Emunator   Judges ⚖️

Proto, you are a BAMF! The synth mangling, the retro-sounding orchestra hits (and the rest of the sounds used, too) and the way all the pieces of music were linked together with sound effects and clever transitions make this one of the most FUN remixes I've heard in a long time. You seem like a genuinely talented dude with a lot of passion for music, so please keep bringing it to the table like this Proto I'm so stoked for all of your Pokémon mixes! By the way, I liked the fadeout actually, though I think it could have lasted a little bit longer. No complaints from me on that count

This mix has a nice pace to it, it feels a lot different than a lot of orchestral remixes you hear normally. The snare rolls and the strings definitely aid with creating that effect. Nice simple, short writing that's fun to listen to! I'm usually off-put by straight orchestral arrangements but I think this is one of those exceptions that's unique enough to stand on its own merit. But... what happened with the ending? At the risk of sounding unnecessarily harsh, that was really one of the most anti-climactic endings I've heard in any remix on the site so far. The foundations for a good mix are here, but definitely pay attention to that aspect next time you make a mix

Hah, just when I mention how little I hear organs on OCR songs I come across this one and 2 others right in a row. Thanks for answering my prayers OCRemix! This one doesn't really grab me as much as Sixto's other mixes but it's still a great take on a very-much-over-remixed theme. The writing on the organ and the piano is a bit generic in contrast with the flourishing guitar/bass, and I would have liked to hear a distinct organ solo, but the guitar at the end was enough to satisfy my tastes This one passed under my radar when it was first posted but I think it's growing on me, even if it is pretty simple and straightforward.

Whooo, the remastered version is killer I thought that aspect of the song already sounded great from the start, but every element of the song feels clear, defined, and full. The whole soundscape is full of action so I like to listen to this one multiple times in a row so I can pick out the individual instruments and appreciate the work that went into them. This is a really stellar collab - the fusion of organic and synthetic instruments was completely seamless and ultimately places this track squarely in the middle of my preferred genre of music. Killer work!

Yes, I remember digging it up off the WIP forums and liking it then... it's just as good now I always love how Rozo picks such cohesive sets of synths and sounds for each of his remixes, it makes everything silky smooth and nothing ever sticks out like a sore thumb. It's easy to get lost in his remixes because of this quality. This is a nice benchmark for him in terms of production and sound design, but after hearing what he's done in tracks like "Eye of the Storm," I can see how much he's improved in a short time. Nice work all around, Rozo!

Yeah, this one has grown to be my favorite (and probably one of the most objectively-amazing) songs off of Humans+Gears. I don't even know where to start. The 2:14 transition is flooring, the unorthodox sound effects used really make the mix. The mastering and stereo effects are also masterfully done, I really, REALLY enjoy listening to this on a nice pair of headphones or on a nice car stereo. Reading about the amount of work that goes into your songs is pretty insane, Eliot. It's a shining example of how you can take a great-sounding idea and turn it into a great-sounding song. One of my favorite songs, period!

Personally, the brass samples didn't bother me - they're not the best but the writing for the instruments was so groovin' that I didn't even notice. The drumming, guitar, and organ really brought a lot of life to the song and give it the feel of a live performance, even though the samples aren't quite up to snuff. Not quite as amazing as the Project Chaos rendition of the song, but it's damn close Dr.Manhattan's work always astounds me on DoD, nice to see that he's coming around OCR finally

To be honest, this was kind of hit or miss for me. Certain parts felt like they flowed VERY well and gave the piece direction and emotion, but the intro didn't do it for me and there were several other sections that similarly clashed with my tastes. I'm in no position to give technical criticism on Shnab's work because his piano-playing prowess is so far above my own, but honestly this didn't do it for me as much as his other mixes. Fantastic playing, though - that's pretty much a given but even though the arrangement didn't click with me I still found a lot of enjoyment in admiring the fact that it was improvised completely on the spot! You're a talented mofo, don't ever stop doing this kind of stuff Sam!

Not the style I'm used to ilp0 going for, but I guess I can dig it nonetheless The subtler uses of the harmonica and marimba provide some pretty nice touches along with the more straightforward lead instruments. Overall the arrangement/sound doesn't seem as sophisticated or expansive as I've grown accustomed to, but it feels like an appropriate, restrained take on the Cutman theme. Great album

I feel bad that Bahamut can't listen to this one 'cause of the bass, because it's really excellent! The opening is a creative touch, but past that it's classic Willrock. Retro sounding synths and bass make this one feel just like the classic chiptunes but with much more modern, upgraded sounds. The synth soloing doesn't get quite as crazy as Will's other mixes, but it's still an enjoyable, sugary-sweet romp nonetheless

I'll agree that the introduction sounded pretty rough, but the rest was tight. I really love hearing organs used in this kind of music, it's one of those rare instruments that I enjoy almost everytime I hear one in a remix. The break around 2:55 was a little long IMO, but past that the mix really kicked it up a notch! Highly enjoyable mix from LuIzA, good to see an oldie like this popping up. From the looks of it, there's a LOT of good stuff on the horizon from her too, so I'll be on the lookout!

