Sagnewshreds

The album doesn't exist

<3

@Thirdkoopa I can take electric guitars and/or bass if you still need peeps. Won't be able to record anything until June though.

Haven't really touched my track much other than that crappy WIP I sent in, but I'd like to get on that as well. (I've had an arrangement in my head for almost a year now though). What's the status of this album?

And so the saga continues.

Totally fine with OCR doing whatever they want with mixes of mine that make it past the judges, but I don't have any posted yet (mostly doing tracks for album projects, but I have a few DoD entries I touched up that need to be finally submitted to the panel) so maybe it doesn't matter

Whoa huge bummer to see how he broke down like that and it got to the point of a perma ban . I was hoping things would just kind of mellow out after a bit. The entire time I was reading his posts on that thread I just kept thinking about how I hope the album projects stay in tact. I'm definitely still in, but still need to get a WIP together for my claim. Is the September 12th deadline still a thing? I will also probably need some help/guidance when it comes to mixing/mastering/anything production related for my track. I'm not so good at that stuff as arranging and playing are my specialties (still new to the whole recording aspect of music) and Brandon was going to do that for me. If anybody wants to mix my track that'd be rad probably won't be necessary for at least a few months.

Anybody want to go to Magnolia Festival? http://magfest.com

Most of what I have to say has been said already. I was initially against monetizing YT vids, but after reading @djpretzel's pretty well thought out explanations and responses I'm on board with what's happening. I think filing for the 501c3 is going to be great for OCR. I still think ads in the videos is kind of intrusive in the same way that popup ads are, but I am not fundamentally or ethically opposed to them (would prefer ads on the video page). I'm all for OCR generating more than just the bare revenue it needs to maintain itself. More revenue funneling back into OCR would mean more growth which I think is a good thing. More promotion, more resources for album projects, eventually a better website with more features, being able to pay for the 501c3 stuff, having "oh shit" money just in case something bad happens (something unexpected will happen down the line, and as someone who has also led various organizations in the past I can say that having backup funds is a tremendous help), I can name countless reasons why making more money than just the basic operating/hosting costs of the website is a good thing. It seems to me that DJP and the staff put a shitload of personal unpaid time into OCR so there's no reason for me to believe that they'd be doing shady things to pocket the 190ish dollars that have been made from YT revenue so far. Hell, most non profits even pay their employees. I wouldn't give a shit if the staff had a small paycheck for the amount of time they put in. Honestly I don't give a shit about any of that stuff unless a lot of money is being generated. But I don't see video game remixes making enough money for me to even care about shady stuff. DJP can pay for his trip to MAGFest on OCR's dime for the sake of promotion and buy himself some Nando's and that's fine with me. When it comes to theshizz, they are definitely an unruly and polarizingly opinionated bunch, but they are awesome people. For the most part, it's an amazing community and some of my best friends are shizzies. Hell, a ton of OCR folks post on there like @zykO. Most of them are rad and a ton of good comes from that community, like DoD and all of the kick ass bands who post on there. I think a good few of the old school shizzies have fundamental philosophical differences with OCR when it comes to VGM stuff, but who gives a shit? That doesn't matter. There were some anti-OCR posts in general on that shizz thread, but I think most of the people who weighed in on this topic really don't care what OCR does with monetizing YT vids, myself included honestly. I'm fine with ads or no ads. Do what you need to do to run the site and I trust the staff's judgment for the most part. I will say though that YouTube is the main way I consume content from OCR and that if certain artists who disagree with the content policy were to take their remixes off of YT, I would probably forget to ever download and listen to them in the first place. So I hope that doesn't happen Seems like some compromising has been made in the last pages of posts though. @Brandon Strader said some pretty out there things a few pages ago, but I think it's really good for the community at large that he brought this discussion up. Seems like a lot came out of it when all is said and done (at least one somewhat direct result of it being that there now seems to be an urgency for filing the 501c3 stuff). Judging by his posts, it seems like he'll always have a disagreement with what is going on with the YT advertisement stuff. However hyperbolic some of his responses were, I hope he comes around and doesn't leave OCR entirely so he can continue to be a positive force in the community with all the kick ass work he's been doing on album projects (and regular remixes). Oh and to his credit, whenever I saw him link to this thread outside of here, he seemed to present it in a reasonable way (he shared his more opinionated views on the topic not in the same posts as linking to the thread). Also if OCR ever enables un-skippable ads I will cause a god damn scene.

