DarkeSword

They'll probably reboot it and start fresh so as to better integrate it with the MCU. I'm sure if this deal goes through the entirety of Phase 4 or 5 will be some kind of Rise of the Mutants thing.

If this happens it will absolutely lead to a resurgence of X-Men in all non-comics Marvel media. X-Men is one of Marvel's biggest and most recognizable properties and the ONLY reason it's kept out of shows and video games is because of Ike Perlmutter's anger at not having the movie licenses. The minute this happens, we'll see a huge adjustment to the Marvel movie timeline. There are going to be at least half a dozen X-Men related movies announced so fast your head will spin. Look at what happened when Sony and Disney worked the Spider-Man deal out: they immediately introduced him into the MCU with Civil War and Homecoming. Same goes for Fantastic Four. Once this deal goes through? Fantastic Four #1 comic will be announced, and they'll get a movie that's integrated into the MCU as soon as possible.

OC ReMix is neither dying nor becoming irrelevant. We get plenty of submissions, lots of listeners, and tons of engagement on social media. Also, don't try to back up your point by speaking for other people who "wish to remain anonymous." There's absolutely zero value in saying something like that. Make your own points and back them up. We're not going to dump curation. It's just not going to happen. OC ReMix has been very clear about being a curated catalog of arrangements that meet a standard of both artistic interpretation and technical execution. We have never—and I can't believe that this has to be said again—claimed to be the end-all-be-all source of VGM arrangements, and we're not trying to be. We've consistently supported other communities and initiatives like DoD and Materia Collective. OC ReMix can afford to be selective; we've built up a catalog of quality arrangements over the course of nearly 18 years by setting some standards and pushing artists to hone their skills. Our philosophy at OCR has always been "share your music, get feedback, and make your music better." You'll be hard-pressed to find any other art community that does that. Getting a track posted to the front-page is a soft goal that fosters that growth. There are obviously instances where an artist will disagree with those standards and make an exit, or honestly just outgrow the process altogether because they've found their artistic voice and don't need to take part in the loop anymore. That's fine. We have no problem with people who decide OCR isn't for them anymore. There are plans in place to integrate the workshop deeper into the site's game database so that people can find WIPs and non-posted releases by browsing game pages. But OC ReMix will continue to examine and curate submissions from the community against our established standards because having that goal in place improves artists. We're comfortable with where those standards are and comfortable about the direction the site is taking.

You really need to stop making assumptions like this.

The bar is not a quantitative measurement. You can't "lower it by 10%." We're generally happy with where the bar is. It's been in the same place for many, many years now. It's probably not going to change.

You have to specify that in your submission email. We don’t keep track of blanket “always keep my links in” requests. Also don’t post threads titled #trolololo. You’ve been here for years, you should know better.

We've posted so much music made with free and cheap samples. We don't ever really ask people to spend money to achieve a better sound.

@HoboKa Stop double posting. You don't need to bump a thread whenever you edit your post.

Cyberdrive has asked that this submission be withdrawn. Closing this.

Start with OCR00600 and go up to 620, to start.

Can you work on the 500s, starting at 0511? Let me know if you need access to the form.

Sure it is. The forums see less activity than before but on Discord and social media the community is still quite active.

My brother picked one up at Target on Friday morning. I was at my dad's house last night and I played a little bit of it. I had never played the NES Classic so the interface was new to me. Pretty cool! The controllers feel nice and the emulation doesn't seem to have any issues as far as I could see. We tried out some Contra, and I also played some Super Mario World. The CRT filter is pretty nice, though I know I prefer a little bit more phosphor glow in my shaders. The rewind function is REALLY cool, but it's a little cumbersome in that you have to reset back to the home screen to do it, and the only way you can seemingly do that is by actually hitting the reset switch on the unit itself. I'm still gonna try to track one down; really wanna try Star Fox 2.

Sonic Mania is honestly the Sonic game I've been waiting for since Sonic & Knuckles. It's pitch-perfect in its physics and aesthetics. I picked it up on Switch and am constantly playing it. The music is incredible. I got all the Chaos Emeralds with every character. The only things left I need to do are get all the emblems from the Blue Sphere stages, but I'm probably not going to do that. I've played enough Blue Sphere in my life back when I was a kid. xD I hope they make another one.

Please don't use the forums as your game journal. I'm renaming this thread to SNES Classic so that it can be a discussion of the SNES Classic that just came out.

Nothing wrong with nostalgia. Plus it has Star Fox 2. Also it's not necessarily the same gamers complaining about originality that are after the revival stuff.

Really creative and transformative arrangement. Love the Mei-Percussion. Soundscape is classic and clean. Nothing wrong with building a track out of tried-and-true instrumentation. YES

I'm not hearing anything egregious here. Rocking, straightforward take on the source. Good energy. I dig it. YES

There's a lot of reverb on that arp. It's really washing things out, especially because it's sitting right in the midrange with all that reverb all over it. This is primarily a part-writing problem; if you want the arp to take center stage, then keeping it there in the midrange is fine; but if you want to use it as a background element underneath more important melodic lines, get it out of the midrange; bump it up an octave, pull back on the reverb, and lower the volume or velocities of the notes. Consider moving it to another instrument that's not flooding the soundscape with reverb. I think the arp is a real problem here. The arrangement I like, the DnB is good and I like the instrumentation choices. But that arp is killing me here. NO

This is a DVD drive. If you want a drive that supports Bluray, you need to buy a Bluray drive.

YES!

Yo this is great. Lyrics are on point. They don't sound awkward or like they were retrofitted onto the song at all. Feel natural.

Lyrics and performance are K.I.L.L.E.R. Such a great old-school vibe. Unfortunately, as Larry says, we need more overt source usage. Kris also makes a LOT of good points about how you could really take advantage of some vocal processing to give things more kick and emphasis. Hit us back with this. NO, resub

The sounds in this track are so nice but there's just that awful synth at 1:09 that just mars the whole thing. Nutritious and Jive have really good crits on production that you ought to take to heart, and I really recommend altering that synth. NO

I'm on board with the NOs. Love the arrangement, but there's a thinness to the drums but a loud squashiness with the strings. They also get SUPER mechanical around 3:20; very heavily exposed. Strings and mastering need a serious look. Everything else is that jpeg of Pacha from Emperor's New Groove doing that "When the Sun Hits the Ridge Just Right" face. NO