We'll definitely need a new arrangement title, yes.
On the production side, there were some brief moments where the samples were too exposed -- mostly instances of flat brass or unrealistic bow movements with the strings.
Arrangement-wise, the themes pieced together effectively, with a lot of care put into the transitions and flow, as well as personalizing the arrangements of each theme and providing good dynamic contrast throughout. The instrumental and textural changes kept the composition fresh throughout, the overall use of the samples was solid, and what this lacks in realism in places, it makes up for with creativity and energy.
Welcome aboard, Trevor!
YES