Liontamer

I bought the physical! Let's get into physical!

At least the vox fades properly before it cut off a little early. I'm really not trying to gloss over this piece, but I can't say I heard any major difference this time around compared to last time. This still had cluttered/swampy mixing, the bassline was still DOA. 3:28's last flourish before the finish sounded cleaner than the rest, but that was it. I wish someone with a great ear could take the source files, EQ 'em and toss it back. Unfortunately, still the same problems, still the same vote. NO (resubmit)

Texture opened up too thin, IMO, but it wasn't a huge deal. Otherwise, I liked the energy here and thought the treatment of the source, when there, was fine. It was very structurally conservative, but the sounds was well personalized, IMO, so I didn't have any reservations there, particularly with how the chorus was handled. What I did have reservations on was the level of clear source usage. I agree with OA, that (even though I see some resemblance) I didn't glean much from the intro or outro being taken directly & overtly from the source, so I'd need further explanation. For a 3:31-long piece, I needed more than 105.5 seconds of overt source use. I had... 1:12.75-1:19.5, 1:24.5-1:26, 1:31.75-2:16.75, 2:18.75-2:23.5, 2:25.75-2:36.5, 2:38.75-2:58.75 = 88.75 seconds or 42.1% overt source usage I thought Jake's breakdown was way too generous in how he credited himself, and that the the extended intro and outro had nothing explicitly tying it to the source, which ended up making the source material non dominant in the arrangement. Putting some more overt references to the source during the intro and/or outro would put this securely over the line. I'm open to being shown how the start and finish work with the source with A-to-B writing comparisons (Jake? Chimpa?), but I'm definitely... doubtful as to if those connections are close enough. Unless I'm shown something else, I'm a NO. NO (resubmit) EDIT (2/15) - Aight, Jake added in lots of stuff to the intro & outro, so we're good. easily heard - :12.75-:16, :19.25-:23, 3:04.5-3:16, 3:18-3:25 quiet - :25.5-:30.5, :32-:37.5, 2:59-3:03 very quiet - :39-:44, :45.5-:50, 1:05-1:10 barely heard - :52.5-:57, :59-1:04 More source = more YES

I needed at least 122 seconds of overt source usage within a 4:04-long arrangement for me to consider the source usage "dominant" per the standards. Going off of the given breakdown and picking out what I thought was valid source usage, I had :36.5-52, :54.5-1:59, 2:00-2:06.25, 2:07-2:09.75, 2:11-2:21, 2:44-3:03, 3:03-3:20 = 135 seconds or 55.3% I actually stopped counting once I hit that mark, so there are other minor things I'm not counting, like the opening and closing sections (which were on the liberal side with both themes). I can hear how the intro progression (:00-:03 of Sheldon) is supposed to be used here, but the way the notes were changed seems to make it more liberal than I'm comfortable with. Not a big deal, as things ultimately checked out. In any case, we've definitely had ReMixes where the source material has been used a lot as supporting material with original writing handling the lead (e.g. SGX's "Kick Your A"). When the source usage takes a supporting role using a more minor part for a significant portion of the track (MMX3's "Volt Catfish" in this case), I could see Js having a problem consider it "dominant" usage. There's a such thing as burying source usage when the mixing's too cluttered, which I don't approve of, but as long as the source usage is clearly audible and integral to the track, I'm OK with it. Also, having made this mistake myself, I think it's wrong to ding an arrangement for not using the melodies or the most catchy parts that we'd expect; there's more than one way to use a source tune. In short, this checks out for me on source usage. Onto the overall track: Pretty fake brass to open things up. Nothing I haven't heard from Nutritious's arrangements before, and the level of realism's not great but serviceable. Still, the samples (arguably) felt more exposed than how he does it. Nothing that put this in any danger, just a recommendation that you work on couching that part into the soundscape better. The lead synth from 1:38-1:48 was pretty generic, and I thought the overall mixing got a bit cramped, but overall, the sound design and dynamics of the piece were OK. I heard what seemed like a slight audio deformation at 2:07 as a part faded out; not sure what that was, but feel free to double check it. The piece could use more production polish to let the parts breathe, but it wasn't close to being a problem with our bar. Yeah, I'm not getting how this didn't have flow and dynamic contrast throughout the piece. This flowed fine to me and creatively used the source material. Let's go. YES

