Ok, pretty much everything in SMB3, heck, everything Koji Kondo touches, for that matter, is just plain classic. But SMB3 is just about the most classic of all of them, either by the massive quality of the game, the massive quality of the songs, or most likely both. In such fashion, though, you make something that has such high standards, that most remixers, even the most competent, steer clear most of the time. DJ Orange has none of that pride/fear to inhibit him, and I'm very glad it doesn't. While in my top five favorite songs on SMB3, the Pipe Land overworld tune isn't exactly one of the most varied/remix-rich type tunes out there, but that can be a good thing. The main melody, beat, and flow makes for a perfect wire-frame with which to hang the fairly competent texture maps that make up the whole of the experience.
DJ Orange: Please, tell me there's more where that came from.
T.Co's Rating: /5 smileys