CJthemusicdude

For the first time, I'm going to write a review on my own track, because this track has a lot of emotional weight attached to it. My writeup for this remix was intentionally terse because I didn't want to let on just how much I had invested in this remix. But now is the time for this track to get its' flowers and also to share some personal thoughts because I am soft retiring from making remixes (again) This remix is my favorite audio thing I've ever released on the internet. It is the only remix I've ever made that I have remixed numerous time for my own listening. I think the main reason I like this remix so much is because I got lucky and struck gold with the sub bass tone I got during the chorus. It is kind of absurd just how obsessed with this track I was when I was working on it. It's all I could think about. I listened to this remix with every pair of headphones that I had, not just my new ones, also in the car and laptop speakers. I walk alone often at work and I would be always listening and writing down notes about what I would change when I got home. I did this remix almost entirely in headphones (Like all my remixes) and it took a week or so after I submitted this remix for my hearing to go back to normal. I was intensely proud of this remix, but I am also not proud at the same time. Like a lot of my musical works, I didn't sound design anything original, I altered presets and used a bunch of samples. And at the end of the day, my production level isn't anywhere close to where it would need to be to be commercially viable. Some people know that I recently went on a review bomb spree. This was partially to try and give back. The whole reason I did this remix and in fact got back into making remixes was because I got a nice comment on a video. That's all it took. I know how much power a comment or review can have so I wanted to spread that around. However, my review bomb wasn't entirely altruistic. Truth be told, the biggest reason why I went on the review spree was because I was working on this remix and I wanted people to hear it. I immaturely figured that if I reviewed a bunch of remixes, that this remix would get more attention when it came out. My plan didn't work lol. I also sent this remix to friends and family, something I usually don't do. I was so proud of this remix. The response I got was essentially a giant single thumbs up from the world, a quick nod of positive acknowledgement before it fades into the internet ether. I don't blame them though. After creating this, I went on spotify and listened to random solo artists from my favorite edm genres and proceeded to remember how much better at production every single artist I listened to was. What's sad is that some of these artists don't have a ton of traction view wise themselves, what hope would I ever have? With the current music landscape being what it is, and with me approaching 40 and with ai on the rise, I don't think I have a place in the online music space anymore (Not that I had much of one to begin with.). I still have a couple of remixes in the judges queue, they were remixes I was working on while Twin Fire was waiting to be posted so I figured I might as well post them and tie up any remaining remix loose ends. I am still proud of this remix in of itself and I enjoy listening to it, so I don't regret making it. Keep awesome video game soundtracks alive!

I gave the original a listen, and while it sounds amazing in its' own right, I kind of like this version better. The section from around 1:07 - 2:30 was great stuff. Those sparkling bell tones were on point, as well as the all the little percussion elements. The drop at 1:04 was quality.

This was and still is an amazing piece of music. Everything from 2:24 to 3:20 is pure musical greatness. So smooth, powerful and moving. This remix has been the backdrop of many a moment in my life, and has earned its' spot on my music library where it will remain!

Just came here to say that this song still rules.

So good I had to review twice. The buildup at 3:18 is pure ear candy and the drop at 3:44 is what dreams are made of. This is music. This is art.

