Tuberz McGee

The only way to find out is to look. Just sayin'.

Okay. I'm officially collaborating with TheGuitahHeroe. So this is officially gonna be badass. On a global scale.

Yeah. I'm down with you doing some rapping if that's what you want. I'd love to collab with someone who understands phat beats and sick nasty synths better than I do. I might talk to TGH about it. We've collabed before and it was utterly rad. I do write lyrics. Music too. In a variety of styles. If I need to rap. I could give it a try... but I must stress that I've never done it before. Except to Linkin Park... early Linkin Park. Love that stuff. And what would WIP dates be? Cause I can't send anything outside of MIDI for a little bit cause I've just moved to another country. My stuff arrives in the latter half of February... but even then, I may not receive it until March-ish.

Guitar wise I can play almost every style. (I'm no Jazz Virtuoso). And if I had to choose tracks that I would be interested in... they would be as follows: Mystic Cave and Aquarium Park. Those are the only ones where I can see something working. I dunno. I'd have to find someone to collaborate with. I would prefer to collab with a rapper. Because even though I can sing... I cannot rap. Ever. Seriously. So yeah... if anyone is interested. I'll do something with ya.

Not really a hip hop artist but I can offer guitar skills along with lyrical help if need be. Though my lyrical ability will never compare to "My name's Knuckles. Unlike Sonic I don't chuckle." That's just gold.

Scott Pilgrim, Deus Ex and Infamous get my votes. Especially inFamous 2. Very percussive. Final Fantasy XIV actually has a really cool soundtrack. Even if the game is shit-tastic.

Are you going for more formal Japanese? Or more colloquial? Cause that can be a big factor. Colloquial is easier for naturally speaking Japanese. But formal is possible for westerners. Like me... I could take a crack at it if you want. I've done Japanese all my schooling... with good marks all round (except creative writing that sucks).

You sir, are the epitome of manhood.

I never got the Pony my parents promised me for my seventh birthday. D:

I can't register at KNGI for a bit because I have no e-mail address because of the move. Sorry if this complicates things. I'll get on it ASAP. Love you guys. <3

Well guys, I've had some good time to think about all this since I've recently moved to another country. There are currently eleven tracks taken. I think we should perhaps have fifteen tracks taken before issuing a primary WIP date. What are your opinions on this? I'm open to WIPs coming in earlier as some already have (Really good ones too). But I understand that a lot of people have other commitments and will want to have more freedom. Any thoughts? Just post 'em here.

I'm now speaking from Australia... quite a big move from New Zealand. Still working on my stuff. Though I might be quite inactive because I'm using McDonald's internet. So, no need to fear. KTHNXBAI

Hmmm. Nice. I've never used one. I use a RODE NT2-A. It's bloody fantastic. But yeah, the Tin Whistle has much potential. Can't wait to see where this mix goes. - Callum

What Mic did you record the tin whistle with? A condenser or a dynamic. Condenser would be best for something like that. I think live Tin Whistle will really compliment the track.

This is excellent. As a big fan of the Touhou series, I was easily impressed. Some big problems are of course as follows: - Sample/Recording Quality - Perhaps some better samples may help the feel - Humanising will help the feel - Mixing - Things are often quite a bit louder than the rest of the orchestra where they should try and be equal overall. - There sounds like there is distortion at parts because of the volume. - Arrangement - It's great that you put these all together and in a way that works I commend that - however, some of the transitions between sources feel too stop start, this deserves to flow. It's soooo good that it really deserves it. - Perhaps incorporating some more deviation from the source and less one theme > Next theme > Next theme style. I hope this can help, if only a bit. Plus I was sad because there was no Youmu and I love Youmu. D: - Callum

Well, I came back to this bombshell. Cool. There's already one, that's fine and all. We don't have to stop. It's one of those games that I would cover EVERY SINGLE SONG if I could. It's my second favourite game (behind Chrono Trigger), and It brought me joy. This ReMix project is for members of the community that want to express their pure emotion. Even though they may not necessarily have "MAD STUDIO CHO-" nah, I'll ruin that if I use it. Heh Whereas that secret project is for people that are already quite versed in the art of ReMixing. (Why it's invite only) Either way, you'll end up with two entirely different feels because of this) I support as much Final Fantasy VI love as possible.

Gotta admit man, this is freaking good. The first minute is incredibly good. I prepared for the bad lead at 1:00. I was pleasantly surprised to see you didn't use it! I can't find many problems with this track at all. And any problems are little nitpicks, that I have. 2:21 HOLY CRAP YES YES YES Something just hit me goddamn hard and it was that. That's perfect my man. Anything you add to it now, is just icing on the cake. That's bloody fantastic. Showing my mate this right now, he's a HUGE PMD fan. Good luck on your submission! - Callum

Good luck on finding someone. I'm really hyped for this now! I thought the intro might have been a reference to Dancing Mad. I feel like the muddiness of the track may have detracted from me recognising some of the melody and such. Oh well.

Dude, other than Danimal's Track, this was easily my favourite. My track sucked however. D: But it's cool. I say you submit it, but if you want to tidy it up at all, that's probably on the safe side.

Tidy up the breakdown a bit and I'm assuming that at about 1:13 you're basing that melody off of the third movement and it's dissonance. While this is excellent. I still feel that it's too consonant. It sounds too pleasant for this kind of feel that you're going for. Overall however, I feel it's a little bit too coverish and needs a bit more variation from the source tune. NO (Resubmit)

Just edit together past things you've done and pass it off as a new ReMix. Totes Legit. Then come back to it later and say I ADDED MOAR SOURCE LOL Except imagine that I was more serious and less gay while saying that.

I love the sheer dissonance! Captures the feel of Kefka perfectly! This is utterly fantastic. My only problem is that you should try and use more of the source melody. When you do the big sweeping arpeggios part and play the motif I feel it's incredible. Just try putting the source melody into the opening or something. Perhaps it should end with a bit more dissonance as well. Not sure. Either way, this is bloody incredible! Can't wait to see the finished result. - Callum

Seriously, the only thing keeping this from being great on a massive level in my opinion is the vibrato past 2:23. Perhaps if you toned it down. Seriously. I understand if you don't want to, but it's the direction I would take.

^THIS Very much this. This is me to a tee practically.

In my opinion. Everyone interprets and hears a piece of music differently. You should stay true to how YOU hear the piece of music. Because everyone else will think of a completely different way. It's all interpretation. I like having 80% source and 20% originality. To me, that makes it recognizable AND original. It's all opinion though. That's the best part.