Necrox

Just been crying and eating ice cream for the last two years.
 
But really ive just been taking loads of pictures, Getting sucked into the Souls games, trying to straighten my life out (is that even a thing?) and putting game music on the back burner. If im being honest, i also got pretty discouraged by my lack of skill and inability to follow project deadlines so i left for a while out of shame. But, sometimes you just cant walk away, and the community just has so many wonderful people in it. Plus theres all the music, compos and the magfest festivities. 

Zebra, indeed. being able to do random-pitched 128th notes FTW
 
Edit: Sample holding

Oh boy. And here I was thinking about starting another X3 run soon anyway. Perfect timing.
 
Have you played any sort of space sim game? X-Wing, Freelancer, Freespace, anything of the sort? Those games are much more focused in scope compared to the X series, so it might be worth it to play one or more of them before jumping into the X series. In fact, they're worth playing regardless. I personally recommend Freespace 2 
 
So, right off I'll tell you that I've only ever played the X3 games. I haven't played X1 or X2. Couldn't tell you much about them other than "they're much older and are a bit different in scope and gameplay compared to the X3 games from what I understand.
 
As for what you should start with, well... I know that while there's an overarching storyline in the games of some sort, none of it is necessary for enjoyment of any individual game. I jumped right into X3 and haven't found myself wanting for story details. So personally, I think you can just jump into X3 if you want the most recent in the main line of X games (because Rebirth was nothing but a rumor and you'll never convince me otherwise).
 
X3 has three games in its line: Reunion, Terran Conflict, and Albion Prelude. They're all on the same engine and share most of the same base features, but AP is the most recent one and, as such, the one with the least bugs and the most additional features added. Regardless, they're big games, and not particularly focused. They are more based on the idea of letting the player do as they please. Sure there's an ongoing story in each game, but it's entirely optional and is probably more of an overall gameplay tutorial than the meat of the game in itself. I've never actually completed any of the story plots in any of the games; I get too distracted by all the other things I want to do.
 
Do I like the games? Absolutely. I definitely recommend them. But they're damn complex to start learning at the start, even without considering modding. And you're going to want to mod your game eventually. Vanilla X3 is barebones compared to the features available with mods. That's why, if you've never played a space sim, I recommend a more focused game to start with, like Freespace, which is just a mission-based combat game. But nothing's stopping you from jumping into X3.
 
It's hard to really get more specific about the game and what you might like or dislike about it without knowing what you're looking for in a game. What your expectations are. How willing you are to learn as you go. Things like that. But ask me anything about the X3 games if you want! I'll answer as best I can.

Did this in about an hour and a half. Fun little experiment on a C note with reverbed percussion and using FM to sweep through overtones (distinct tones, but only through moving an FM depth knob). I even tuned the percussion to match the key. =P
https://app.box.com/s/v9qe5yrs469x9qrupv2g2twqkfbbtud6

Here's my attempt:
 
http://soundcloud.com/aarpargb/one-note-challenge

Listener discretion is advised as it was made with a Gameboy and LSDJ within an hour so it will give some of you nightmares.

BabyMetal.

End of thread.

The best name for a heavy metal band consisting of ex-swimmers.

Challenge Accepted. Not long, but fun to do.
 
https://soundcloud.com/william-rhoden/single-note-challenge

This is so silly. Try not laying down in a position that encourages sleep. Most people I know suffer from lack and inability to sleep properly, so this seems like a blessing more than a problem that you're having. 
 
Alternatively, listen to less boring music. 

To be fair, I can hear it doing really well in symphonic black metal.
 
If I have the inclination and a spare day, I may well knock something together to see.

Haha I never even thought of that. I think I will make a piece for this thread maybe

Great, this post could be take as a tribute to the last years of Beethoven's life

I technically got done with something in 28 minutes. Now if I can successfully post it here, that would be great (been getting Internal Server Errors)
 
EDIT:
https://app.box.com/s/1il3nbc3myyvuye0nbkgjowe97w2e64u

Here's my attempt at a "Drum N' Bass" style 30 second tune composed and mixed with the volume off. I just used a preset slidey-synth lead I made with Sylenth a while back, a sine wave for the bass and a supersaw for the chords. Drums are just a random loop I had sitting in a lonely folder somewhere. A flanger on the lead as well and cutoff filter intro always sounds cool. 
 
https://app.box.com/s/mtjtbfecd9q3wjwjccag1it07kpk52zx
 
Prepare yourself for suckage, but to be fair that's the same line I use on music I made when actually listening to it.

