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Ecco the Dolphin 'Dorsal Dub' This is a ReMix from the CARTRIDGE version of Ecco the Dolphin, which, in my opinion, did not have memorable music. It was very scratchy and almost irritating. The Sega CD version was fantastic, though. I am not too familiar with the "dub" genre (I think it means to copy something and lose quality in the process). djp captures the annoyance of the Genesis version's music here, only it doesn't sound scratchy. Not much of a melody, but if you listen close you CAN find one!

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I have found a few midi files inside the folder of my copy of Dark Seed II and I decided to do a cover of a few songs. For this project I have used factory plugins on LMMS combined with Mega Drive and Super Nintendo soundfonts. While the soundfounts were used to give a creep vibe to the instruments, the factory plugins (with lots of post-processing) create the atmospheric, menacing soundscape on the background. My musical inspirations at the time were Lustmørd, the early works of Human League (Reproduction and Travelogue), Tangerine Dream and Akira Yamaoka's work on the first Silent Hill game. Have a nice day! Dark Seed II (1995) soundtrack originally composed by Mark Morgan. Artwork by H.R. Giger. Arranged by me.

This is a remix of Cleyra's theme from Final Fantasy IX in an ethereal style. The original song is a short minimal piece, so I decided to expand upon it by adding a varied range of instruments, including a set of rhodes pianos. My influences include the works of Brian Eno on ambient music and drone soundscapes, the ethereal wave band Cocteau Twins and Thom Brennan's new age compositions. Cleyra's Settlement, originally composed by Nobuo Uematsu for Final Fantasy IX (Square, 2000). Arranged by me. Hope you enjoy!

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Just to be clear, this isn't supposed to be any kind of stand in for the Death Stranding OST nor is it a piece meant to make you think "Oh it's low roar inspired" - this one is more inspired by the feel of the game, especially exploration early on.

This is the final copy of a song I made to practice the electric guitar with, both to practice the instrument, as well as to practice mixing. I practiced the guitar for over a year before reaching this point. I have more work on the way, but as it goes, music is a hobby I can only attend to on occasion. Let me know what you think!

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Title: VA - Fusion Compilation 13 Netlabel: Fusion Cat#: FN_56 Genre | Style: Abstract Hip-Hop, Ambient, Chillout, Easy Listening, Ethnic, Lounge Duration: 00:43:47 Released: 01.01.2020 Tracklist: 01. Makatumbe - Intro 02. Коля Маню - Каждый день 03. Nomadic - Naive is Bliss 04. Temple Step Project - Allah (feat. Tahir Qawwal) 05. Klātu - Private Regret 06. Dubnotic x Mettakin x Emog - Daruma 07. Nick R 61 - Ganesha 08. beatfarmer - Until Next Morning (Stratusphere remix) 09. Jazzyspoon - The Weight Of The World 10. Jason Job - Ambivalence -> https://archive.org/details/FN_56

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I know pronouncements for album releases here aren't as hot as they used to be, but I submit this work for your consideration and enjoyment anyway: I finally got to do a commissioned work for a visual novel and I contributed 12 tracks to the third game in a visual novel series called Without Within by InvertMouse Games. Not only is this my highest quality release to date, but it's also one of my most consistent and less electronic than before. I had to use more loop and phrase libraries to make that work since everything was still done in the computer and I can't play guitar, but the quality of the output speaks for itself. It fulfills my 15-year goal/dream to make music that puts my Chrono Cross inspiration full to the front AND I finally got to actually perform (with a piano) on a commercial music release instead of just sequence it (and it's not even any of the tracks that has a piano on it!) I don't get to sell this soundtrack as part of my contract deal with the commissioner, but for anyone who is interested in it, I'll post up a link here when that becomes available. Until then, please enjoy this work. I really got to break a lot of new ground here and I hope you're as pleased with it as I am! Composition, arrangement, mixing and further production: Meteo Xavier Mastering: Brandon Strader Album Artwork: Meteo Xavier using public domain images. Game available through InvertMouse Games.

Hello! Decided to finish an old ambient tune of mine Can you give me some feedback? https://www.newgrounds.com/audio/listen/792258

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REDUKED: Duke Nukem OST Remixed. Deluxe Edition. Hi everyone! it's been a while since I posted something here, but I'm glad to announce my new remix album: REDUKED. Deluxe Edition. REDUKED is a electronic musical journey through Duke Nukem Universe. One track from the album has been featured here. Now I'm releasing the whole thing as a double album with 10 tracks each. DOWNLOAD Specifications: 24 BIT Stereo 48,000Hz Remasterized tracks. Normalized to -13 LUFS DB to prevent ear fatigue. I'm not asking any specific price for download, because I'm not the author of the original tracks (credits goes for Lee Jackson and Bobby Prince) Although any donations wouldn't hurt, especially to support future original music releases Thanks guys, for all the support and encouragement, I hope you enjoy it.

Hello, OC ReMix. So, here's my first contribution: an ambient arrangement I've made a little while ago. I'm not sure if I will try to submit it or anything, but your opinions are greatly appreciated, for I am still learning, after all. As for more info on the piece per se, it's based on Iudex Gundyr, from the Dark Souls 3's Original Soundtrack, and I made it with the mindset of it being played in the background while you explore the Untended Graves before testing your meddle against Champion Gundyr. I hope you like it.

This might be the beginning of my first little own soundtrack I've composed within a few days. Actually this track is based on an exercise I did for myself to imrove in writing notes for chord progressions and where I tried to find out which chords and chord sequences harmonize well with each other. But then I was really in the mood to compose some additional melodies and it resulted in this little soundtrack. And of course I wanted to work with my brand-new great synthesizer collection Titan 2 which I really cherish. It contains over 12500 unique synthesizer presets of famous synthesizers from the 70s, 80s, 90s and the modern digital times. So, you can say I've bought a pretty melodic part of the human history in the form of a large, creative software. Although I haven't had listened to all synthesizer presets in Titan 2 (the package also contains all the synthesizers from Titan 1) I've already used two synthesizers from Titan 1 for this little composition. These are the really atmospheric digital voice pads and the pretty realistic sounding steel drums (was deeply impressed that it almost sounds like the acoustic version of some steel drums - was looking for such kind of stuff for estimated ages). For the voice pads I've also created some volume, panorama and high bandpass filter automations. The Celtic harp you can hear towards the end is a VSTI from my professional DAW software Samplitude Pro X3 Suite in which I have implemented the nice Titan 2 stuff. Hope you like my first try of creating my first very own composition far away from any kind of video game remixes. I guess I'll make a much bigger and longer soundtrack out of this one in the future. Feel free to tell me how you like this one. )) --------------------------------------- Newest version of my track: 1.0 >>> >>> https://clyp.it/pct2dsny