Yeah, there's definitely something about how bland/vanilla/generic most of the synths sound, especially that saw. I wouldn't have been able to pinpoint it precisely like Palp did, but he's on the money. There's a lot of potential to get sophisticated and varied with the sound design, but instead the lead synths are basically the same tone and feel the entire time. It undermines the dynamics of the composition and really drags down an otherwise interesting/solid arrangement. 1:25-1:28 sounded flat for a moment there; small thing, but just noting it. Chimpa's also right about those piercing frequencies; I wasn't dying, but they could stand to be toned down so this isn't as abrasive. Can't offer much besides co-signing, but it can definitely be spruced up and pass if you're willing to tap some people on the shoulder and worked on what Palp mentioned. I'll also say, the bar's gone up since some of your older submissions, but you've definitely shown improvement, so a NO isn't saying you've haven't grown as an artist and there's no reason to be discouraged. The bar's not overly far from where this is at, but the production needs more work. NO (resubmit)

That's an oversimplification of his POV, but divorcing that statement from him, I don't agreeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee. http://ocremix.org/remix/OCR01342/ http://ocremix.org/remix/OCR01624/ http://ocremix.org/remix/OCR01627/ http://ocremix.org/remix/OCR02811/ It's a listener's right to discriminate against more transformative arrangements, but this is also a place designed to house them. So we want 'em. People can shit on timestamps, but I go back to Palpable's decision on http://ocremix.org/remix/OCR01873/: I'm not going to hold it against a track when I need to actively listen to it more than the usual track. It's more work for me, but that's like complaining that you had to pay attention to the actual words of a good book.

That's not ironic (or against any style guide). How is a logo in one case remarkable? Some aren't. A lot are. "Har har, your company name's 'Southwest Airlines,' but the logo says 'SOUTHWEST AIRLINES' in full caps"???

So SMOOVE!

I told Nathan this at MAGFest, but I loop his For Everlasting Peace track like a boss. I love the album and his piece is easily my favorite, both for the style and his interpretation! Keep an eye out for this foo. BIRFDAY!

Season 2! Valentine's Day! Luckily, my wife loves the show too! GETTING HYPE for the new season to drop. GET HYPE! http://youtu.be/DbWcdaeYrsI

Short and sweet, I thought this was a great track, albeit mixed somewhat abrasively. Inspector Gadget TV theme: :45-:54.5, 56.75-1:03.75, 1:47.5-1:54, 1:56.5-2:03 = 29.5 seconds of a 2:43-long mix or 18%. Word. Too much Gadget. Not that some usage can't be in there, and there's no hard and fast cutoff for cases like this, but we generally lean pretty restrictive on non-VGM usage. I'll have to also co-sign on the Inspector Gadget theme being too prominent and used for significant portions of the mix making it a no-go on too much non-VGM source use. Just a formality, Jake, as the track was otherwise strong stuff. If you're interested in revisiting this and further limiting the Gadget usage, we could roll with this. NO

LIVE LIVE LIVE!

Yay! BIRFDAY!

Like OA, I'm a fan of this one for the same reasons. "Soap and Water" grabbed my attention more, but Disco Dan's more relaxed take here was definitely a classic that helped me get into the site in 2002. Having not played Mega Man as a kid, this was yet another piece that proved to me that I could no longer skip anything OCR had to offer.

Always a big fan of this one. Here's a rough source breakdown for the curious: Super Mario Bros. ("Main Theme") - :00-:03, :49-:51 Super Mario RPG ("Battle with Bowser") - :04-:59 Super Mario RPG ("Main Theme") - 1:06-1:34, background pattern 1:35-1:56 (not the backing pattern of Mario Party 3 "Still Going" which is very similar) Mario Party 3 ("Still Going") - 1:35-2:00 Super Mario World ("Credits") - 2:00-2:28 Mario Party 2 ("Western Land") - 2:28-2:48, 2:49.5-3:18 Yoshi's Story ("Main Theme") - 3:37.5-4:37, 4:39-4:56

Love this piece! Peace!