Guess I couldn't summon Satan in 16 sec. LOL

VSTBuzz: 50% off “Complete Orchestral Collection” by Peter Siedlaczek - Normally €178.99 now €88.99!
 
More information at http://vstbuzz.com/deals/50-off-complete-orchestral-collection-by-peter-siedlaczek/

This is actually a pretty amusing idea. You choose a preset and have no idea that it sounds like a dying whale, but you write a whole mellow piece thinking that it sounds like a synthesized flute lead.

Before. How about volume off before opening daw? No playback while trying to record and sync vocals either

Finally.

I started doing what I needed and got better at it with time, never really practiced as much as just recording stuff and thinking it was great then having it actually be somewhat good eventually. It's nice to think something is great when you're starting out even if it sucks donkey udders

I tend to travel quite a lot, which restricts practising multiple instruments. It's possible to pack my flute in my bag, but if I have to take my singing books, piccolo and trumpet with me as well than it gets harder. And then I'm not even mentioning the impossibility to pack a grand piano... So I mostly break up my practice sessions on conveniability. Which results in some pretty desastrous situations. Since I've been in Oslo for almost two weeks now I haven't touched a single instrument except a crappy recorder I tried out at some marketplace! And because before I went to Oslo I was in Malmö (Sweden), and also had exams in Leiden (The Netherlands) I haven't touched my trumpet for over 2 months. My advice for other people with similar problems as me is to practise music that doesn't require any physical instrument efficiently. I train my transcribingskills while listening to music in the train or plane. By combining absolute pitch, intervals, recognising chordprogressions and an iPod you can get pretty far. And if you don't have absolute pitch you can at least practise your intervals and such. With knowledge like that I just do the arranging in my head and work it out on actual instruments when its possible. And of course, you can sing scales and such wherever you are. And then, when I'm back at home I can do some hardcore trumpet playing, spent at least an hour a day on the piano and still have time left for some actual recording because I already did all of the arranging in my head. It's perhaps not the best way from a schedular perspective, but it works for me and it's better than trying to pack your piano.

In my opinion its a mix between two things: 1st - You must be doing something that you don't usually do (Like DrumUltimA said) to learn faster and (maybe) better
2nd - You should try to do one thing at the time, and don't trying to do everything at the moment, first you must assimilate the things you learn.

Similar to DrumUltimA,
 
I tell my students all the time to focus on one instrument for awhile and then branch out. Pick a main instrument that you can't live without. Treat the rest as secondaries. If you play drums, do you play keyboard percussion? That might help you a bit with the piano skills. If you have to do both, prioritize.
 
I've also found that in the tonal instruments, there are principles that carry over between them. For instance, my main instrument is violin, but violin technique is very useful on all strings. (also guitar hero and rock band) Further, Piano helped me understand the basic structure in music, which lends toward composition. Learning to improve on any instrument helps in composition skills as well.
 
Bottom line, look for those connections and similarities. You are not just learning an instrument, but music.

I usually do different things on different days. I tend to get sucked into whatever I'm doing, so I don't want to have to stop immediately and do something else I'm not interested in at the moment.

My experience is similar to DrumUltimA's - I built a lot of my skills out of necessity, and I think it's been very productive for me. Due to my distance from good teachers and not a lot of money to throw around, I haven't been able to get lessons for the cello I got a fair while back, and so I didn't practice it much. But in the latest band I'm playing in, a few tunes have wonderful spaces for it, so I've been nicely motivated to work on it at last - even though my self-taught/Youtube technique is probably going to make any proper classical players in our audience cringe.
 
I'm guessing you're asking your question as somebody who wants to be ready to offer these skills at a moment's notice when a sweet job opportunity comes up for you. My advice would be to pick up the basics of the things you think will come in handy, at a pace that doesn't make you hate it. When something comes up that calls for one of those skills, then you'll be ready to offer it and build on what you know to suit it. Sometimes the most productive practice - and the choice of what to practice - comes from a good incentive.