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About Liontamer

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    Community Manager, Judge

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  • Gender Male
  • Location Atlanta, GA


  • Biography Larry "Liontamer" Oji has been a judge at OverClocked ReMix since July 2004, having evaluated more than 4,500 submissions. Reporting to site founder David "djpretzel" Lloyd, Larry is responsible for primary submissions evaluations, informational database maintenance and other otherwise sundry & unsexy tasks at OCR, becoming head submissions evaluator in June 2006.
  • Real Name Larry Oji
  • Occupation Community Manager & Judge, OC ReMix
  • Facebook ID 607933576
  • Twitter Username LarryOji
  • Username LiontamerVGF

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  • Collaboration Status 2. Maybe; Depends on Circumstances

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  • Skype LiontamerVGF
  • AIM Liontamer87

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  1. Hey, everyone, we're working to lock down the approval and details (it's not official yet), but we're planning to participate in an official Reddit AMA later this month on Tue., Feb. 23rd in celebration of Fair Use Week! We hope you'll join djpretzel, myself, and the legal eagles from intellectual property & open Internet non-profit Public Knowledge for the AMA! Feel free to check out our 2013 self-AMA if you're already in the AMA mood, and we hope to field more questions later this month.
  2. What did you think? Post your opinion of this ReMix.
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  7. Very relaxed presentation with several themes getting a shout-out. There's only some slight spots where the timing feels a bit tight with the piano performance and the string sequencing, but it's not much, and this holds up well for its age. Wonderful team-up by Mustin and Kassi.
  8. That's pretty dumb and sweeping to say. "DrumUltimA, congratulations for -- by virtue of choosing to use Auto-Tune -- insulting... yourself?" You have your own personal taste, sure, but ever since T-Pain, Lil Wayne, and others made a successful tool out of transparent use of Auto-Tune, it's been used by many artists on purpose as its own aesthetic. And you can (and will) complain all you'd like, but plenty of people have no problem with it. You're framing it like it's being used here to fool people that the singing was pitch perfect, and you're coming in like "it's an insult to the ear," which is just overly broad, closed-minded, and silly. Your taste. Your loss.
  9. The countermelodic synth added in at :08 is such a subtle introduction, but boy does that writing fit like a glove there; nice touch for the intro. This was a melodically conservative arrangement, but Philip personalized the arrangement well via the instrumentation choices and some occasional sections of original writing.
  10. OCR01054 - Flashback 'Nostalgy Dimension'

    I do wish @Shion had submitted something else to OCR back in his day, because this Flashback piece was cool for its day. Flashback gets almost no love, and I see why in the sense that music's pretty rare in the game and thus may not stand out as much. That said, this is the arrangement that made this soundtrack click for me. It's somewhat rigid, but the textures here are well-constructed and the piece has just the right amount of intensity where you feel the weight of the percussion, but the energy still feels very chill. Cool stuff!
  11. OCR00476 - Ristar 'Ocean Flame Groove'

    So old school as far as the sophistication of the sound design, but this holds up pretty nicely as far as being a fun and transformative arrangement. This one put Ristar on the VGM map for me. Thanks, 4-Eyes!
  12. Good work that typified a lot of Gray's early sound. I liked how the melody and beats didn't line up in the typical way, which created some interesting rhythms. Sequencing's too tight for some parts, but there's lots of character here, and the instrumentation choices are nice and strong. I definitely miss the unique sense of style GL brought to the table at OCR with his new age influence.