Hi Goodman! What's here is an excellent mixdown of an immaculate vibe. Nothing I'm about to write in this vote is going to alter that opinion! I agree with Liontamer that this is a much more straightforward remix of the source, where our standards look for additional rearrangement to pass the bar. Below is my stopwatch timestamps for what I feel is source usage (which the sampled audio won't count toward). With 3m:28s (208s) of runtime, I'm looking for roughly 104s of recognizable material from the source track; ideally, it's using as much meat from the source as possible. This one is relying a lot on that Intro 3-note melodic motif while never really adding in the harmony voice from the source, nor diving into the arpeggio of the A or B sections fully. Aside from the transitional tag going from the A section to B section (@ 1:48, @ 2:19, etc), there's not much else that I can directly hear as a strong enough tie. We don't typically count bass note movement or the chord progression as source usage unless they are atypical, which is not the case here. Again, the execution of this track is undeniably good and I don't doubt that it would see success outside of OCR. It just doesn't have enough juice for me to sign off on it being above the bar. NO

Hey :) thank you so much! glad you liked it. yes i am very interested in joining your album collab. do you have more informations? have a nice day :)

Hey dude, if you are down maybe consider joining the Halloween album collab? Just noticed this and your ghost and ghouls mix and thought you could be interested. Anyway, I like the sound of the synths you used!

I re-listen to Threshold of a Dream from time to time and I wanted to check in and show my appreciation for this track.  Does the intro take some cues from the final dungeon theme of Zelda II, or is that just me?

Fantastic.