I am going to say something, and it may come across as harsh. I will say it's more my intent to be blunt and direct, and harshness may just be an unfortunate by-product.
People, ESPECIALLY those in the music business, need to STOP operating under the assumption that everything is always perfect the first time. This goes way beyond OverClocked ReMix. Learning to grow a thick (enough) skin is critical to achieving success for 99.9+% of all musicians in the world. Just because you think a track is good enough does not always mean there's no room for improvement.
In the case at hand, Meteo received 3 votes all citing that the mix was really close to green, and ALL of them specifically requested him to resubmit it. We generally don't bother asking for resubmits if we feel like a track is weak enough that it would probably be too much trouble to fix it than to just start from scratch or else move on entirely. Some of you seem to be "epic failing" to comprehend that.
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Vinnie's vote is full of positive stuff, although I don't agree that we "ripped [Meteo] a new one" at all, seeing as simple yet direct feedback with the intention of helping improve a track that's ALMOST passable can only be seen that way to someone looking for an excuse to cry. At any rate, please note that none of us requested anything unreasonable, or even difficult. Vinnie and I both noted that the arrangement was fine, and that there are some (reasonably quick-fix) production issues that can be resolved, as well as picking a different clap and panning it center.
I realize that for some of us (the collective OCR community) that music is simply a hobby/passtime. And that's fine. And for some of us, it's something we'd like to do as a career (and some of us are doing). And I PROMISE that for the latter, having music rejected is something that will happen A LOT. If you think you are good enough that it won't happen to you, you are sadly, sadly mistaken. And I'm not saying it won't ever bother you, but the point is, you're going to have to accept that you are not the only person who has a set of ears in the world. Sometimes, it takes the opinions of others to point out things that you have missed that could be the difference between having a bad track and a good track, or a good track and a great track.
The sooner this is learned, the better off you will be as a musician.