Slimy Posted July 18, 2014 Share Posted July 18, 2014 Remix: https://dl.dropboxusercontent.com/s/zd91uqw4abrty6s/Footprints%20on%20Zebes.mp3?dl=0 (Old: https://soundcloud.com/slimy-4/footprints-on-zebes-update https://soundcloud.com/slimy-4/footprints-on-zebes)Source: Since "Adventure Through Lavender Town" went on for over 7 minutes, I decided to make this one 7 minutes exactly. 6:33 nowAt 1:22, I tried to capture the mood of the original, which I love and don't think is done by many remixes. (including the Metroid Zero Mission one, which bombards you with loud, unsubtle chords)I also used the item room theme in this remix, and bits of the opening theme from Super Metroid.Feedback would be appreciated! Quote Link to comment Share on other sites More sharing options...
Slimy Posted July 21, 2014 Author Share Posted July 21, 2014 Aw, anybody? There are a few minor things that I plan to change, like note velocities, but it would be good to get other people's opinions. Even on the title. Quote Link to comment Share on other sites More sharing options...
ebuch Posted July 21, 2014 Share Posted July 21, 2014 Really enjoyed this! It's now one of my favorite Metroid orchestrations. My favorite section was around 5:00-6:00 with the cool harmonies and string parts, and I loved the ending. Samples sound great and so does the mix. My one piece of feedback would be that I think there are too many twinkle things.. (windchimes, glock, even some of the gongs, etc.) The name is great; it nicely coincides with the 45th anniversary of the moon landing. Slimy 1 Quote Link to comment Share on other sites More sharing options...
Moseph Posted July 21, 2014 Share Posted July 21, 2014 Really good orchestration and arranging. I don't think the seven minute runtime is a problem at all, because you have enough development over the course of it to keep things interesting. My comments here mainly have to do with production and sample use, because those areas aren't as strong as the arrangement itself. It sounds like you're mostly relying on velocity to set dynamic level rather than expression control (CC11, or whichever CC your library(ies) uses). As a result, there are a lot of places where sustains feel lifeless and where phrasing doesn't hang together so well. The brass line starting at 1:38 is a good example of this. Am I correct in thinking that you're using EWQL Symphonic Orchestra? If so, you may want to experiment with the DXF (dynamic crossfade) patches, which crossfade between velocity layers in response to CC1, unlike the standard patches which have a static velocity layer set by the note velocity. Regardless of which type of patch you use, though, you can probably be more liberal with CC11 -- I think it will help to breathe some life into the performance. There are some places in the brass where the midrange is boomy -- particularly with the horns from 1:22 to 1:38. This should be pretty easy to fix by EQing the offending frequencies. Spatialization and reverb are not bad, although I think there are some details that could be improved. I find that EWQL SO (again, I'm assuming that this is what you're using) tends to have note connections that sound a little too clean in the context of a full orchestra, which is kind of what I'm hearing here. You might try adding a short reverb on everything to smear notes together. It'll be a subtle effect, but it may help the ensemble gel a little better. Slimy 1 Quote Link to comment Share on other sites More sharing options...
timaeus222 Posted July 21, 2014 Share Posted July 21, 2014 (edited) For me, 0:24 was a substantial jump in volume. Maybe a riser or reverse that covers a larger dynamic range could connect this part a little less jarringly. The volume in either part is fine, and I think it's just the connection that's the issue here. I agree with Moseph on the brass being boomy at 1:22, but it's just slight on my side. Other than that, at least for me, although I agree with Moseph on the reverb, stereo field, and MIDI CC, I feel like it's not a very big deal. Still sounds quite good to me. Try listening to this as an example of a very polished orchestral piece. Maybe it'll help. Edited July 21, 2014 by timaeus222 Slimy 1 Quote Link to comment Share on other sites More sharing options...
bitl3gs Posted July 22, 2014 Share Posted July 22, 2014 nicely done! Slimy 1 Quote Link to comment Share on other sites More sharing options...
Uffe von Lauterbach Posted July 22, 2014 Share Posted July 22, 2014 My brother likes Metroid and Metroid music, so I decided to share it with him. I really love the atmosphere in this remix. It makes me think of the colors jet black and light blue. Slimy 1 Quote Link to comment Share on other sites More sharing options...
Light_of_Aether Posted July 27, 2014 Share Posted July 27, 2014 Wow! I wish I had composers like you at Metroid Reorchestrated! The runtime is fine with me. I wouldn't remove any instrumentation or change pretty much anything. The only thing I would work on is the panning, making sure that the field is balanced. Slimy 1 Quote Link to comment Share on other sites More sharing options...
Liontamer Posted November 10, 2014 Share Posted November 10, 2014 Feel free to submit it. Cool piece! Slimy 1 Quote Link to comment Share on other sites More sharing options...
Slimy Posted June 7, 2015 Author Share Posted June 7, 2015 https://soundcloud.com/slimy-4/footprints-on-zebes-update After months of getting sidetracked, I've finally made all the revisions. I EQ'd everything to be a bit darker, and I cut out the section that was at 4:26 because I didn't really like it, and changed the section that was after it to sound cooler. And some more minor tweaks. Alright, any feedback now? Quote Link to comment Share on other sites More sharing options...
Liontamer Posted June 9, 2015 Share Posted June 9, 2015 Still sounds good. Fire it off! Quote Link to comment Share on other sites More sharing options...
Sam Dillard Posted June 9, 2015 Share Posted June 9, 2015 Nice work, always good to hear more orchestrated Metroid music Quote Link to comment Share on other sites More sharing options...
Chernabogue Posted June 10, 2015 Share Posted June 10, 2015 Really good orchestration, nice job! Quote Link to comment Share on other sites More sharing options...
Slimy Posted June 10, 2015 Author Share Posted June 10, 2015 Ok, last update hopefully. https://dl.dropboxusercontent.com/s/zd91uqw4abrty6s/Footprints%20on%20Zebes.mp3?dl=0 I used a master limiter to get a volume boost, but I tried to keep all the dynamics. I don't use master limiters much, so if I've failed at something, I'd appreciate help. Quote Link to comment Share on other sites More sharing options...
MrKyle Posted June 10, 2015 Share Posted June 10, 2015 This one is going up with little to no contest I imagine. Really enjoy the minimalist piano creeping over the theme and your woodwind work is exceptional. The orchestral percussions... I'm always on the fence about because I think they are the hardest to engineer (one of those things that just sounds incredible when recorded live), but you know, they don't detract here. Awesome. Quote Link to comment Share on other sites More sharing options...
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