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Also, just for clarification: The record crackling and sound of a needle dropping are done purposefully in my song (it's not it hitting vol ceilings or artifacting). Although I made the joke about band class, I wanted to give the song an 'authentic' feel to it, like old mono phonographs and record players. Was me kind of remembering the old days when my folks would play old jazz and blues from RCA and Atlantic record labels back in the day. I feel old now... xD >.<;

Vote in. See ya'll in a few days.

So true lol. Me and you are usually the first entries. Well...except for when it's a tough one. I usually do a last minuter lol.

Love that tune! (Gosh... why is it so hard, to even come up with an idea? I listen to the tunes and they always sound perfect to me the way they are. And then you come up with remixes that feel so natural as if they were supposed to be that way from the beginning. Just: how do you do that? )

Welcome to the voting stage The mixing stage is over. This round has 5 songs and 1 bonus mix by Wassup Thunder. The following people compete against each other: TheVideoGamer Souperion Anachromium TheVodouQueen HarlemHeat360 To vote, do the following: Visit http://compo.thasauce.net/rounds/view/PRC422 and listen to all the entries Scroll to the form at the bottom of the screen or click PM. Fill in the entries from first to third in the ThaSauce form or fill in your top 3. Do not vote for Wassup Thunder. State a reasoning for it. Participants are encouraged to vote and leave feedback. They get a 3 point bonus, but they are not allowed to vote for their own track. Always look in this thread to find out who's the winner of the round after the voting stage instead of only looking at ThaSauce for the results. You have until Monday March 1st 2021 10:59 AM ThaSauce time (11:00 UTC, 12:00 GMT) to vote. If you vote by PM make sure that your top 3 is clear. I prefer something like this: (To) (Subject) PRC ### Vote (Message): 1: (remixer A ) 2: (remixer B ) 3: (remixer C ) (reasoning) The winner may choose the source tune for PRC424. PRC423 starts in a couple of minutes (Bomberman Hero - Redial)..

The problem with Schoenberg, Stravinsky and the like, is that if you are uneducated or unaware of these guys work (And to a degree background), it gets thrown in the usual garbage bin as, unwanted random dissonance, which only comes from those who just simply put it on, rather than understand why. When i was young i had to study this dude, (Schoenberg), and i did not enjoy his music at all, it was just unorganized, unfocused, it felt like some dude organising an orchestra of newbies to just to play their instruments, like no sheet music, just play randomly. But as i grew, and studied him, i learnt what he was doing, and why. He wanted to break free of the convential music norms society has so clearly tried to hold onto. He's basically saying "Hey, we've done major and minor for so long, let's try the other end. Let's make it the norm". And if you want the other extreme, Steve Reich and the like, challenges us to deeply analyse the qualities of a continuously endless, simplistic looped phrase. Steve Reich and the like, challenges us to deeply analyse the qualities of a continuously endless, simplistic looped phrase. Steve Reich and the like, challenges us to deeply analyse the qualities of a continuously endless, simplistic looped phrase. Steve Reich and the like, challenges us to deeply analyse the qualities of a continuously endless, simplistic looped phrase. Steve Reich and the like, challenges us to deeply analyse the qualities of a continuously endless, simplistic looped phrase. Steve Reich and the like, challenges us to deeply analyse the qualities of a continuously endless, simplistic looped phrase..... Also in response to the perfect pitch debate (Just thoughts by the way, not saying this is the definitive answer): 1. People always like to think you either have perfect pitch or you don't, which i think it's bull. You cannot just get it from birth, that's quite a intense view to have. So while i might have gone a bit heavy on the idea that you can train it, i still think there is a time period to when one has perfected their pitch. It's the same as instrument prodigy's. When you say oh "this 5 year old is better than me" (After watching a video of some kid shredding the piano), your really looking at a talented individual with parents who have really pushed them to their limits (IE, they have done more intense practice sessions on their instrument than others, which is often due to strict parenting). You can't just say they're better....well ok, i have to be honest (They're usually way better than me lol. Although i'm joking when i say this, they're pretty much self-esteem destroyers lol). 2. The minute you get "it" the minute you have it is also a problem. I think there is a time frame, in that you can build-upon your discovery, to really make perfect pitch more perfect. 3. Majority say it goes away when you age, to where if your older, you have a harder time. I watched a video from a dude named Rick Beato about it. It's pretty fascinating. Anyway's i don't want to ramble. Interesting perspectives eh? Since you play in an orchestra, you probably have more hands on experience than me, so take my response with a grain of salt (After all, we are forgetting the other key elements, timbre, texture, tonality, tone, rhythm, tempo, arrangement etc...)

Daaam this one's got an excellent taste. I love Bomberman, amazing choice!

Awesome! I love it when we all pile in on the last couple of days!

I think I might parody it a bit... >_>; Gonna have fun with this. ♡

Woot. Quite a few people in this time. See y'all after voting. o/ ♡