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WillRock

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Posts posted by WillRock

  1. your 'clarification' is still pretty bad either way. you're basically saying that i've done terrible and still gotten by on my 'name recognition', which in my opinion is as meaningless and anemic as what rozovian said. will's the one with the name here, folks. i just play sax poorly.

    Seems to me more like he said that you are one of the best mixers on the site and you underperformed in his opinion in this compo. He's already apologized for his tone and for saying you got on only by name recognition. I'm not defending what he said before, but he has apologized, and lets be honest here, people got pissed off with you for suggesting - harshly - that draconators mix wasn't even a remix when you went up against him. I'm not trying to bring up old wounds here but I'm just saying that no one is perfect, and there is no need to keep hard feelings against drew if he's apologized to you for his outburst imo.

    There has been a fuckton of drama in this compo already, why can't we all just get along? :P

  2. i am really, really, really disappointed that this is how this is going to turn out, but i'm going to get more information about how sick will has been before i say anything. by disappointed i mean that i'm frustrated that darkesword decided to start bending rules for people, and that i finished my song over a remote desktop connection through a DSL line while out of town to get it in in time since i was stranded in a different state for much of last week, and don't have the ability to turn my music computer back on to do more production work on it. i don't want to make a snap judgement, though, if will's been in the hospital or his mom died or something terrible.

    does anyone have more details?

    I'm not going to give more details, but I will say that while I understand why you might be disappointed, you get the same extension as me so it works equally in your favor. If I didn't ask for the extension, I'd have given in an unfinished mix which would have disappointed everyone involved. Usually I wouldn't have said anything and given in an unfinished mix, which i've done before, but this is the last round and I want to give people GOOD MUSIC, which is what this competition is about at the end of the day. The question is, would you rather have an extremely disappointing finale to this competition now, or wait 24 hours and have one thats worthy of all the music this compo has had so far? I wouldn't have asked if it wasn't necessary. Notice i've been in every single GRMRB contest so far and done no less than 4 for each, this is the first time i've ever asked for an extension. Please try not to see it as a disappointment because really, this is only going to give people a better quality finale to a great compo.

  3. I recently did an original album of music which was make to play with scenes from the 1950's alice in wonderland animation film, but I released it as an album without that context anyway... and you know what? People dig it all the same afaik, so I wouldn't worry about it too much.

    Besides, you don't have to tell people the context you see your music in if you don't want. Ignorance is bliss.

    As far as i'm concerned, you should make music for yourself, and do it in your own way, and if you like your own music the way it is and the way you make it, then screw everyone else. If they like it then great... if they don't then they aren't worth it.

  4. I don't understand why she made another song. I thought the response to the first song was pretty brutal.

    Tbh, I think the question should be why WOULDN'T she make another song... anyone who can get over 100 million hits or whatever on one fucking song, negative press or not, is worth following up in my book. I know i'd do it.

  5. I have a confession to make.

    This is not actually a competition. I just made this thread to trick all of you into making Mega Man mixes.

    055.gif

    You wanted people to make mega man remixes? yah like there aren't enough already :P You should have got people doing remixes from a game series you like thats seldom remixed.

    Like Chrono Trigger.

  6. Very nice arrangement here, I'm fairly sure this would pass the panel on arrangement alone. Digging the feel of this, its really quite an interesting sound you have here.

    Production has some quirks tho. Generally its pretty good, but it suffers from having rather weak/bland drum samples, and there is a tad too much reverb/delay on various instrumentation which makes this sound too saturated. This is most noticeable in the intro with the guitar harmonics and the harp at 0:07.

    For the record, I did also hear the piercing at 0:49. I don't think it would affect your vote but a little polish can go a long way :)

    As far as I can tell your samples are fine. Things get ever so slightly muddy near the end when it climaxes but generally mixing is pretty good. I'll get Emunator to look this one over and see what he says, he'll probably love this :)

    I think its VERY close, but like I said, i'll get Emunator in here so we can wrap this up :grin:

  7. Looking forward to seeing the film but as a result will be staying away from this thread... i'd like to go in with an open mind, but I have read the books.

