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Showing content with the highest reputation on 04/17/2016 in all areas

  1. So I did understand you right, and so my answer to: " Do I only hear the left or right panning? " Is the same; you will hear just one of the channels. Suppose you lose the right channel, all you will hear is just a mono signal of what's in the left channel. When the sound from the Canvas is hard panned to the right, there will be no sound at all. When it's panned to the left, it's the loudest. You need to wrap your head around the fact that there really isn't such a thing as left or right in signals. Stereo RCA out is two cables carrying separate mono signals. One is the "left", one is the "right". Panning the Canvas sound is just changing the volume balance between the two mono signals. You're shoving 2 mono signals via one connector into 1 mono input on the Behringer, and so one of them gets cut out. Let me say that again. You're shoving 2 mono signals via one connector (the 1/8" jack) into 1 mono input on the Behringer, and so one of them gets cut out. TO CONTRAST, the line-in on your computer knows how to process both of those channels. It is different from the Behringer. I'm not sure how to make this clearer at this point. There's only so much an explanation will do for you, you have to actually play with the technology to see it working. Would you like me to make a diagram for you? Would that help?' P.S. Don't tell me how to use the forums. I don't post here just for you, I post for everyone. Also, WHY are you using an audio interface and then just putting it into your computer's line-in anyway? That doesn't make any sense. That just brings the noise back. There's a USB cable on the back of the Behringer. You hook it up to your computer via USB and have FL Studio read the audio directly from the Behringer box. I think the reason for the confusion is that you're trying to record into this box and then direct monitor the Canvas sound straight towards the Behringer's outputs and then fire that out of the box into another cable into your computer's line in. It's unnecessary. Eliminate the computer line-in entirely, that's what you need to do.
    3 points
  2. Interesting song choices from this OST - the originals add a lot of dark texture to the approaches to Super Metroid's boss fights, but they don't get covered too often for remixes. I agree with Smooth4lyfe that the intro is pretty lengthy, I'd rather hear you get into those dramatic drums just after 1:00 a bit sooner, they're very effective. Shaving off as much as 30 seconds from the intro could make it too short though, so you might explore adding some more sections to the middle if you go that route. I also found myself wishing a bit for slightly more deviation from the originals. The instruments you do this best with, I think, are the high strings, there's some nice new melodic progressions there. But the bulk of the remix has Tension's bassline going on in a fairly repetitive fashion, so maybe experimenting with the bass more here and there is something you could try. The brass in general I also found to be kind of artificial-sounding and lacking in punch and realism, so if you have access to any other samples, perhaps give those a shot. Nice inclusion of the monstrous growls and rumblings towards the end too - makes me feel like I'm about to fight Kraid or Crocomire!
    1 point
  3. Personally I thought the intro was kinda long before the actual beat comes in, but that may be what you intended. I like those drums, it adds drama to the track...I like the track, seems to be mixed well...awesome job
    1 point
  4. I'll do my best to reach that WIP date. Just need to get some good inspiration...
    1 point
  5. Kat

    MnP 52: NieR - Grandma

    Drat, I just realized I uploaded an older version. Did a last minute export and got a silly division by zero error and I must have reloaded the wrong one in my haste. Oh well, I'll get the right one tossed into the workshop later. You can listen to it here if you want to(but vote in regards to the one that was uploaded to thasauce) I believe it was mostly the midi.
    1 point
  6. I noticed a lot of mixers had the same type of note inaccuracies in the lead melody, was that from the midi or a coincidence that everyone wrote it differently? Not making a but just curious whether it was the MIDI or an altogether unique occurrence, which in itself would be pretty impressive if that was the case. Really digging the entries but I have no idea how to vote between them. I don't know what to pick... gosh... I felt like everyone put in great efforts, so it's kind of a disservice to have to pick a numbered list of the other 3 entries.
    1 point
  7. I'm really digging this. My only "complaint" is the key change at 2:15. It works really nicely, but...I feel like there's room for more exploration before simply going up a half step. I realize Hopes & Dreams does it the same way but it still left me wanting a little more. That being said, this is still very enjoyable.
    1 point
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