Definitely started with samples that were too exposed, e.g. blocky piano and then the bowed strings, so I was thinking this wouldn't be solid enough and mentally had my NO vote on standby. At :25 though, things took a more energetic turn and continued to shift from there, sometimes going more diminuitive like with the pizz strings, then a goofy feel with the organ and mallet percussion. Good textural changes to maintain the freshness of the presentation. Sonically, it could be refined, so while I'm not quite borderline, I can understand coming out of it. For me, the solid instrumentation coupled with the dynamic variations carries it!
YES