Liontamer

Man, I love this track, John, and it would have been a shoe-in back in, say, 2002, but it's just too short and underdeveloped for the current bar. It's well in the right direction, because what's here is interpretive and personalized; it definitely does a great job adopting the FEZ instrumentation style to OoT's title theme. However, at barely 2 minutes with a slow tempo and just one playthrough of the theme with no variations afterward, I'd argue it doesn't develop the concept enough and go to some other places. Even another minute's worth of this with some other variations or ideas presented could be enough to realize more of this idea's potential and get it posted. We'll see how other Js feel, but to me, the arrangement sounds great yet isn't substantive enough. It's not just a matter of song length, but the overall level of development. NO (resubmit)

A cover of the title screen music of OOT, in the style of FEZ OST. - Remixer name: audiosprite - Real name: John Fio - website: soon to be audiosprite.com; currently soundcloud.com/audiosprite - Number on forums: 25609 - Name of game: The Legend of Zelda: Ocarina of Time - Name of arrangement: Fez of Time - Name of songs arranged: Title Theme - Composer: Koji Kondo - Inspired by Disasterpeace's synth lessons up on youtube, eg (https://www.youtube.com/watch?v=PH04VJ8jxvo) Thanks for listening, John -------------------------

The light electric guitar work in the background at :55 after the sax took over as lead felt like aimless noodling and didn't add much, but it's not invasive or anything like that, so I can look past it. The arrangement opened pretty strong otherwise. The extended sax comping was odd (e.g. 2:18-3:39) and aimless, which was more of a problem for me. Also, when is the source tune coming back? It's not enough to just improv stuff over a loose chord progression, but that's what happened from 1:52-on without looking back. While I liked the energy of the guitar work at 3:40, that changeup was a chance to swing back to focusing on the "Dearly Beloved" theme. Finally going back to it at 5:01 for less than 30 seconds was merely paying lip service to it. IMO, even if you timestamped this and counted some of the loose usage of the theme on the keyboard, the source tune isn't used in a way I'd consider dominant when thinking about the standards. Aside from some issues where the improving sounded unfocused for too long, this was a solidly produced and performed piece, Chris. If you performed a version with more focus and explicit usage of the Dearly Beloved theme, and reigned in some of the more aimless comping, this would be on very solid ground. NO (resubmit)

MP3 Link: Name of Remixer: Geeks and Guitars Real Name: Chris Chirico Email Address: Website: http://www.youtube.com/geeksandguitars Userid: 53743 (geeksandguitars) Submission Information Name of Game Arranged: Kingdom Hearts Name of Arrangement: A Song For My Beloved Name of Individual Song Arranged: Dearly Beloved Additional Information (OC Remix Song Link): http://ocremix.org/song/21211 Comments: I previously submitted a track from Breath of Fire 2 (http://ocremix.org/community/topic/40780-no-breath-of-fire-2-the-two-winged-princess/). Many thanks to Emunator, Palpable and Nutritious for taking the time to listen to it and the feedback! I decided to submit this track in my second attempt - a much different feel than the other but hopefully it'll have a better chance of being considered a remix instead of a cover due to the instrumentation, variations on the theme, improvisation and additional chord changes that I added. Really hope you dig it! ---------------------------------- 12:00 of the video

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https://www.reddit.com/r/IAmA/comments/477lni/we_are_overclocked_remix_releasing_3000_free/ Ask us some questions!

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Ruh-roh! I certainly hope they get things on point, as all of those issues are very unfortunate. Big game releases can be pretty iterative these days, but the core things like network responsiveness and stable animation need to be rock solid. EDIT: How's the music at least? I loved the music used in this trailer (starts at :39):

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Thanks for everyone's submissions! I've been busy watching after my new daughter but will be on this so we can expediently post more DD this month. I'll see what's up about another callout for March.

Seemed fine to me. If any more tweaks need to be made, go for it, but it looks ready for primetime.

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Checked it out and just co-signing on this, including that, while inspired by boozinwalsh, this is 100% its own standalone arrangement. Wonderful debut, Giorgio! YES

$0. AMA.

Hey, everyone, we're participating in an official Reddit AMA on Tue., Feb. 23rd in celebration of Fair Use Week! We hope you'll join djpretzel, myself, and the legal eagles from intellectual property & open Internet non-profit Public Knowledge for the AMA! Feel free to check out our 2013 self-AMA if you're already in the AMA mood, and we hope to field more questions later this month. It starts at 12PM Eastern US time, and goes until we're done answering every question. I'll keep checking back every few hours for a few days, so you're not too later if you ask a Q a little later in the day or week as well! ASK US ANYTHING about VGM, copyright issues with arranging game music and putting it out for free, how OCR is run, what you want to see or improve with the site, and any other important questions you have!

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GET ON IT

No problem with that title.

NOTE: We'll need to get an encoding in 44kHz stereo instead of 48. The mixing was definitely not ideal (the bassline in particular sounding boomy and muddy), and there was a distinct lack of high-end clarity throughout. That said, the arrangement & performances were both very strong, spirited stuff, and the overall production was solid enough where the issues aren't dealbreaker ones. I agreed with Chimpazilla on the panning being too wide. However, it was good that, most of the time, the wide panning wasn't disorienting on headphones because there was a lot of call-and-response work that occupied both sides, rather than only one side being imbalanced for long periods of time. Overall, nothing but fun with pretty good execution! Nice work, LBC bros! YES EDIT (3/3): This remaster sounds distant; the arrangement's too strong, but I'm actually a weaker YES on this version. Still YES though.

It's a cool track, but I'm going NO at the moment. Production-wise, it's very muffly & muddy during the densest parts (e.g. 2:09-3:01), the phasing/skipping from 2:09-2:54 sounds like a rendering mistake instead of a feature, the voice/SFX clips are too lo-fi (a minor point), and 2:09-2:48 sounds as if the melody was simply sampled directly from the Game Boy audio. Arrangement-wise, there's definitely some things in the right direction of the Standards, particularly the bassline being an arranged part of the source, and the rhythmic adaptation to trap. That said, the chippy lead sounds so much like the original, and there's not much interpretation of that. This does some good things in the adaptation to trap, I just felt there should have been more melodic interpretation, and also less direct sampling of the original audio. NO