Well, this isn't fooling around, right out of the gate! No introduction, just straight into the main hook. So loud and spectrum-full that my moodbar visualizer is almost pure white. Very Gario-like electronica riffs, which is high praise. Then a break for some sped-up Pandora's Palace, harpsichord and all. Cop-out use of static as a transition, then an electronica version of Pandora's palace; it was an odd and unfortunate decision to have a weak transition when only the palette and not the source tune were changed. Then the finale: a hectic mashup of what sounds to me like every track on the source list, an 8-bit breakdown, and a bookend to finish off... or so I thought, until I discovered there were 30 seconds of piano solo at the end, for some reason.
There's a lot going on here, but it's pretty much all good. The soundscape is busy as hell, but it's barely muddy at all; there are only a few arps I'm losing, which I think includes the Cyber's World theme, but there's some stereo separation applied to help with that. Tons of sources, but this isn't remotely close to a medley. I think the use of the static transition was a shame, and the piano ending didn't add anything to the piece, but the weaknesses are few. Nice job.
YES