It's invite only, i.e. beforehand, we approve all of the artists & albums made available. It's non-exclusive in that artists are not required to exclusively sell their albums on OC Records, they can sell them on whatever services & sites they'd like. 80% of the revenue from albums sold on OC Records goes to the artists, which others don't or won't do.

http://www.hardcoregamer.com/2014/01/24/has-video-game-music-lost-its-way/71190/ The piece by Alex Carlson mentioned Journey as being a poor representation of modern game music, implying that a failure with it was the soundtrack not having the same character of old-school video game music, e.g. strong hooks. Couldn't disagree more, given that Journey, much like Super Mario World for example, was a soundtrack that used variations of a common motif pretty often. @konec0 on Twitter mentioned that the article had a large nostalgia bias toward older material, which was the initial impression I had as well. They also mentioned that much of today's game music is meant to serve a more immersive role, and felt it was wrong to judge it without taking the purpose it serves into account, which was another good point. Just as classic video games had a lot of unmemorable music, so do modern games. But there are plenty of titles with strong, memorable music in the last 15 years or so, not just Halo, Portal, Skyrim, Shadow of the Colossus and Bastion, but Katamari Damacy, PaRappa the Rapper, Super Meat Boy, Deus Ex: Human Revolution, Perfect Dark, Shenmue, Metal Gear Solid, Metroid Prime, Okami, Phantasy Star Online, Ragnarök Online, Viva Piñata, Ecco the Dolphin: Defender of the Future, Guilty Gear, ChuChu Rocket!, Breath of Fire IV, Capcom vs. SNK, SaGa Frontier 2, LocoRoco, Street Fighter III: 3rd Strike, and more stuff I either don't recall or just haven't heard of. It's more difficult for any game music to gain recognition with so many more games out now, as well as other forms of entertainment to pay attention to, but I don't believe that needs to be held against modern game music. Anyway, just sharing some thoughts. What did you think about this article? Debate away!

http://bt.ocremix.org

IT'S LIVE!

It's no big deal. I'll have to add a section in the Submissions Standards about resubmissions that lays things out in some detail so that we can clarify how it works, so thanks for the nudge.

