100_PERCENT ROEMER

(and the 500% slower version too for good measure)

not a remix (yet), just a reconsideration of how to approach an iconic track... Slowed using PSX and FL PaulXStretch settings as follows Stretch: 9.9 FFT size: 0.61 Tonal vs Noise: 0.887 / 0.255 Filter low: 44hz Filter high: 16666hz Ratio 1: 1.000 / 0.250 Ratio 2: 0.454 / 0.500 Ratio 3: 1.000 / 1.000 Ratio 4: 0.781 / 2.000 Ratio 5: 0.316 / 3.000 Compress: 0.444 Free Filter enabled to produce EQ bumps at Solfeggio frequencies 174/528/963 Hz and cuts at 285/396 Hz

I have also done some preliminary tests using an onion instead of a potato and it shows great promise. Because the onion (unlike the potato) consists of concentric rings, it is possible to stab it just the right way with 1/4" instrument cables such that the tips occupy the same ring and conduct along that ring selectively. The membrane that exists within the interstitial space between onion rings acts somewhat like an insulator such that the sleeve(s) of the cable are able to ground together without interrupting the signal of the tip as much as the potato. Future recordings using 3 electric guitars as a microphone will incorporate both the potato for its natural distortion and amplification qualities, as well as the onion for its tonal quality. And I do love good quality onion rings...

The second album of "the microphone is 3 electric guitars". Free Bandcamp download codes still available while supplies last! Enjoy! https://100-percent-roemer.bandcamp.com/album/the-microphone-is-3-electric-guitars-unit-01-ep

Thank you! This track is part of an analog alt-project wherein I record piano but the microphone is 3 electric guitars. The signal path is then pushed through a high-voltage gain-stacked potato to create the abyssal sounds (yes, a potato). There are some videos on my youtube that explain how I accomplish this and it's very simple, all things considered. The tracks are mostly just single practice takes that I'm doing for fun, but I am currently working on an album with more structure (and vocals) to be published in the (hopefully) near future. Anyway! There are more tracks on my youtube and I also have a soundcloud for "the microphone is 3 electric guitars". Enjoy! p.s. i have a bandcamp too: https://100-percent-roemer.bandcamp.com/

The one-and-only "Potato Pedal" It's a potato juiced from 0 and 45 volts with 1/4" inputs Any type of potato works - size is inversely proportional to signal strength You can briefly warm the potato in a microwave beforehand to add warmth to the tone Potato in use:

it's called "the microphone is 3 electric guitars" because it's a piano but the microphone is 3 electric guitars. It's called "Blight" because the distortion pedal is a literal gain-stacked high-voltage potato (running pretty hot on this take at 45 volts).

Quoting to bump cockbee into 2025 with style on the same page I bumped cockbee into 2024 with style

this is what the tower of stars would have sounded like if the microphone was 3 electric guitars p.s. the electric guitar is a guitar too p.p.s. the old guy is out to lunch. he may or may not show up for the next chanting session.

track 2 of my album "the microphone is 3 electric guitars". In this album, I record a piano using 3 electric guitars as a microphone. It's called "the microphone is 3 electric guitars" because the microphone is 3 electric guitars.

FAMISYNTH

i love POTHOCKETS.wav