gliyw1thdabangs

Thanks a bunch for your critique! I've been posting this every few months for the past year or so and I have gotten some really good critiques and having your thoughts on here really makes me encouraged to keep trying. Most of what you have said was a reiteration of past reviews in the WIP forum: (8/9/07) http://www.ocremix.org/forums/showthread.php?t=8586 (3/27/07) http://www.ocremix.org/forums/showthread.php?t=10426 On this thread, Splunkle, Radiowar, and JMr all commented pretty much the same as you, although this was a prior iteration of my arrangement. The current one I was focusing on what you suggested, although since you said it for this arrangement, it means I still haven't resolved the problems of clarity, transition, meandering, ... I have had trouble making the flow of ideas seem a little more clear because production side, I don't have much technical ability with FL Studio or Reason, and Audacity/finale really don't cut it in the way of eq'ing and balancing the soundscape. Lengthwise, I'm sure there are excesses, but I left a lot of ideas in because I figured whomever I worked with on production would be able to work with me and give feedback about where to cut more and where to refine more so that the ultimate intention of the song gets communicated. To respond to your question regarding instrument usage, I mainly used piano and the strings so that the listener could at least hear some interchange between leading arrangement and the supporting instrumentation. I have also listened to more arrangements with strings and piano from ocremix.org so my ear is better attuned to listening and reproducing those ideas on finale... haha. Not that it makes much sense to write that way. The larger idea behind the arrangement is supposed to be a slowed down version of the source material. Since in the actual game, sonic is speeding through this entire thing, I wanted to mold it to have a more scenic understanding of the lava flow. I was intending to have lava reef zone be repeated 3-4 times as the main melody and the transition between each loop be supported by variation on the other parts of lava reef. I tried to emphasize the hanging chord structure variation after the end of each melody iteration because this was a motif other remixers seemed to be doing. Sadorf in his demos even emphasized a descending chord structure and then jumping back up: I also tried to add a very slowed down melody of hidden palace in the background, it works, although it will take a lot more work to make it sound natural and balanced with lava reef. It also sounds funny to me sometimes because I took the two melodies and just sort of found a way to stick them together. Could you hear any of this? Regardless, I thank you for putting in the time to listen and critique this as I haven't had much luck attracting enough attention in the past for getting a lot of feedback, and so I am not sure exactly how to proceed. Now I know that production will probably help shave off the extra time and clear up the transition and ideas here and there. If you do end up reading this comment and have time to respond, I would really be excited to hear more specifically what you meant in your comments. -Kevin

Thanks for the support. I have been trying to work on this arrangement again, but I set it aside about 5 months ago because I just couldn't listen to it anymore and was running out of stamina to produce more ideas/motifs. I don't have any prior arranging experience so this is all from scratch. Let me know if you think you can do anything with it. I am also contacting one or two other people to see if they can support me on arrangement or production side as well since I am just an amateur arranger. Kevin

http://www.myspace.com/grandfatherkeyesakashiningpearlywhites I have been working on the arrangement for a while, posted it and got suggestions to find someone who can handle production and submit it. I produced the track using Finale SongWriter 2007 and modified EQ with Audacity. Samples used by Finale are horrible, the piano in particular and rhythm is very robotic. Since I am not well acquainted with Reason and FL yet, I cannot produce at this time but I would like to get this thing submitted so if there are arrangement issues with the judges I can continue working on it again or move onto another arrangement submission. PM if you are interested after listening to the file. If you want MIDI or mp3 to check out, I can post it online and send you the link. Kevin

More drums?

I did a sparse cover of this several months ago. I just hit the bricks again and tried to layer the sound better. It still sounds sparse to me and I am having a writer's block on more ideas. I'm planning on putting in two more solos, one focused on a duet with pizzicato and sax and another focused on violin and the sax, and of course a better finale. Please let me know what you think!

Do you recognize where this source tune is from? I want to work on a rearrangement for it.

Do you have any notation on this? I would love to put it all together in the way it sounds on your track.

I like messing around with Audacity and making long compilations of people's remixes on one theme. This one is with Alex's marble zone remixes from The Cynic Project. I've spoofed up little areas here and there to keep it interesting for myself. I didn't mess around with 'lost marbles' as much as I might have, but it is 6:00 in the morning now, so I'm going to bed. Props to Alex as he puts out awesome music, remix or not. Enjoy the spoofs, it changes it up! Part 1 of 2 Part 2 of 2

haha, what? You got another wip coming soon? I'm really into the two demos you already have. sweeet.

Hadn't heard this in a while. haha this was a cool mix.

Hmmm, I'm trying to find a way to replace the piano samples I have for finale. I'll repost with the new sample when I figure it all out. haha finale is really not that great of a program for sound quality!

I've only listened to the most update version and not any previous ones. I wish I could hear your leads in the soundscape better. You need to balance it all out! Then I would definitely love this, it's beautiful! If you cleared up the soundscape, I think this would pass. For instance in the beginning, I want to hear the strings a little sharper, but still be in the background. It would sound awesome and you would be able to hear your application of its strong supportive element, specifically feeling the way you wrote it.

I rewrote some of the arrangement and touched up the panning with Audacity. It's only half rewritten.