste is that it carries over background color (usually white) as well as zany fonts, etc. In a perfect world, IPS would offer a filter that let us keep certain formatting and discard the rest, while also ensuring proper contrast, but we don't live in that world. So we have two options: allow the formatting, and know that it will result in a bunch of extra HTML cruft & stylization that is tied to dark-text-on-white-bg, OR, disable the formatting and do plaintext, with the "workaround" being recreating the formatting after the fact within the forum software. @Liontamer @Gario @DarkeSword This change is definitely affecting at least one use, @HoboKa, and perhaps others - any thoughts on whether we should change back?
  16. Had a lot of fun with this one, which is my personal take on a genre-staple synthwave/retrowave arrangement of this MUCH slower source from Lufia II, for the album. Big bass, big drums, lots of different synths, filters, modulation, sidechaining. Lots of those things. Plus a couple of sleazy, big-hair fakey-guitar solos, courtesy Orange Tree's Evolution: Infinity. Normally I'd use Shreddage but this particular lib is tailor-made to a certain 80's sound I would then have had to recreate, etc. Source connections should actually be pretty apparent, even with the genre shift, speed up, & changes to the progression... original melody is chill & relatively straightforward, so I was happy with how it worked under considerable re-tooling. Title is a fun Shakespearean nod, and I associate car revs w/ the 80s & synthwave in general, so why not? Credit to FILES: SOURCE: - djp
  17. Great energy, no issues, and as mentioned, the solos are FUN. YES
  18. Done Might tweak the mastering a bit and the very end, but it's usable as-is @ 3'30" - fun!
  19. Agreed. It's not just that it sticks out, but it's also the sole percussive element, and it's a pretty static part, and it feels quantized & flat in its dynamics. It's a production problem AND an arranging problem, to me. I wouldn't reject the mix solely on the tambourine, but since I also agree with the above comment on transitions, I feel like those are substantive "dings" that combine for me to vote: NO (resubmit) I tend to err on the side of approval when splitting ties or weighing in on divisive evaluations, but there's not really a compelling point of policy here - this is just a question of whether you feel like the abrupt transitions AND the stale tambourine add up to warrant rejection, which I do. I think the tempo here could be bumped 2-3 bpm, the tambourine part rewritten for variety/dynamics, and a couple of the more jarring transitions eased into (one way or another), and it'd be fantastic.
  20. Lovin' that theme - gotta be @jk, right? Looks like a lot of fun.
  21. @Meteo Xavier Thanks for stepping up - any issues with @Rexy as your co-director & channel of communication to staff, since she's a newly-appointed judge? If that works for you, we'd love the help. First order of business is verifying from existing artists w/ finished tracks that they're okay with releasing under new management. Don't want to make any assumptions. Second order of business is wrapping up any WIP/unfinished tracks and getting the music to 100% Third order of business is pursuing album art that jives with FF3 but also the first two albums, FF1/FF2, since it's basically a continuation, even under new leadership After that, it *should* be mostly crossing T's and dotting I's - director & artist comments, flood picks, etc. Sound good? @Gario & @Theory of N are helping with overall album coordination, tagging them so they're aware. Would love to see this happen this year, but more important that it does indeed happen!
  22. @Gario Yeah that's basically it - we only do artist bios if the album website decides to feature them, which is less common these days. Track comments ALWAYS good. BTW I've got 1'30" on my mix and do hope to finish it shortly!
  23. At first I thought this was a joke thread, but I suppose these mini consoles are moving enough units that it makes sense. The Japanese lineup seems preferable, although Ninja Spirit was (and is) a pretty amazing ninja/platformer style game. Bonk's Adventure was one of the most popular games on the console in the US, so perhaps its absence is due to competing copyright ownership... or they're just sitting on the announcement so they can generate some more buzz.