NON-TRANCE DANCE • Adventure Island 'Tribal Warfare' by Ubik http://ocremix.org/remix/OCR01203 • Adventures of Bayou Billy 'El Lagarto' by Evil Horde http://ocremix.org/remix/OCR01793 • Armored Core: Nexus 'Hyper Monkey Likes the Dancefloor' by Mattias Häggström Gerdt & DragonAvenger http://ocremix.org/remix/OCR02160 • Battletoads 'Ice Cave Dynamo' by Joshua Morse http://ocremix.org/remix/OCR02423 • Castlevania 'Electro Killer 6000' by zircon http://ocremix.org/remix/OCR02767 • Castlevania: Symphony of the Night 'Nothing but a Pile of Dance Moves!' by NoppZ http://ocremix.org/remix/OCR01576 • Castlevania: Symphony of the Night 'Wandering Latinas' by Joshua Morse http://ocremix.org/remix/OCR02045 • Cauldron II 'It's Binary, Baby! Album Mix' by Makke http://ocremix.org/remix/OCR01536 • Castlevania II 'Tears of Blood' by Joshua Morse http://ocremix.org/remix/OCR02770 • Chrono Cross 'People Seized with Trance' by ambient http://ocremix.org/remix/OCR01520 • Cobra Triangle 'bra reloCaTing' by Justin Tense http://ocremix.org/remix/OCR02442 • Command & Conquer: Red Alert 'Transistor' by Beatdrop http://ocremix.org/remix/OCR02875 • Contra 'Snow Field' by tefnek http://ocremix.org/remix/OCR01355 • Deus Ex 'Human Soldier' by halc http://ocremix.org/remix/OCR02656 • Deus Ex 'Sadevakio' by Eino Keskitalo http://ocremix.org/remix/OCR02955 NOTE: Dance tempo from :39-3:41. • Donkey Kong Country 3 'Permafrost' by Draconiator & Flexstyle http://ocremix.org/remix/OCR02660 • Donkey Kong Country 3 'Thump Brothers' by Flexstyle http://ocremix.org/remix/OCR02543 • Donkey Kong Country 3 'mojo gogo' by prophetik http://ocremix.org/remix/OCR02569 • Dr. Mario 'Burning Up' by Dj Redlight http://ocremix.org/remix/OCR01547 • Ecco: The Tides of Time 'Fury of Medusa' by Sadorf http://ocremix.org/remix/OCR01389 • Final Fantasy IV 'Fallen Dragoon' by AeroZ http://ocremix.org/remix/OCR01877 • Final Fantasy V 'Vessel of the Void' by zircon http://ocremix.org/remix/OCR02093 • Final Fantasy VII 'Death, Rebirth, Life - 1986' by Anti-Syne http://ocremix.org/remix/OCR02499 • Final Fantasy X 'Al Bhed Ec Faent' by Theory of N http://ocremix.org/remix/OCR02837 • Final Fantasy Mystic Quest 'Mystical Mist' by RJ remixes http://ocremix.org/remix/OCR02953 • Impulse 'Strange Rock in the Heavens' by Neblix http://ocremix.org/remix/OCR02511 • King of Fighters XIII 'One-Hit KO (Bye Esaka Mix)' by WillRock http://ocremix.org/remix/OCR02581 • Kirby's Dream Land 'Dream Land Dance Party' by Argle http://ocremix.org/remix/OCR02849 • Legend of Zelda 'I Do It for the Faeries' by The OneUps http://ocremix.org/remix/OCR02670 • Legend of Zelda: A Link to the Past 'A Link to Zelda' by T1lTED http://ocremix.org/remix/OCR02873 • Legend of Zelda: Link's Awakening 'Waking the Fish' by WillRock http://ocremix.org/remix/OCR01940 • Legend of Zelda: Majora's Mask 'Inverting the Tower Temple' by GSlicer http://ocremix.org/remix/OCR01577 • Legend of Zelda: Ocarina of Time 'G.E.R.U.D.O.' by Tepid http://ocremix.org/remix/OCR02043 • Legend of Zelda: Ocarina of Time 'Hyrule Party Mix' by NoppZ http://ocremix.org/remix/OCR01529 • Machinarium 'Smashinarium' by DarkSim http://ocremix.org/remix/OCR02322 • Mega Man 'Electrolytic Man' by ambient, MaJIN_SaN & tomatsu http://ocremix.org/remix/OCR01399 • Mega Man 2 'Acid Flashbacks' by Elrinth, PsyNES http://ocremix.org/remix/OCR02666 • Mega Man 2 'Laser Quick' by TheGuitahHeroe http://ocremix.org/remix/OCR02417 • Mega Man 2 'Wily's Bubble Bath' by TheGuitahHeroe http://ocremix.org/remix/OCR02646 • Mega Man 3 'Hot Pursuit in the Lost City of Wily' by Disco Dan http://ocremix.org/remix/OCR02500 • Mega Man 3 'Ravaging Reptile' by AeroZ http://ocremix.org/remix/OCR01937 • Mega Man 3 'Top This' by Flexstyle http://ocremix.org/remix/OCR02778 • Mega Man 7 'Slash Claw' by Joshua Morse http://ocremix.org/remix/OCR02209 • Mega Man 9 'Cement Extacy' by Flexstyle http://ocremix.org/remix/OCR02303 • Mega Man 9 'TornadosaurusRex' by PrototypeRaptor http://ocremix.org/remix/OCR02888 • Mega Man 10 'Solarcoil' by Draconiator http://ocremix.org/remix/OCR02530 • Mega Man X 'Vile Needs to Galvanize' by bLiNd http://ocremix.org/remix/OCR02400 • Mega Man X4 'Race the Phoenix' by Gario http://ocremix.org/remix/OCR02890 • MiG-29 'Power Glove (It's So Bad)' by Dj CUTMAN & Benjamin Briggs http://ocremix.org/remix/OCR02822 • NiGHTS into dreams... 'Dreams Dreams (Disco NiGHTS Mix)' by AkumajoBelmont & Level 99 http://ocremix.org/remix/OCR02259 • NiGHTS into dreams... 'New Jack Mantle' by Tryezz & DiGi Valentine http://ocremix.org/remix/OCR02260 • NiGHTS into dreams... 'The NiGHT Has Just Begun...' by PROTO·DOME http://ocremix.org/remix/OCR02264 • Pokémon Gold Version 'BITE' by Benjamin Briggs http://ocremix.org/remix/OCR02942 • Pokémon Mystery Dungeon: Red Rescue Team 'Beneath the Blaze' by TheGuitahHeroe http://ocremix.org/remix/OCR02665 • Pokémon Mystery Dungeon: Red Rescue Team 'The Sky Will Be Your Limit' by TheGuitahHeroe http://ocremix.org/remix/OCR02485 • Ragnarök Online 'Samurai Discotheque' by Joshua Morse http://ocremix.org/remix/OCR01768 • Reset Generation 'TRIX' by Tepid http://ocremix.org/remix/OCR01897 • Shantae: Risky's Revenge 'Baal Bhaagna' by virt http://ocremix.org/remix/OCR02112 • Sonic Adventure 'Chaos Nightmares' by PrototypeRaptor http://ocremix.org/remix/OCR02367 • Sonic CD (JP) 'Two Futures' by Portanexus http://ocremix.org/remix/OCR02788 • Sonic CD (US) 'Road Trip' by KingTiger http://ocremix.org/remix/OCR02874 • Sonic the Hedgehog ''Childhood (Act 2)' by Paul John http://ocremix.org/remix/OCR02878 • Sonic the Hedgehog 'Cryptic Marble' by DistantJ http://ocremix.org/remix/OCR01416 • Sonic the Hedgehog 'Final Progression' by Jewbei http://ocremix.org/remix/OCR02240 • Sonic the Hedgehog 'Shifting Islands' by halc, Miearth & PROTO·DOME http://ocremix.org/remix/OCR02269 • Sonic the Hedgehog 'Sonicstep' by Boyinaband, None Like Joshua http://ocremix.org/remix/OCR02877 • Sonic the Hedgehog 2 'Dat Disjointed Chemical' by Air3s http://ocremix.org/remix/OCR02713 • Sonic the Hedgehog 2 'Oil Ocean (WT-40 Mix)' by PlanetSkill http://ocremix.org/remix/OCR01600 • Sonic the Hedgehog 3 'Sonik Elektronik' by Rayza http://ocremix.org/remix/OCR01181 • Sonic the Hedgehog 3 'What We Left Behind' by Aviators http://ocremix.org/remix/OCR02813 • Sonic the Hedgehog: Triple Trouble 'A New Ray of Light' by Sadorf & Sir_NutS http://ocremix.org/remix/OCR01269 • Street Fighter Alpha 2 'The Strongest!' by That Andy Guy http://ocremix.org/remix/OCR02886 • Street Fighter II 'Blanka Braziliamix' by McVaffe http://ocremix.org/remix/OCR00151 • Street Fighter II 'Femmes Fatales' by OA http://ocremix.org/remix/OCR02755 • Streets of Rage 'Groove On' by ambient http://ocremix.org/remix/OCR02251 • Streets of Rage 'Streets of Rave' by Amphibious http://ocremix.org/remix/OCR02957 • Super Castlevania IV 'Curse Curse Revolution' by NoppZ http://ocremix.org/remix/OCR01554 • Super Mario 64 'Grab the Blue Coin!' by Sole Signal http://ocremix.org/remix/OCR02908 • Super Meat Boy 'Spoiled R0TT3N' by Benjamin Briggs http://ocremix.org/remix/OCR02158 • Tetris 'Crimea River' by Sir_NutS http://ocremix.org/remix/OCR02948 • Turrican II 'The Desert Rocks vs. Concerto for Laser and Enemies' by Awesome-A http://ocremix.org/remix/OCR01326 • VVVVVV 'Clubbed Baby VVVVVVeal' by Danny Baranowsky http://ocremix.org/remix/OCR02205 • Wild Arms 'Optimist Prime' by Flexstyle http://ocremix.org/remix/OCR02848 • Yoshi Touch & Go 'Cloudhopping' by Chimpazilla & timaeus222 http://ocremix.org/remix/OCR02859

