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Nutritious

Contributors
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    2,201
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About Nutritious

  • Rank
    Judge, Portrait of a Plumber Director

Profile Information

  • Gender
    Male
  • Location
    Norcal

Contact Methods

  • Website URL
    https://www.facebook.com/Justin-Medford-10309208402/

Artist Settings

  • Collaboration Status
    2. Maybe; Depends on Circumstances
  • Software - Digital Audio Workstation (DAW)
    FL Studio
  • Software - Preferred Plugins/Libraries
    EWQLSO, Massive, SampleTank, T-Racks
  • Composition & Production Skills
    Arrangement & Orchestration
    Recording Facilities
  • Instrumental & Vocal Skills (List)
    Flute
    Saxophone: Alto
    Vocals: Male

Converted

  • Real Name
    Justin M
  • Occupation
    Sr. Financial Analyst
  • Twitter Username
    NutriMusic

Recent Profile Visitors

15,879 profile views
  1. From the start, the mixing just doesn't sound right. As mentioned, it sounds very compressed and muddy, but not due to trying to push the loudness envelope. I think some of the low end (on bass/rhythm guitars probably) is being pushed way too high and triggering the compressor really hard. Reigning this in with a mixing pass may improve the clarity a lot. As mentioned above, I'd like to hear better merging of the two themes instead of just essentially pasting them together in the track. On the other hand, I really like the performances and arrangement. Themes are very clearly rep
  2. Big fan of the Tekken series and it's music from back in the day. Very cool to see it here. In general, it sounds like like you chose to keep a similar style and instrumentation to the original. Really LOVED how you changed it up at :52 & 1:41. Great energy there; these two really take the arrangement side over the top for me, as this is when you take the track in a new direction from the original, while still incorporating the backing synth riff from :17 in the OST. I have to agree with Jive on the crowded mixing, but I think I'd even take it a step further and say that I fee
  3. Yeah, this has the somewhat odd issue of being pretty quiet overall, while also getting distortion from audio levels being pushed too hard. From my experience, this is usually due to either missing or insufficient compression or specific instruments hitting the compressor too hard. Based on hearing some low-end rumbling during these points, it's possible the remixer boosted sub-bass/bass frequency EQ and maybe added reverb on the percussion, which is inaudibly overloading the compressor. However, looking at the waveform, it looks like there's a brickwall limiter triggering at -2dB, and it's
  4. I think short mixes can work, as long as there has been enough arrangement work to personalize it. That said, sub 2 mins is VERY brief, so IMO it's going to need to check a lot of boxes really quickly. Performances sound really good. The leads are oddly quiet compared to the rhythm guitars. They're audible, but definitely feel like they should cut though more. Some minor mixing tweaks would be an easy fix there. Super nitpicky me feels like the snare is a bit overcompressed, making it sound kind of tiny and squashed, but that could be personal preference. First run through of t
  5. OK, also coming in fresh here. Liking the intro synths. Drums sound very repetitive & stilted sounding for much of the track. They could also use some more punch to stand up against the louder section. Before that section, it was a pretty cool retro-ish synth take with all the delay in there reminding me of some of Alexander Brandon's work. I'm really not sure about the 1:12 section, honestly. The synthy guitar really overpowers everything, especially the drums, which get just about completely buried. It kind of just sounds like a mess, both mixing wise and guitar writing (I'm really
  6. I really love the ideas you've brought to this. Great arrangement, lots of energy. Performances sound really good with plenty of little touches added. Progresses really well from section to section, keeping it interesting. I will echo 100% the issues with the track pushing the levels way too hard. It's hard to bring this many elements to the energy level you while keeping a clean sound, but it is possible. This needs a complete rework on the mixing/mastering side, making sure to avoid clipping & squashing things with a compressor. Also agree with Rexy's take on the notes on the
  7. I'm not sure how to fully elaborate on what Larry & Rexy are hearing, but overall, each of the elements to me sounds dry, upfront, and without much nuance to the synth patches. The melody line specifically stays right in your face for a really large portion of the track - basically, the majority of the second half of the song stayed in the same gear, with the same instruments, lead, etc (even when the track changes to the B section of the original or into your original writing) until the outro starts at 3:06. It honestly gives me the impression of being the background music for a mobile
  8. I was having trouble articulating my thoughts, but I think proph really articulated most of what I was hearing. To add to his thoughts, I felt like the drums were underwhelming, both in production and writing. They're very repetitive save the occasional basic fill. The drum samples themselves, while not great, do work OK for the most part in context, except the kick, which has almost no presence. I'd drop the ride/hihat/cymbal levels as it sticks out a lot and adds to the repetition for the second half. Not to sound too negative, I like the arrangement, if indeed it is a bit straightf
  9. I love me some old school Star Fox music. I used to listen to the Asteroid theme from the SNES game on loop while studying. So, years ago I tried my hand at a few short sources, but I can't remember ever trying something so basic as this. Very interested in where you're going with it. So, Jivemaster basically nailed my thoughts with this one. The performance is excellent. You've managed to both anchor this well to the original, while somehow keeping fresh ideas flowing throughout. I legit thought we were going into the Star Wars credits at 2:26 (which would probably not have
  10. Wow, this is definitely a difficult style to pull off. I don't think I'd ever be brave enough to try something like this with the vocals so exposed. I think overall, the vocal performance is well executed- though it may have some points of improvement in the performance pointed out above, which is outside of my wheelhouse. I did notice several instances of slight popping when the vocals were playing, which may indicate an issue with the recording setup. Other than that, I'm never in doubt of what is being remixed here throughout, though definitely exhibiting your own style. The minima
  11. Chimp really nailed my feelings on this track. I'm especially nodding my head at the crits on the levels/compression (I just judged a track with similar issues). I think this would be served so much better by backing off the levels a bit and letting your instruments/synths breathe a bit so we get better presence & tone out each of them. I also agree that 2:43-3:26 felt longer than it needed to be. Maybe I'm missing some subtle changes, but the last run through on the main melody felt like just a retread of what we've already heard in the beginning half, so it would be nice (though not
  12. Sick OST, love it. So, I'm falling in the camp of the levels being overly high for me. Not just because it's loud compared to other tracks (and thus, I had to turn down my volume), but I definitely can tell there's a loss of audio quailty/fidelity from overcompression. Drums sound more slappy, without much mid/mid-low body to them. You can hear pumping on parts like the string runs on transitions. Listen to the synths at :55, how they get squashed because it's just pushing the levels too hard. This happens throughout the track and it detracts from my listening experience. I felt
  13. Very creative use of instrumentation and weaving in counter points along with the melodic lines, while keeping the connections to the original quite clear. Maybe it's my listening setup, but while this is somewhat the quiet side, what bothered me more is it feels imbalanced. Some of the backing sustained instruments and choir (even some percussion) tend to be on the louder side compared to the instruments carrying the melody. See places like 1:40, 1:55 where the track gets more crowded and the various elements start competing for space. In the last minute or so, the Timpani(?) gets ove
  14. Late to the party on this one. I have to say, I love the writing on here and the energy is fantastic. It builds excitement very well up until the very end. I really love this track. I definitely agree with the concerns on the mixing. This is pretty imbalanced in the EQ ranges (heavier in the mid/mid-low range, lacking in highs), has muddiness from parts bleeding together and becoming indistinct (listen from 2:58 on, with everything going at the same time), as well as general instrument levels. Normally, I try to give specific tips on how to improve things, but with something as c
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