    In response to Dynes post about not reading the books till much later because he thought it wasn't cool, I do think its a shame, because one of the biggest factors of the book series was that it basically "grew up" with its audience - the first three books are childrens books, and meant to be so, but the other books are for more mature audiences.

    I was one of those that read the books when they came out and as a result, its a very big part of my childhood and that impact the books had on so many others who read them when they came out is lost on anyone now that didn't read the books at that time, because they can read them all at once.

  8. Tbh, I think part of the reason for the backlash from sonic retro is because of the name of the site. We are called OverClocked ReMix after all, so most people who aren't clued up with what ocr are about would probably assume that OCR do faithful to the original "covers" rather than rearrangements. Now as far as ocr albums go, usually there are a few very faithful tracks that are like updated versions of the originals, but with this album, its more cohesively creative with the sources than alot of ocr albums in the past. PC had quite a few faithful covers, like snapplemans mixes and housethegrates. One of the comments at sonic retro even stated that he thought OCR did remixes, not rearrangements, which might be ignorant but I feel like thats the misconception most people have about ocr. The tracks on this album are alot more creative with the source material as a general perspective and I think it left quite a few people alienated. Seems more like a misunderstanding or a disagreement with the general direction from them, which is fine, OCR doesn't appeal to everyone.

  9. Neblix pretty much hit all the key points here for me.

    Yes you have to humanise them but there is alot more to it than that. You have to put into account pick noise, string vibration, vibrato, harmonics... its extremely difficult to pull off because its an extremely expressive instrument and programming all that in, and doing it convincingly will probably take alot of work no matter how good your sequencing skills might be. That said, acoustic guitars are ok generally, but stiffness of seqeuncing makes chord writing with acoustic guitars VERY hard. Strumming is a bitch to pull off, i've never succeeded doing that realistically with reason. If you want my honest opinion... if you REALLY want to emulate the sound of a guitar, for rhythms, go and get impact soundwork shreddage. For leads, you'll need to find something a little more expensive, and have the skills to sequence them realistically, which means you need some knowledge of guitar playing most likely to do it convincingly and even then, you might have some trouble.

    Want my advice? Get a guitarist to do the recordings for you. Its easier in the long run to get the real thing, and there are alot of guitarists in the world. Of course, there are exceptions to the rule, but thats my advice from a general perceptive where getting realistic sounding guitars is concerned, particularly where reason is involved.

  10. Nah you're misunderstanding me there. I've noticed a few people not voting on all the matches in each round, presumably with the intentions of voting later, but they forget. When I suggested people couldn't vote on all the match ups, I was being sarcastic, and I suppose its quite a fair assumption to assume i'm being a little unreasonable there, but like I said before, it doesn't hurt to remind those that haven't voted on all the matches to do so.

  11. A little too early to say this, dude.

    I've noticed a lot of people are expecting votes to have every decision made by the middle of the week. It's fine if people are indecisive for a little bit.

    Considering the how past matches have gone, I actually think its necessary to remind people this round, as one match up in each round was decided by technicalities because people didn't vote on all the match ups.

  12. hah I always find without a shadow of a doubt in my mind that trying to sequence guitars in a realistic manner is kind of futile. If you want real guitars, get a guitarist to record them for you imho. There are too many different variables to consider when emulating a guitar sound because there are too many factors in an acoustic guitars sound, and getting a good distortion out of the scream 4 module can be tricky.

    Personally, as someone uses reason, what I try to do is make synth guitars... synth sounds that have guitar like characteristics. Over the years I've come up with some pretty neat techniques, I'll edit this post at some point and post some reason patches for people to use :)

    Btw, you should rename this thread to "guitars in reason" or something that will make people who are interested in this topic read the thread.

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