I'm posting this club/dance OC ReMix recommendation list I made for our fan Jordan. I've gone through all of the community's individual mixes and highlighted anything I thought could potentially work. EDIT: Updated as of OC ReMix #2969. I tried to split things up into some rough categories, but just keep in mind that your mileage may vary, and I don't pretend to be the authority on what's "club" music. Also, if you use more than 1 piece of music, keep in mind that the mixes have different volume levels. You may need someone to take a listen and make sure the levels don't jump around too much from track to track. Lastly, many of these tracks don't use extended intros and outros, so for DJs looking to beat-match and create extended transitions from track to track, you need to do your own legwork/editing. I recommend the free program BPM Analyzer to help steer you in the right direction as far as tempo. It's not super-ZOMG accurate, and it automatically tags your MP3s with the BPM it determines (DO NOT WANT!). That said, it DOES give some meaningful insight as to the tempo for tracks with steady tempos. ------------------------------------------------------------ CLUB/TRANCE STYLE • Batman 'Music of Funk' OC ReMix by Stephen Kennedy http://ocremix.org/remix/OCR00222 • BlazBlue 'Tao Is Taokaka' by 3R2 http://ocremix.org/remix/OCR02173 • Castlevania 'I Am Dracula (Club Mix)' by bLiNd http://ocremix.org/remix/OCR02769 • Chrono Trigger 'Pipe Dream Mystics' by bLiNd http://ocremix.org/remix/OCR02067 • Conker's Bad Fur Day 'Bulls 'N Beers' by Guifrog http://ocremix.org/remix/OCR02844 • Corpse Party 'Heavenly Horrors' by DigiE http://ocremix.org/remix/OCR02809 • Dark Cloud 2 'Before Everything Happened' by Flexstyle http://ocremix.org/remix/OCR01996 • Deflektor 'Laser Dance' OC ReMix by Chuck Dodgers http://ocremix.org/remix/OCR00132 • Donkey Kong Country 2 'Dance of the Zinger' by virt http://ocremix.org/remix/OCR02005 • EarthBound 'SnowBound' by bLiNd http://ocremix.org/remix/OCR01423 • Final Fantasy IV 'Bridge to Eternity' by bLiNd http://ocremix.org/remix/OCR02034 • Final Fantasy IV 'Golbez'n Goblins' by bLiNd http://ocremix.org/remix/OCR01876 • Final Fantasy IV 'Path of Deception' by bLiNd http://ocremix.org/remix/OCR02238 • Final Fantasy VI 'Purity' by ABG http://ocremix.org/remix/OCR01798 • Final Fantasy VII 'JENOVA Celestial' by bLiNd http://ocremix.org/remix/OCR01636 • Final Fantasy VIII 'Realization' by Heath Morris http://ocremix.org/remix/OCR01680 • Final Fantasy X 'Endless Skies' by PrototypeRaptor http://ocremix.org/remix/OCR01731 • Final Fantasy X 'White Skies (Club Mix)' by bLiNd http://ocremix.org/remix/OCR01441 • Final Fantasy XIII 'Blue Skies' by Ashleigh Coryell, bLiNd http://ocremix.org/remix/OCR02242 • Ghosts'n Goblins 'Trance Version' OC ReMix by Instant Remedy http://ocremix.org/remix/OCR00004 • Guardian Legend 'Ace of Space' by Beatdrop http://ocremix.org/remix/OCR01437 • Guilty Gear X 'Alpha Blade' by Beatdrop http://ocremix.org/remix/OCR01664 • Hedgewars 'Hogs of War' by DarkSim http://ocremix.org/remix/OCR02600 • Laser Squad 'Mission Recalled' by Mark Vera (has an extended intro) http://ocremix.org/remix/OCR01217 • Legend of Zelda: A Link to the Past 'Labyrinth of Dance Floors' by