Leaderboard

Timely: The Retro Hour podcast has a worthy, worthy interview from the man in their episode #113. I find it fascinating that he didn't really come from gaming into game music composition, the story about how he got fired was pretty funny too. Worth a listen! He is also in episode 107's UK game composer panel from All Your Bass festival, alongside Rob Hubbard and Graeme Norgate.

I'm going to change the tag on this to "complete," since xprtnovice declared it ready to sub, but I think all three of us are of the opinion that there are still minor tweaks that could improve the mix; feel free to continue tweaking and posting updates, or go ahead and sub it to the judges. Best of luck!

[This is an automatically generated message] I've reviewed your remix and have set it to Completed status, indicating that I think your remix is ready to be submitted to the Judges Panel. Congratulations! If you feel like you still need to work on your track and want more feedback, you can change the prefix back to Work-in-Progress and we'll go through the review process again. If you decide to submit your track, please change the prefix to Submitted after sending your email. Thank you!

2ND EVAL PER REQUEST: I really enjoy the overall improvements made in Version 2 of this tune from a production standpoint. The piece has solid mixing and sound overall, with nice support on the low end. I think the lead guitars can come out a lot more around 1:50-2:15. It gets lost in the background for me, particularly because, as Taucer pointed out, the arrangement is relatively conservative. Bringing the guitars more to the front might make the variation pop a bit more. Otherwise, I found my attention drifting away, even though we had some pretty great lead guitar stuff going on. It's likely ready for a submission.