Audity

@HoboKa @RozovianEither of you still have this, 13 YEARS LATER? Ha. I know someone with Hard Drives (just daunting to go through, though it might not be on them!), so no biggie if you didn't want to keep whatever this even sounded like (don't recall).
But yeah I take way too much time to develop music, and every new change is like mind-blowing to me that I could've even made anything at all. Haven't tried in a long time.

I agree that it's close to the ol' "Love Hurts" as far as overall musicianship. Took me awhile to realize until the next day, since I was fatigued listening to so much other music the night before. The lead synth is more pleasing than the one in "Make Me Dance", and the overall mixing of sound is better.
I think for the offbeat claps, it's better to treat the whole track as if those are always there, and then be pleasantly surprised that the constant groove is present for the rest of the piece, rather than being disappointed via the other way around! Perspective! That section is always going to be confusing to anyone who is first listening to it or hasn't listened in a long time.
It's got more enjoyable sections than The Sveldt, too. Overall, it's worth your time! Especially if you love the imagery of that disastrous level of Star Fox being turned into a funk land. (Actually I beat that level first try the other year, but maybe it was dumb luck, or it could've been that it's easy. I seem to remember some bird randomness bringing quite some chaos when younger.)

finally found an upload of this on youtube:
Hopefully anybody familiar with this song will find that amusing.

Well... it's 13 years later but, I think it's worth a bump... somehow this thread through a series of chain reactions ended up getting the song to be briefly featured in a summoning salt video at exactly 13:37 timestamp:  
 

Lesson would be to save WAV backups AND project backups. At least if the project files are borked, you have a lossless version laying around.
Regarding what Audity posted, I have lots of WAVs and we'll do something with them later, but it's duly noted.

Absolutely incredible imaginative as all get-out track that could have all sorts of interpretations.
I think it has unique additions in its second half, to add insult to injury when it comes to continually bringing the hurt (of infinite musical inspiration!).
Maybe as some sort of prog rock thing (just to get the creative juices/inspirations floating, in any common-folk reading this), but could be literally anything!
I haven't posted here in years, almost to the point of absurdity that I would ever have any newfound purpose for doing so. But this has awakened my soul back here.
... CALLING C-JEFF!? ...One can dream.

Absolutely incredible imaginative as all get-out track that could have all sorts of interpretations.
I think it has unique additions in its second half, to add insult to injury when it comes to continually bringing the hurt (of infinite musical inspiration!).
Maybe as some sort of prog rock thing (just to get the creative juices/inspirations floating, in any common-folk reading this), but could be literally anything!
I haven't posted here in years, almost to the point of absurdity that I would ever have any newfound purpose for doing so. But this has awakened my soul back here.
... CALLING C-JEFF!? ...One can dream.

The only experience I have with SMS is hearing djp gush about it endlessly, hence making ReMixes for it, thus eventually inspiring me play the first Phantasy Star back in 2002 (on emulator, and once more in 2015 [on the same emulator for the most part, until I realized there are way better ones after more than a decade passing, somehow successfully transferring the save files over despite them being a different file type, by simply renaming it to them, with no guides on how to do that that I'm aware of]). I think it's equal to, or better (this, personally), than FF1 for the NES. I have not thought about listening to the rest of the system's library of music even once, though, despite really liking the music to Phantasy Star. Then I ran across this video with fully mysterious to me music, making it a nice treasure trove.
 

 
The music is really bright, less gritty than NES perhaps, making it relieving to hear, as a contrast I suppose. Maybe the NES has better variability, and sometimes layers, even smoothness (however, Galaxy Force is sounding really smooth right now!), though, and maybe some better musicians, overall, too. Maybe the atmosphere given as initial influence for the console's creation was primarily being overly happy-type music (also true since the samples bring that out), so that's the line artists went with, for a larger portion for its library. Yet there are still tense tracks, like the one at 25:35. Like the NES, it seems to require taking a break before listening to too much; but maybe a more refined or thought-out list could prevent that.