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#1
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Legend of Zelda: Ocarina of Time ReMix Project - On Hold
![]() Project Directors: Theophany, Emunator Art Director: keiiii Project Concept This is a collaborative concept album designed to capture the story, characters and environments of Ocarina of Time through the combined efforts of remixers, performers, and visual artists. Because of the enormous number of Ocarina of Time remixes and solo projects over the years, we want this album to be a community effort. We are encouraging collaboration as much as possible with the goal of creating one of the most professional-sounding, cohesive, and story-driven OCR albums to date. What We Need
Auditioning / Claiming Unless you were specifically invited to remix a particular track by the directors before the project went public, all remixers wishing to claim a track will need to provide a solid work in progress that is approved by both directors (for overall quality and for its cohesiveness with the rest of the album) in order to make a claim on any track. This is all in the spirit of collaboration and sharing ideas, so please don't feel daunted or afraid to audition. If you don't feel comfortable with production or sequencing, but are a talented arranger with a great concept for a track, we will work with you and do whatever it takes to bring your song up to the necessary level of quality. It does not matter if you are a posted remixer, an OCR veteran of 10 years or someone who just joined the community yesterday, the only thing that matters here is the quality of your work! Genre Guidelines The genre for this project is “soundtrack”, which is pretty open ended. A good reference of what we’re looking for is anime soundtracks. Anime OSTs have both story-specific “cinematic” tracks, as well as “themed” tracks which appear throughout the series at appropriate moments. Anime OSTs generally blend a variety of orchestral, world, and electronic influences while still delivering the appropriate mood and energy. The Ocarina of Time OST is expansive, varied, and creates a strong sense of exploration and “seeing the world” and its cultures. That’s the kind of spirit we want to capture by incorporating unique instrumentation and diverse musical influences. BE CREATIVE. We strongly encourage artists to step outside of their comfort zone, since you'll have a great support network of performers and producers at your disposal to help you push your boundaries as a musician. Genre influences for each remix should always be source-appropriate and should try to fit with the general direction of the album. To help with this, CONTACT ONE OF THE DIRECTORS with a concept for your track before preparing an audition to make sure it will fit on the album. This doesn't mean that we will only accept certain genres for each track, but we reserve the right to refuse a WIP if the genre selection clashes too much with the rest of the album. Source Usage Since many of the themes in Ocarina of Time are extremely short, we are open to the use/cameo of themes from other Zelda Games when it feels appropriate to the mood or setting. Good examples might be re-occurring locations and ocarina themes from Twilight Princess and Link to the Past. What's important is that outside sources fit from a musical/mood standpoint, and within the "universe" of Ocarina of Time in the sense that they don't draw too much attention away from the OoT source you're remixing. We've already included a few instances of this on the working tracklist, but if there's an event/area in Ocarina of Time that you would like to see represented with a non-OoT source, just let us know and we'll see if it can work for the project! Intermission Tracks At the end of each disc, we've got a space for an Intermission track that is an exceptionally strong arrangement, but perhaps might not fit anywhere in the main album flow. These tracks could be great opportunities for various medleys or longer, more traditional remixes. If you have an idea for any of these tracks, feel free to get in touch with one of the directors about it! Gapless Playback The final album will be formatted for gapless playback. If you’re using ambience and sound design in your track intros/outros, please leave 10+ second buffers/tails which can be used to transition to and from your track. If your arrangement does not use ambiance, just keep in mind sound design may be added if there’s a need to help transition into your track. Deadlines Deadlines will be instituted and handled on a case-by-case basis. Always maintain contact with the project directors, especially if you cannot meet a deadline. Full Res Banner: http://i.imgur.com/hZ4J1.jpg Sig Banner: http://i.imgur.com/AyckJ.jpg Last edited by Theophany; 04-08-2013 at 03:37 AM. |
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#2
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Tracklist
Disc 1
Disc 2
Disc 3
Disc 4
Unplaced Tracks (ones we want remixed but don't have a place in the tracklist for yet, or smaller themes that we can live without but will still take remixes for if you're inspired!)
Key Black = Unclaimed Track Green - Track Claimed with no WIP Red - Track Claimed with a short WIP/concept Blue - Track Claimed with Significant Progress Purple - Track Claimed with Almost-Finished WIP Orange - Track Finished **interest expressed** - Someone is working on a WIP for this song but hasn't submitted it yet. You're free to try and audition anyway, but at least talk to me or Theophany first about it. Performers Available for Collaboration
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![]() · OCR Staff · Judge· Double the Trouble Director · ARMed and DANGerous Co-Assistant Director · Zelda: Ocarina of Time Project Co-Director Last edited by Emunator; 10-29-2012 at 12:51 AM. |
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#3
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thanks to keiiii for the sweet banner!!
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#4
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Six years late, suckas!
And since you are adamant on arrangers who don't have their production chops up to par, I'll have to think of something to send for a claim... |
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#5
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Look forward to it! Just to clarify though, we're not looking to force collaborations or exclusively seeking out arrangers who need production help. We want high production quality on every track, whether it's the project staff or the remixer (or both) achieving that goal. We just don't want lack of production to be a limiting/deciding factor for people with a really solid arrangement...
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#6
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An "anime soundtrack" for OoT?
Yes, for goodness' sake, yes! The claimed tracks sound promising thus far (Jillian Aversa doing a rendition of Forest Temple? I'd buy that for a dollar!), and I hope the momentum keeps up. Tackling OoT is no mean task, after all. |
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#7
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I'm a bit surprised this hasn't totally exploded into loads of people looking forward to it. I'm sure folks will see it soon enough though!
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#8
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Haha, yeah, Ocarina of Time!
I shouldn't join any more project but you guys are teasing me... We'll how it goes! Anyway, good luck and I hope to see this one completed with awesome music!
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#9
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This project looks awesome. Nobody claimed Gerudo Valley? I claim Gerudo Valley.
If somebody picked Gerudo Valley by the time I wrote this, I'd like to pick Last Battle. My sound is electronic with trancy/progressive/dancy genre. Last edited by SPEED and HONOR; 01-14-2012 at 09:38 AM. |
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#10
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I might do an intermission for Kaepora Gaebora, depending on how my other three (four?) coming deadlines go (FF6 / Wily Gauntlet Round 10 / Vroom / SD3). But either way, good luck in steering this through, Theo :D
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