prophetik music

if you're replacing it with guitars, then use the ovd/dist sample that's included with Reason, with the 'americanlead' or 'eazyfuzz' (or something like that) and it turns pretty good. i've got an example that i can email you, if you want.

i'm hoping you can motivate him to keep working, rexy. i'd appreciate it. dhsu, if you want to do something for the solo track you're signed up for, by all means do it. i love your work. i thought that you had gotten SOMETHING from DrumUltimA, but i guess not. i'll freak out on him later today, hopefully. that said! unless i've heard from them in the next 24 hours, these people are officially off the project. Blizihizake sephfire/SirRus EazyP Antisheep ktriton gets an extension because he already warned me about taking a long time. get to work, people!

what are you using for your original sample? that's really important if you want a good output. i've done everything i've ever done with the 'americanlead' preset for 2.5, and one other one i can't remember.

this is a bump. two days and counting till the first deadline! remember, if you don't have a good excuse for not posting a wip of some kind, you've got a good chance of being off the project.

anyone going from new york (not NYC, unfortunately)? or, anything in line with western new york, or close to it? like, baltimore? i'd love not to drop friggin 200 bucks on a plane ticket, but gas is almost that expensive nowadays too. i'd rather carpool.

if anyone wants help with their orchestral mix, i'm very experienced in doing those kind of things (i'm a music education major). i'll help you out, provided i'm just doing orchestration and not writing your mix for you.

no news from prizm. tensai's giving me guitar parts sometime soon, and then i'll record the sax, and then we'll be done with that one.

this is me saying i'm still available to help out if some of those tracks go from being un-worked-on to unclaimed.

they were yousendit files, and the links have expired. if she cares, she might repost them, but i don't know if it'd be worth it right now. she's got a lot of responses already.

oh. i guess i didn't realize it was that simple/complicated.

i've used this in the past, and mostly just gotten muffled instrumentals. how do artists get vocal lines for professional remixes if they've gotta do all this crap? i thought there was a way to just rip it out.

can you give me an example site?

so, i know that there's some sort of plugin or vst or program or SOMETHING that will take a song and extract the vocals from it, and save the vocals only. i'd love to know more about it, but i can't seem to find much of anything on it. i don't even know what to call it. so yeah, more info would be nice.

besides the part where i could totally synth prizm's part and no one would know thanks to a great electric guitar sampler i got the other day, there's a great guitarist in my old dorm who could do it.

so, its been several months since i've heard from prizm, and he just emailed me and said it'd be several more months. i don't think prizm's ever going to mail me back. should i have someone i know re-record his guitar parts to make them cleaner, and master it myself? or should i continue to try to email him? or should we just roll with his wip, after i clean the mastering up a bit?

yo, i've got the fl6 .flp file sitting on my desktop waiting to be edited, so if da decides she wants my cut, i can fool with it. i know my version is too loud - that's the unfortunate problem of letting FL6 handle your mp3 files straight in. the reverb/echo makes more sense when it isn't blasting into your head and instead is just kinda chillin in the background with all the rest of the fuzz on this track. i'm sending da a copy with better volume control soon. maybe then it'll make sense. edit - i just emailed it to her. we'll see what she says.

i'm assuming someone will drop out by the deadline (or because of it). assuming that happens, we'll see. nice guitar...and especially the sax programming. fantastic work. there's a place for you if we get a dropout (provided you don't use those brass samples).

bump. progress?

i was refering to cakewalk sonar 6.

pro tools is fantastic, but you've gotta be REALLY skilled to handle it. its so amazingly powerful - you can do anything with it. its not like reason, where any moron can make something that sounds like music.

i'm definately going to do this more often. i get everything though them because its so damn cheap! i've easily spend a solid 4000-5000$ there in the last several years, between software, hardware, and crap for my school who gives me money to order stuff. i'll have to make my bookmark the one that goes through OCR, not my normal one.

FIRST WIP DEADLINE - October 14th thats right, this is the first deadline of the project. your first wips - even just an idea that's scratched out - need to be in the project forum, on a reliable filehost, by october 14th. if there's a problem getting them in by then, please email or pm me immediately. i'm considering all mixers who don't have a good wip in by then off the project. taucer, could you please update the title of the thread?

how would you compare cakewalk to other midi sequencers, specifically for writing and recording classical music? i'm thinking about purchasing it, but i'm curious how it rates compared to other programs on the market. if you wouldn't go with cakewalk, what would you go with?

bump. this is me saying i'm quite interested in the project, and i'm curious if there's an end date coming up sometime soon.

stop trolling, please. if you want to help with the project by doing a track, then do it. if you want to troll, go to unmod. we don't care about your opinion at all, fuckheads.