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Ybrik Metaknight

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    115
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About Ybrik Metaknight

  • Rank
    Goomba (+100)

Profile Information

  • Gender
    Male
  • Location
    Little Rock, Arkansas
  • Interests
    RPGs (Japanese and Western), platformers, puzzle games, fighting games, comic books (mostly Marvel), college football (Go Frogs), writing, editing

Converted

  • Biography
    Go Frogs.
  • Real Name
    J a r o d D a i l y
  • Occupation
    Technical Writer/Editor; Writing Tutor
  • Twitter Username
    jadaily
  • PlayStation Network ID
    YbrikGoFrogs

Artist Settings

  • Collaboration Status
    2. Maybe; Depends on Circumstances
  • Instrumental & Vocal Skills (List)
    Trombone

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  1. Fun mix showing a little love to a catchy and criminally underused soundtrack!
  2. Anyone else notice the quote of "Prologue" from A Link to the Past? It's the "broodier minor key development at 1:14" that Rexy noted in her judge's decision. Shouldn't that melody be tagged on the mix page? Also, Nice Work as usual for Rebecca! Short sources can often make for some fun mixes like this one!
  3. I always liked this source, and it lends itself very well to this kind of experimentation. Very fun mix!
  4. Fantastic mix, very relaxing! Very nice job of blending the two popular themes. I have to take issue with it being classified under FFIV, though. The only FFIV source is Prelude, which of course is one of the most frequently recurring themes in the FF series. In particular, the FFIV version of Prelude is, on a fairly basic level (i.e. ignoring specific instrumentation, soundfonts, etc.), musically identical to the versions of it from FFV, FFVII, FFIX, and, relevant to this mix, FFVI. In other words, I don't get what makes this an FFIV/FFVI mix (classified primarily under FFIV), and not ju
  5. That's really too bad, because you're missing out on some really good stuff. The debut album (Materia: FFVII Remixed) was absolutely awesome. I think Successor (FFVIII) is more hit and miss (like a lot of sophomore albums), but it too has some really good tracks in a lot of different styles (if you like this track, check out Ruby Toung's Valse for the Moon from that one, I think it's on iTunes and other digital distributors). Zodiac, the FF Tactics album, and Spira, the album this is from, also have a lot of fantastic arrangements, many of them classy, minimalist, and organic like this one. An
  6. Very neat treatment of a fun, if frequently covered, source material. I've always liked Dragon Roost Island, and while I feel like there are quite a few arrangements of it out there, I definitely dig this different take on it.
  7. This is a very solid mix. While I must admit that it's not one of my favorites from this album, simply because this style isn't my favorite, a fresh listen today has given me a little new appreciation for it. I'm not huge on hard rock remixes of most RPG music, this one is quite clean and very recognizable, and I really dig that slower, softer bridge section, which really ties the whole thing together quite well. I also want to give some love for this album on the whole. It's one of my favorite large-scale project albums from Materia Collective. It's not as good as Materia (FFVII), but it
  8. I remember UnMod, and I remember a few of these names. I don't know how many here actually remember me, but I spent about a year really active on OCR, circa 2003. I eventually migrated over to OneUp Studios, which was my online home for many years (I also went to more OUS gatherings than I can remember) before it too died off. These days, most of my online interactions happen on Facebook or, occasionally, Twitter. I miss old-school message boards, though, and I pop up here occasionally.
  9. How interesting that I get a pretty heavy Secret of Mana vibe from this mix! Maybe it's just Rebecca's usual style shining through; her mixes always lend themselves to the same feel that Kikuta's two Seiken Densetsu soundtracks often had for me. At any rate, this is some very enjoyable treatment of a relatively obscure Zelda piece. Nice Work!
  10. So the mixpost doesn't direct to this thread, so that's weird... What isn't weird is this mix. Trance is an odd genre for me; I'm not super into most of the electronica-related genres, preferring more organic sounds most of the time, but for some reason trance tends to grab me more. Still, I'm never quite sure what to expect when I start listening to a mix like this, particularly on a source material that has not only been covered pretty extensively but has actually been done in this style before. I needn't have worried, because this one rocks. I found myself sort of dancing in my c
  11. Holy crap, this remix is crazy! In the best possible way! I'm generally not a huge fan of chip-heavy mixes, but I've always thought it works really well with Kirby for some reason, and particularly this game, which is very near and dear to my heart. I didn't really notice any of the transition problems others have mentioned, at least not enough to pull me out. Great mix, start to finish. Edit: Oh, and on a second listen, I'm really, really digging the transition that starts around 7:50, leading into Gourmet Race. Awesome stuff.
  12. Cool mix! I love the mixture of vibes here. I love it when an old standby gets a new and unique treatment. Definitely a solid arrangement of my second-favorite DKC2 source (I like Forest Interlude ever so slightly more than Stickerbrush Symphony; it's super-close). Nice Work.
  13. This is my favorite track from a very solid album. My one and only complaint is that it isn't longer! But oh well, that's why God made the repeat button. Such a fun mix of a source tune I've always loved.
  14. The arrangement here is fantastic -- and I particularly love the selection of the Link's Awakening overworld, which I feel is a highly underrated variation on the main Zelda theme. Other highlights of the arrangement are Saria's Song (I prefer that title for the track to differentiate it from ALttP Lost Woods) and Hyrule Field. Unfortunately, I found the synthetic samples quite grating in many spots, particularly toward the beginning; being a brass player, synthetic brass always bothers me a bit. However, I can't let that drag down my opinion of the mix too much -- after all, relatively f
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