Liontamer

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I essentially commissioned The Orichalcon's "Person, Place, or Groove?", so I'm glad it could serve as inspiration! Opens up sounding stilted, both the piano and particularly the drums, so the parts lack synergy. From :21-on, the bassline does register if I pay close attention, but it just gets absorbed into the background and isn't meaningfully audible, which was a problem throughout. It's just too subtle. I liked the tone of the lead at :44, though I'm partial to anything reminding me of the Sega Genesis. But does it genuinely work with the rest of the instrumentation? Throughout, the sparse percussion doesn't properly drive things forward, so that feels like the main culprit on why this doesn't click. I really liked the ending section from 2:40-on; great ending section (though there's a dissonant chord behind the last note at 3:08; it didn't hugely bother me, but I still noticed it). I didn't wrap my head around the arrangement, but without the "performance" feel cohesive, the arrangement's unfortunately a moot point for me. I'd love to hear another pass as this with smoother-sounding multitracking and bassline that registers. Great potential here, Dan! NO (resubmit)

Closer to a sound design-focused personalization of Ben's version as opposed showcasing lots of melodic & structural variation, but personalization was there, particularly the textures. From 2:19-on, the textures were sounding cluttered, and from 2:03-on the sequencing of the electric guitar synth doubled with the dulcimer (?) both sounded stilted. The end also faded down too quickly. No issue was a dealbreaker, just worth noting and something that prevented this from sounding as cohesive as possible. I appreciated how Keenan's 2:19 section pulled from 6:10 of Lena Raine's original source "Resurrections", but adapted it more for the mood of Ben Prunty's "Old Site (Black Moonrise Mix)"; nice blend and nod to both renditions. It's something where I wish the mood differed more overtly from Ben's version, but when you look a level below the surface, there's substance to the approach. YES

ReMixer name: BeanJammin real name: Keenan Lind email address: website: kl-music.com userid: 38010 Game: Celeste Name of Arrangement: Black Moonrise - Midnight Mix Name of song arranged: Old Site - Black Moonrise Mix Composer: Ben Prunty (remixed from Resurrections by Lena Raine) Original Soundtrack: https://radicaldreamland.bandcamp.com/album/celeste-b-sides Comments: First project I've worked on since I've found this community that is a proper VGM remix! This track was an ask from a custom mapper in the Celeste community for a campaign they're putting together, and I'm pretty pleased with the way it turned out. Hopefully I did everything right in the submission process here, please let me know if I didn't and how I can fix it!

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I refuse on both counts!

The soundscape certainly sounds nice, but it opens up like a straight cover, so we'll see where it goes. OK, there's finally distinction in the instrumentation once the beat comes in at :43. 1:20 further personalized the arrangement approach with the beat & bassline and some lead changes & SFX. Not sure why the highs sounded too piercing, but that should have been pulled back. Same with the beats that came in at 2:22; there's a piercing aspect of the snaps that's unpleasant as well; though it's not a dealbreaker, I'd argue that beat also plods. Fadeout at 3:12 was definitely a lamer one, and I'm not inherently anti-fadeout. It's gonna sound like I don't respect Martin and am making a leap in logic -- the fadeout, as it is now, does come off lazy in an "I give up" kind of way. You could have given that final section another 15-30 seconds with a minor variation, IMO, and then went for the fade. I liked the original countermelody brought in at 2:47, so varying that writing more could be the component that allows you to stretch some more time and substance out of the arrangement before the fade. The way this is mixed isn't as cohesive as it should be, which plays in part to the high end/piercing issues I'm having. I'm also not a musician or producer, so someone else would have to elaborate more on what's not quite working here. But does it get more right than wrong, and enough to tip it over the line, IMO? Yep. Some arrangement and production revisions ahead of posting this would be nice, but if that weren't possible, I'm fine with this as is; it's a reasonably developed concept. YES EDIT (8/29): Can't say I enjoyed the writing of the new resolution, but credit for making it seem off until the VERY last note that resolved it properly; I got a quick laugh out of that one. Still solid. EDIT 2 (8/30): And a longer version now. There we go, everyone's a winner. Thanks, Martin!

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I refuse!

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This is so, so great.

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Hiss fixed, vote fixed. YES Nice work!