some1namedjeff http://ocremix.org/remix/OCR02333 • Legend of Zelda: Majora's Mask 'Awakening the Giant' by Mrmilkcarton http://ocremix.org/remix/OCR02011 • Marvel vs. Capcom 'Chun-Li (Nemesis Mix)' by Eric Jadi http://ocremix.org/remix/OCR01981 • Mega Man 2 'Metal Man Goes Clubbing' by Disco Dan http://ocremix.org/remix/OCR00848 • Mega Man 4 'Foiling Dr. Wily' by DR.WELI http://ocremix.org/remix/OCR02638 • Mega Man 8 'Above the Clouds' by Jewbei http://ocremix.org/remix/OCR02257 • Mega Man 9 'Pitched in Suspense' by bLiNd http://ocremix.org/remix/OCR02292 • Mega Man X3 'Anoplophora' by Jewbei http://ocremix.org/remix/OCR02489 • Metroid 'Kraidzy Dance' by Dirty Delay http://ocremix.org/remix/OCR02708 • Ninja Gaiden II 'Ashtar's Desires' by Sir_NutS http://ocremix.org/remix/OCR01321 • One Must Fall 2097 'One Must Rise 2011' by DigiE http://ocremix.org/remix/OCR02299 • Phoenix Wright: Ace Attorney 'Trance Turnabout!' by DigiE http://ocremix.org/remix/OCR01974 • Reset Generation 'Kid Malicious' by Rayza http://ocremix.org/remix/OCR01891 • Reset Generation 'Steriloids' by Juha Vilmi http://ocremix.org/remix/OCR02168 • Shadowrun 'Running the Cyberpunks' by FFmusic Dj http://ocremix.org/remix/OCR02490 • Sonic Adventure 'LightSpeed' by Sir_NutS http://ocremix.org/remix/OCR01160 • Sonic the Hedgehog 2 'Chemixtrixx' by PrototypeRaptor http://ocremix.org/remix/OCR02064 • Street Fighter II 'Club del Toro' by Rayza http://ocremix.org/remix/OCR01254 • Streets of Rage 'Elevation [groovepump mix]' by ambient & DragonAvenger http://ocremix.org/remix/OCR01757 • Super Double Dragon 'No. 5 (Snapdragon)' by ParagonX9 http://ocremix.org/remix/OCR01472 • Super Metroid 'Jade Catacombs' by bLiNd http://ocremix.org/remix/OCR01800 • Super Street Fighter IV 'Time to Oil Up' by zircon & Jillian Aversa http://ocremix.org/remix/OCR02028 • Tales of Destiny 'Pretension' by Jewbei http://ocremix.org/remix/OCR01789 • Team Fortress 2 'Electrodispenser' by zircon http://ocremix.org/remix/OCR02018 • Tetris 'Thirty-Plus Mix' by R3FORGED http://ocremix.org/remix/OCR01499 • Top Gear 2 'Dance Nation' by bLiNd http://ocremix.org/remix/OCR01835 • Top Gear 2 'Rolling Start' by Rayza http://ocremix.org/remix/OCR01633 • Top Gear 2 'Velocity Shift' by Sir_NutS http://ocremix.org/remix/OCR02856 • Trenches 'Burning Vigil' by bLiNd http://ocremix.org/remix/OCR02076 • Vectorman 'Overflow' by Beatdrop http://ocremix.org/remix/OCR01900 • Wild Arms 'Desirous Sacrifice' by Jewbei http://ocremix.org/remix/OCR02355 • Wild Arms 'Telepath Tower' by Mike Saint-Jules http://ocremix.org/remix/OCR02357 • Xenogears 'Torn Apart' by Xaleph & Ryan8bit http://ocremix.org/remix/OCR01630 • X-Out 'LiquidX' by Binster http://ocremix.org/remix/OCR01264 • Zelda II 'Temple Trance' by bLiNd http://ocremix.org/remix/OCR00632

...because your answer wasn't actually accurate as to why we hadn't gotten to that track. Had to explicitly say that, just to be clear that THAT's why we ask peeps not to answer for us if they're not on the (evil) panel.

I plan on hitting Barnes & Noble to see if they carry it; they usually have UK and AUS mags on a month delay, so it's possible they may carry it at the end of February. Will have to check my local one to see if they carry Hyper.