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Artist Name: SKYR3SH_MuSiC "Peace Village" I made this ReMix two years ago (2022), a few months after the release of the game. I remember when I first played Pokémon Legends: Arceus and arrived at Jubilife Village, I really felt a lot of peace inside, while walking around the area and discovering new things. Hearing this gave me very good vibes and feeling that everything would be okay. For that very reason, in my ReMix, I took the liberty of calling it that. It is a Colour Bass ReMix. Although this musical style comes from Dubstep, I made a melodic and relaxed ReMix with influences from Trance music, respecting at all times the original song. In my ReMix you can notice the use of resonators that make this genre unique, the sweet voice of Pikachu, and different drops. Games & Sources “Jubilife Village”, what a beautiful place to relax. This song was created by composers Go Ichinose, Hiromitsu Maeba and Hitomi Sato for the Pokémon Legends: Arceus video game for the Nintendo Switch console in the year 2022, where we return to the past of the Sinnoh region, Hisui. After listening to this song, I couldn't resist and shortly after I made a ReMix of the song, which I myself, again, recreated again from scratch but adding a few more things and in a different style, Colour Bass. I'll leave the original song in the following link so you can listen to it: Jubilife Village (Early) Theme

The notes at 1:21-1:25 felt awkward, but that was a brief bump in the road that resolved fine; otherwise appreciate this theme treatment a lot. :-) The mixing sounded good to me, with the parts feeling reasonably balanced. Fun performances and solid interplay between all of the parts for a very enjoyable, intimate ensemble! YES

Artist Name: Whispy Woodwinds Arrangement, Mixing & Master: Lucas Guimaraes Bassoon & Editing: Andrew Gossett Flute: GameroftheWinds Alto Sax, Clarinet: Steven Higbee No track rundown since it's basically all source. Wow, it's a been a bit. This is our third track since our initial debut as a band (our first being Parasol to the Stars and our second being Arle's Theme), and it's far from our last. I'll give a brief rundown of what's happened since. So we had our first performance at VGM CON - It wasn't as tight as it could've been, as we had a few issues. We regrouped and decided that with increased obligations in other places, it'd be better for me to hand my performing duties off. We also decided that an Alto Sax would be more fitting and less honky in the ensemble. I'm pretty happy with both of these choices, as it's allowed me to put in more energy towards arranging and production while I'm able to work on Lucas Guimaraes & The Dunites (more stuff to come from us... soon) and other projects more. This arrangement was originally intended for March Caprice last year, but life had other plans. I was increasingly busy for the first quarter of last year, promptly burning out after that. So I've had this arrangement for well over a year (we even performed it at VGM CON 24), but we were kind-of sitting on it. I spent a lot of last year really reflecting on who I am and going on an entire quest of self. Talk with anyone who knew how many projects I had going on: it was far too many. One year later and almost out of burnout, David Russell convinced me to sign up for this year's March Caprice. I decided to go back into this. I kept trying to fiddle with the arrangement, but then I noticed a funny thing: When I'm on the edge of burnout, that's when I tend to put out some of my best stuff but hate it the most. I actually fell in love with this arrangement all over again. Once I got the recordings in, I knew I had gold. This is the first mix for the band I've done and been REALLY proud of. Oh right, I guess I'm supposed to talk about the song. I tried to get a story in. I knew towards the very end I wanted that sax solo, which initially was whistling. Everyone got distracted from it in rehearsal, so we changed it to sax. I learned so much from having the experience of having my arrangements played live, both here and with Dunites. With the ending, I was really going for an isolated feel, as Hollow Bastion is pretty much the climax of Kingdom Hearts where there's a lot of themes on loneliness. I also wanted it to be very floaty like the original track, but not too floaty. One thing I was worried was that it was becoming too repetitive, as I didn't have a lot of deviations into original material, but I focused on making each of the repetitions as fresh as I could. Performances? Knocked it out of the park. I think it's leagues above our past two recordings. Everyone brought their A game. Mixing it was a bit challenging, as I really wanted to push myself for a mix that knocked it out of the park. Something that has personality while still sticking true to the conventions of chamber mixing. I think I've managed to nail that sweet spot. Hope you all enjoy :) Games & Sources Hollow Bastion - Kingdom Hearts

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Artist Name: Princess Al's Nuclear Jamboree Hello, OC Remix! I've loved you for years. Now I'm going to contribute what I've been working on. My favorite remix from OC, 'Prancing Dad' by Prince of Darkness was a real inspiration for this one. Taking the classic boss battle theme and aiming to have it be a good 4-5min remix without being too repetitive led me to take some creative liberties with the arrangement and approach, particularly with the last half of the track. I made a point of having the bass slightly muted in the first verse/chorus for an extra impact later in the song. Lots of attention was given to the drum approach, as I absolutely did not want to just blast-beat my way through this. My personal favorite part of this remix is right at 2:50 with the density of the mix bringing in the lead guitar again. And then I just decided to be ridiculous and add a guitar/synth solo section to finish it off. Anyway, I don't really know if this was what you were looking for as far as 'artist notes'. This is my first submission, so hopefully you dig it! Games & Sources FFIV - Battle 2 Source material for this track is the Final Fantasy IV 'Boss Battle' track. Or 'Fight 2' or whatever other names it has. We all know it.