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#1
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What headphones or monitors (speakers) should I buy?
This is a discussion thread for headphones and monitors. Here is some basic info to get us started, feel free to post if you have anything to add.
HEADPHONES --------- * Avoid "listener", consumer-grade headphones. The goal of headphones as a musician is to hear the most accurate sound as possible. Some consumer headphones have features that try to 'improve' the sound somehow. You don't want that. * Ideally, you want closed headphones that cancel out noise. The reasons for this are pretty obvious. * Expect to spend about $50. If you don't have $50, don't bother buying anything, and save your money. Your listening setup is one of the most important parts of your workstation. Good brands:: - Sennheiser - Sony - AKG Recommended models: - Sennheiser EH2200 ($50-$75) - Sony MDR7506 ($100) - AKG K171 ($160) - AKG K240 ($100) MONITORS -------- Monitors are essentially like speakers. Typically you get two at a time, though a surround setup or a subwoofer is possible also. There are two kinds of monitors, "active" and "passive". "Passive" monitors require some sort of amplification system. This means you will need additional gear besides the monitors themselves. You will have to do a little more setup and spend some money on the amplification, but generally this will cost less. "Active" monitors have amplification built in, so you just plug them in and go. These are usually a little more expensive. * Most monitors below $200 have a marked decrease in quality. These "low end" monitors are consistently ranked poorly by professionals and trade publications, so ideally you want to get something in the midrange for truly accurate results. * Try to ensure that your room is a good environment for listening. In other words, you typically want a small room with little sound leakage, and some sort of materials to dampen reflections. This process is known as acoustic treatment. Even the best monitors are useless if you're in a terrible listening space. (more info would be helpful here too) * Make sure your monitors are positioned properly. (I know someone here has more info on this) Good brands: - Tapco - Event - Samson - Mackie - Tannoy - Alesis - Behringer (low end) - M-Audio (low end) Recommended models;
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Original albums, tutorials, videos, free music at zirconMusic Kontakt samples for composers & remixers: Impact Soundworks twitter | facebook | youtube |
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#2
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Re: What headphones or monitors (speakers) should I buy?
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#3
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I am in favor of both headphones and monitors.
__________________
"Like I want to be reminded of the fun time everyone else is having today with their significant others and I'm stuck by myself playing video games and making shty remixes." -Fishy
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#4
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Monitors > Headphones
Monitor price < Headphone price Ideally everyone could afford a pair of Mackie HR824's, with a virtually flat frequency response, but anyone lacking the $1,200 bones to purchase them turn to headphones. |
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#5
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I would not say that, [scene]. It's ultimately up to the ear of the mixer and how familiar they are with their setup. I've personally been using a pair of $50 speakers from Staples and $50 Sennheiser headphones, and I do just fine.
__________________
Original albums, tutorials, videos, free music at zirconMusic Kontakt samples for composers & remixers: Impact Soundworks twitter | facebook | youtube |
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#6
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Well actually there're more kind of "speakers":
- Active and Passive (which declares how they're amplified) - Nearfield, Midrange, Longrange Nearfield Monitors are for mixing. If you sit in front of them 2-3m away, they sound best. Midrange speakers are made for "consuming". In other words those speakers are used in a studio to checkup how the stuff will sound in a room where the speakers and the listener are far apart (starting with 4-5m). Usually you setup speakers in the corners of a room. These are for good "general checks", but can also be used for production and mastering of course (some even recommend those over Nearfield) Widerange aren't uninteresting for us. They're made for on stage purposes. You know... those big speakers in front of the stage, at the sides of it, etc. In other words... Live performance. The prices differ here too. Nearfields are 1/3rd to 1/2 as much cheaper than midfields. It depends on your the purpose you need it for. But generally you can say, if you work in a "small studio" (which most of us do), you don't really need midfields - nearfields are blend in with midfields nowadays anyway. There's no big difference anymore as in 10 years ago. Another important thing is... no branch is generally "bad" or "lowend" cause they're cheap. If you know how to handle the speakers, and you can live with the sound of it (and balance it out compared to other speakers), then you can do everything with it. Setting them up. You usually set them up at the height of your ears. Around 2m away from you, but not "straight pointing at you", but more like with a 30° angle towards your ears (like a piramid). The point where the acoustic preasure overlaps with each other is the so called "hotspot". THis is where you should sit. There a lot of other things involved to get the "right sound". Just look at goodle for "studio speaker setup" (also at sound on sound) and you'll find tons of information about that. PS: zircon, the AKG K141 are halfopen ones, and cheaper than the K171 closed ones. The K240 is at 79USD atm (regulary 160USD, at least that was it once) and the K141 are at 74,50USD (both straight from the US AKG page). However... the K240 and K141 differ drastically in terms of sound. Both are mixing headphones, but the K141 has a bit more boosted bassrange. |
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#7
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Personally, I recommend a pair of Sennheiser HD 600s. I own a pair and have to say that they have the best sound i've heard. They do run a bit steep... (about $250). I have also heard that they're a bit bright, but I havent run into that.
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#8
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Right now, I'm looking to buy AKG K271 (around 279 bucks Canadian here) and either a pair of Samsons (600 bucks) or KNK's (1300 bucks). Don't know which of the two monitors I would buy yet. I have no clue what the monitors models are - I should ask LP again what models they are exactly.
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"We can always count on Xelebes to tell us the things we wanted to know, but were afraid to ask Woody Allen." |
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#9
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The AKG 271 are "closed cabinet" ones. So you'll be cutoff from outside, and the outside from what's going on in your speakers. Might not be comfortable to you. I'd consider halfopen ones (example: K240) as long as you don't record vocals or other stuff.
Also a bit easier for the ear. |
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#10
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Well, for my purposes, I am quite used to closed cabinet headphones. I know why I am buying them. If I need to be wary of my surroundings, I'll use something other than the closed cabinets.
__________________
"We can always count on Xelebes to tell us the things we wanted to know, but were afraid to ask Woody Allen." |
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