Uffe von Lauterbach Posted January 24, 2023 Share Posted January 24, 2023 (edited) I'm trying to come up with a composition where it sounds like you'd be in the sky or floating. I don't want to rely on synths to create this atmosphere, and I don't want to use the whole tone scale, either, since that feels a little generic when it comes to something sounding otherworldly. Are there any other chord progressions that would achieve this feeling? Or perhaps some descriptions like making the notes sound like they're swaying the wind and relying on triplets to create that feeling. Anything would help. Thanks. Edited January 24, 2023 by Uffe von Lauterbach Quote Link to comment Share on other sites More sharing options...
H36T Posted January 25, 2023 Share Posted January 25, 2023 (edited) Personally, I feel as if it's less about any particular progression and more about what's being placed around it. Like where did the song come from, where it's going, and the spacial aspect. Also, voicing really helps and timbre as well. To use a metaphor I guess, the feeling of floating also necessitates experiencing the feeling of being grounded. Or at least knowing that feeling. So you have to have that base around the feeling or else there really is no magic to it. In short, I believe replicating that feeling in music is imo, not something that comes simply down to a chord progression but everything around it. I'll point to a personal example and one from a well known composer. So in a piece I'm working on right now, at about 1:50 I think I achieved the feeling of floating or at least I always feel like I'm floating haha. The chord and the progression to it isn't particularly interesting imo but it's the build and the atmosphere that help take it there. Also, windchimes always help everything sound beautiful and angelic ☺️ https://drive.google.com/file/d/1rvdaLltuhBEQlTqk6wGppcF3DgEzztsM/view?usp=drivesdk Mahler's 2nd symphony the last movement. Oh man....oh man. I feel like I'm going to just rise and ooof. Help lol. At around 5m until the end is just a clinic in tension and power. Wow. Now there are some beautiful chords of course but on piano it wouldn't send me I don't think https://youtu.be/gQctkKJMgM0 Edit: also I'm pretty sure Leonard Bernstein ascended during this lol Edited January 25, 2023 by HarlemHeat360 Uffe von Lauterbach 1 Quote Link to comment Share on other sites More sharing options...
timaeus222 Posted January 29, 2023 Share Posted January 29, 2023 (edited) I might return with something more detailed, but the simplest way I think is to take your leitmotif and repeat it in a higher mode. Basically a similar melodic contour on a higher 'key' with the appropriate adjusted chords. This came to mind: This video also talks about using this technique, not necessarily to feel like you're floating, but just as it was used in its time: Edited January 29, 2023 by timaeus222 Uffe von Lauterbach 1 Quote Link to comment Share on other sites More sharing options...
Nase Posted April 27, 2023 Share Posted April 27, 2023 shifting sus4 chords around seems a good start for one. airy feeling for sure. 1 5 7 12. transpose however you like, always sounds kinda neat. Quote Link to comment Share on other sites More sharing options...
Tachy Bunker Posted August 7, 2023 Share Posted August 7, 2023 Using chromatic mediants, sus chords, and augmented chords is the usual, but you can always make them sounds fresh. Quote Link to comment Share on other sites More sharing options...
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