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  1. https://youtu.be/dRG3V8c1j4M An incredible underrated theme from the latest DKC that was released on Super Nintendo back in the days. I invested in a symphonic synthesizer a while ago. This is the first song I use it for where all strings, harps and xylophones comes from that. The style of this remix is really standing out from the rest you're used to hear from me. It's more inspired by my classical and cinematic side, which really is what I've grown up with since both my parents practiced classical music. I wanted to try it out for a variation to the synthwave I usually do. I hope this can set you in the mood it was intended for - mystical, beautiful and haunting. DKC3 is an amazing edition among Donkey Kong games, even without the musical genious of David Wise in this piece, Eveline Fischer did such a good job in finding the atmosphere and harmony for an underwater stage. One of my favourite underwater themes out there, no doubt. I focused a lot on the chords and harmony in this one, which is best represented from 1.30 until the end which I especially wish for you guys to listen to, it's for you! When I listen to it myself I realize I took much inspiration from the cinematic music of Skyrim
  2. Hello team! I finished studies recently and I now have more time on my hands, so I think about more video game OST to rework. Meanwhile I wanna share some original music here with you! Best regards, Mental
  3. https://drive.google.com/file/d/1EFNHcmgTKX-XVvsCTZwJJ46WpIgkuuI1/view?usp=sharing Please let me know what you think! I whipped this up a few months ago and just realized I could actually post it here. It's very trailer-esque.
  4. Hi there :)! I'm making a trilogy of albums -one per year- inspired by ocarina of time, the first of which will be released on october the 21th, but im having lots of troubles finding diffusion so the existence of this project is known by more people. Here is a video promo of the album: Please check my album :)! Here you can pre-order it if you like it https://gerardwhitemusic.bandcamp.com/album/- And here is my instagram account, a place where I post regularly new fragments of the album and videos of the progress: https://www.instagram.com/gerardwhitekoe/ If you like what Im creating please support me giving me a pre-order on bandcamp or/and sharing this with your friends, I would be eternally grateful since I have had put an enormoussss amount of time on this! (and please dont just like this post, if you dont pre-order please at least share, you would be helping me A LOT)
  5. Some time ago I wanted to propose a short Xenogear short film based on its own time after the events of Xenogear. I had to deal with other things and decided to launch the Cinematic version of the Faraway Promise melody that corresponds to the animation. Soon I will release said short film. Enjoy.
  6. Hello everyone. It's been a while since I posted, as the Army has been keeping me busy. This is supposed to be the Stark theme arranged in a sort of war movie hymn style. Thank you for listening.
  7. Once again, I decided to try to experiment with style and arrangement to make a unique take on a classic VGM theme! If I were to give it a title, it would probably be something like "Hunting for Ridley". Whadya think?
  8. Happy New Year everybody! To celebrate, I'm releasing a brand new ReMix of the Naruto main theme: I will give a heads-up that this contains significant elements of DUBSTEP, but definitely not anything like dubstep you are probably familiar with. Whatever your tastes are, it's the new year, so let's try to keep an open mind to any and all music! As a background, I wrote a Naruto ReMix before, in 2012: I look back on it, and I really do still like what I did in 2012. The production wasn't particularly impactful, and the dubstep execution was only half-decent, but the composition was surprisingly good on the guitar. However, I realized that I could do *much* better today on the general production polish, as well as on the execution of dubstep. So, I wrote this while in my first semester of grad school, in three months, using mainly u-he Zebra2, Xfer Records Serum, 4Front TruePianos, Impact Soundworks' Juggernaut and Resonance libraries, and various commercial drum samples. This combines cinematic and dubstep aesthetics to create a nuanced, tasteful feel on the low-energy sections, and an aggressive, all-out soundscape on the drops. There was particularly special attention to detail on the dynamics, the "size" of the sound design, and just trying to get every aspect of this mix to be as polished as possible. As usual, I accept any and all opinions, but please keep them civil.
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