I'd be really bummed if the FF3 and FF8 albums became non OCR projects and I think a lot of people contributing to them might have been contributing to them specifically because they wanted to be involved with OCR. (When it comes to my remixes personally, I'm still usually down to be on whatever albums I have time for so I wouldn't drop my tracks but I'd still sub them to the panel probably).

I'll cause a scene if you don't go

Still got a whole page of discussion to catch up on, but I see the word "profit" being thrown around a lot here and I'm not sure everyone understands what that word means. Profit and revenue are two different things. Just keep that in mind. Putting ads on YouTube videos isn't necessarily going to mean that OCR is "profiting" off of them, especially if the money goes back into stuff like site maintenance. This doesn't mean that generating revenue off of YouTube videos of ReMixes is necessarily ethical either (that's what the discussion is about), but keep in mind that there is a difference.

I think this is a pretty reasonable experiment to do. I get how ads on YouTube videos are more "intrusive" because they are ingrained in the content that you consume. That's the sole difference in my mind. DJP gave a pretty solid explanation, and I think that morally speaking ads on YouTube videos are no different than ads on the site. Most people don't think of it that way though, myself included until I read DJP's explanation. People are used to YouTube ads generating profit on music videos and don't think of them in the same way that they'd think of a banner ad on a website. Ads displayed on the page of the YouTube video rather than in the video would make a difference to me because the main (only?) problem I have with YouTube ads in the video is that they inherently make the content less enjoyable for those who don't use adblock.

I can't wait for the line at elevation burger.

I'll be there as well...definitely not booking a suite this time! Will most likely be crashing with various shizzies. You all should go to MAG Underground this time if it winds up happening again! Such a sick lineup of bands played last year.

Just want to say that I FINISHED BATTLE THEME (Like almost 2 weeks ago but I'm too much of a shithead to bounce everything)! Well...for now that is...until the panel decides that it is a piece of garbage. Still gotta send Strader my tracks though.

MAGFest is the best weekend of the year. So much fun! So many friends! So many awesome live bands playing video game music! AAAAHHHHHH you gotta go. Also MagUnderground was a game changer

Yeah @zykO isn't even doing Lute of Noah anymore. Now he's doing this one instead:

Aww man seeing how short the track list is getting really bums me out So many good tunes that won't wind up making it to the album if last minute completed remixes don't fill the gaps.

Hey everyone! @Brandon Strader is off the forums for 2 weeks and told me to throw an update your way. Both the FF3 and FF8 albums are still going strong, and everyone should still be working on those remixes If you need to get ahold of him and don't have any other way to contact him outside of the OCR forums, just shoot me a message and I'll see what I can do. This album is going to be amazing.

Hey everyone! @Brandon Strader is off the forums for 2 weeks and told me to throw an update your way. Both the FF3 and FF8 albums are still going strong, and everyone should still be working on those remixes If you need to get ahold of him and don't have any other way to contact him outside of the OCR forums, just shoot me a message and I'll see what I can do. This album is going to be amazing. In the meantime I plan on finishing my Battle theme remix in the next week so there's that.

I probably won't be able to put serious effort into my tracks until later in the Summer (due to other album commitments I need to take care of), but definitely hope the album fully comes together Really excited with some ideas I have for this one.

We need a Crazy Taxi movie. Do it SEGA. I'd totally watch a full length Streets of Rage movie though if it had the 80's throwback levels and cheesiness of Kung Fury.

Oh god Manowar is so cheesy and I love it.

Haha you are absolutely insane! I did like maxing out my FF8 characters on the islands closest to heaven/hell though (hopefully I'm remembering that correctly). I liked that in Super Mario RPG the level cap was low as shit. I think it was 30. That made it feel a lot more rewarding to gain levels. Oh and selecting those bonus stat increases <3