Today's remix review is brought to you by the letter V for vocoder. Before I get into the review, I wanted to preface and say that I am going into this remix blind, I am not gonna read any of the blurbs or other reviews so I don't have any other context clouding up my own review. I am very familiar with the FF7 OST so I have all the background I need to give this remix an in-depth look. "Hurry" was never a favorite of mine, it always felt like a necessary track for the OST, but not a stand out. It does what it sets out to do. Onto the review! I listened to the remix in one pass first without stopping to get a general view of the remix and how I felt about it. Overall, the remix felt like decent background music. The kind of music I would have in the middle of a playlist while doing chores or something. The remix fits the original well in terms of tone and how it is presented. I enjoyed some of the arrangement decisions made in regards to the original. The vocoder spoken word absolutely blindsided me but we'll get to that. The first 6 seconds of this remix are my favorite part about this remix. When that bass first kicks in, I was excited. The bass tone was fantastic. It was punchy, it hit right square in that good bass spot and set such a deliciously good tone. I was in it. i was locked in. And then we run into one of the remixes biggest issues in my humble opinion, the drums. We get our first taste of the percussion at :07 and it is IMHO weak sauce. I am admittedly a Drum & Bass style drums hater, but I will always give them a chance and will applaud and respect when it is done intentionally and well. I was just really not feeling the drums for most of this. The percussion from :07 to 1:22 felt so bland and uninspired. The high hats that come in at 0:25 drown everything else out percussion wise and they get real annoying real quick. The drums end up feeling like a miasmic wall of unnecessary sound. Some of this could have been fixed with some good ol DB changes imo. A big part of the original IMO was the panning tick tock wood block that occurs throughout, helping to emphasize the urgent nature of whatever situation our spiky haired friend had gotten into. In this version I DO hear a little baby wood block early on. I wanted to hear more of it, or more of a lot of the percussion but it's drowned out by the diva high hats. Thankfully in the middle section I can hear a kick and a snare and I feel a semblance of structure, but a little too little too late for me. The remix overall washed over me like a dense fog, and I blame the majority of that on the percussion. During the vocoder section the percussion IMO should have been far more muted or even non-existant. I did enjoy the synth that came in at 1:37, it mixed very well with the guitars (Which I also enjoyed.). 1:37 to 2:24 was some very solid stuff, I could totally get behind that as a baller instrumental/background remix. But then we get to... the vocoder. If I'm being honest, I actually do not mind the idea of vocoded spoken word in this remix. It provides a desperately needed break in the action and if tweaked a lot could work well. I myself have used vocoded spoken word/lyrics in songs/remixes past. They did not age well though (And they weren't really that great when I made them, lol.) The vocoder spoken word here is not a good fit AT ALL though. It has a couple major problems. One being how they entered the remix. There is a teeny little buildup of a "Whhoooop" at 2:24 and then BAM suddenly vocoded spoken word. It was so jarring that I had a physical reaction. I was so befuddled, it felt so out of left field. The bigger problem for me is the lyrics themselves. The song is called "Adrenalyne Kyck" and cements itself as an energetic and frantic sort of remix, so I already had a concrete vibe in my head of what this remix was going for. So imagine my surprise when a spoken word suddenly starts talking about the DEATH OF LOVED ONES. The lyrics felt so wildly out of place that I had to listen repeatedly to try and grasp what the flying fudge monkeys was going on... and it turns out to be a quote from Kitase regarding Aeriths death, a quote I was unfamiliar with until today. I think the quote is beautiful, BUT... (Side note: I take umbridge with this quote in its' relation to FF7. It is a beautiful quote on its' own, but like.... the quote says death comes suddenly and there is no notion of good or bad. Aerith (A clear good) was MURDERED by Sephiroth (A clear evil.). So I disagree heartily with that connection because there is a very clear notion of good or bad in that instance. Aerith didn't randomly trip down the stairs. She didn't get game of thrones'd in some morally grey area. She got murked by the most clear-cut antagonist this side of the Mississippi. It DID come suddenly and was a huge shock and led to some wonderful storytelling and discussion about death. I am thankful to this remix for introducing me to the quote.) So we've got this wonderful emotional quote from Kitase... and it is brought to us in vocoded form..... that is not a choice I would have made. The quote/vocoded form just feels WILDLY out of place in this remix. 2:49 - 2:51 was great, a much welcomed slice of variety and a cool transition. 3:30 til around 4:04 was very solid. The build up was actually quite good and I was excited to see how it would payoff! But at 4:04 it just abruptly cuts off like someone just unplugged the guitar. It felt like it was building up to some awesome ending and then just CHURNK. I listened to 4:02 to 4:05 like 10 times, it is just....bad. Just when the percussion was needed the most to help drive things home it just record scratches and the protagonist wonders how they got there. I don't mean to harp on the ending too much but it is really distracting, especially since the lead-up to 4:04 was really cool. So overall, while I am not the biggest fan, this is nowhere near a BAD remix. I fully support the artistry and anyone who enjoys this remix! Rock on. :)

The percussion in this remix is 🔥

This remix is an absolute gem and has stood the test of time. It packs emotion and fun into a tightly knit package of musical goodness! Great from start to finish.

I came here to pay my respects. This remix is legendary. It is incredible and always has been. I also downloaded a different version that you posted, which was also very good. It takes everything good about the original source and ramps it up to 11. I still have this remix in my library after all these years.

Wow! This was great! Thank you for making this awesome remix!

This is fantastic. Excellent production and variety.

This is really, really good.

I heard Alex's work on youtube already, I had no idea he submitted something to OCR. This remix is absolutely fantastic, definitely one of the best versions of "Attack on Dollet" out there. The transition around the 1 minute mark was expertly done. This remix injects a substantial amount of epic into an already epic source. Great job on this!

For what it's worth, I think this is cool! I really like the bass starting around 1:45.

Those first 30 seconds are nothing short of amazing. What an excellent way to start a remix. Cool wubs and even cooler arrangement! 😎