But... your rejection thread gets sent to a public forum anyway, so you can see not only the name of everyone that's getting rejected, but everything about their submission, so that can't be the reason... Perhaps it's to make it a bigger surprise when a queued mix gets posted? I dunno, I'd like to see remixer names attached to the posted/queued tracks, though.

Way to stun us all, Doug! Every one of your remixes feels monumental in one way or another, but in terms of the legacy left on the site I think this might be his most important one yet. The rhythms are great especially in light of how it's been expanded from the source tune. I don't have any technical feedback to bestow here but regardless, it's a brilliant endeavor and one that I'm really glad to have hit the front page! Also, JESUS CHRIST!? I AM OFFEND!

I really don't like most of the instrument choices here. The steel drum, banjo, and bell seems like a conglomeration of all the instruments I don't usually like to hear as lead instruments I agree with DA, this is way too quiet, it could stand to be boosted up quite a bit. I can't really dig this, sorry Great remixer name, though!

Yeah, for a 4 minute remix I can't help but feel like this is missing something critical in terms of the arrangement. The sounds feel very retro-OCR but they're not bad by any means. What you've got going at 1:50-ish feels like a nice lead-in to a great balls-to-the-wall chorus section, but it never comes, unfortunately There's still enjoyable elements to the mix though, so check it out and see if the lack of direction isn't off-putting to you, especially if you're a fan of the original Gunstar Heroes soundtrack.

Heh, the intro sounds like Bowser's theme from the original Mario Bros! The drumloop got repetitive quickly, but luckily the rest of the mix was interesting enough (I have no idea how different this is from the source tune.) The bass sample definitely doesn't hold up by today's standards but the chiptune elements are good. It definitely has that boss music feel to it!

The piano definitely feels like Mustin from what I've heard. I love the quirkiness of this mix, it's definitely one of the most bouncy, cartoonish remixes I've ever heard! Not really the kind of thing I would listen to for fun, but I have to admire the effort put in by the remixers and in the end, I have to wonder what kind of hallucinogenic drugs inspired this mix It's just so... different and unique. Check this out!

Some of the breaks where you end up with more exposed instruments reminds me a lot of Vampire Hunter Dan's beautiful orchestral arrangements, especially the flute. I had no idea Shnab did music in this style, but it sounds good! Definitely a change of pace from his normal music but a welcome change!

This is just plain intense, the name Full-Frontal Assault is fitting 'cause it feels like you, as the listener, are being pummeled by a wall of sound. Great take on the battle theme - if we're talking metal Final Fantasy remixes, I don't think it gets much better than this!

Something about the timing of everything in the introduction sounded really off to me. Once the soundscape flattened out a bit this one became more interesting. I like the distortion effects on some of the synths as well, they gave the mix a bit of character. Overall, some nice sounds but still a fairly generic remix when you get right down to it.

Maybe I'm just crazy, but I think I've grown so used to the mixing on the Thieves of Fate version that I can't really stand hearing a version mastered differently, even if it is objectively better. I'm just weird like that, I guess The arrangement is probably my least favorite of your Radical Dreamers songs, but there's still a lot to like about the spy movie-esque bass and the variety of different guitar patterns you've got going on. Very cohesive and well-written, the song doesn't show any age whatsoever, though it's clear that you've only improved since this was created, OA

This is so completely different from everything I've heard from Mazedude, I wouldn't have guessed it was his music in a million years! I dunno what's supposedly wrong with the source tune, I never had any problems with it and I actually enjoyed the Smash Bros. rendition of the tune immensely. However, this is on a whole another level. The complexity of the piano as well as all the other extra instruments involved really create something that blows your hair back as you listen to it. Definitely not what I expected from Mazedude but it's a perfect fit for the Ice Climber music!

Yeah, this has the mood of a time when you'd sit, look out at the sunset, and reminisce over everything you've done that day... a nice close to a long journey home, if you will. Nice guitar work, toward the end when the vocal harmonies are juxtaposed with the soft drumbeats and the acoustic guitar notes, it's pure bliss The ending caught me off guard a little but in a good way. Highly recommended for anyone looking for some very thoughtful, mellow music!

Heh, nice work I used this song as background music for a Physics extra credit video about coefficients of friction, so even though the music was completely irrelevant I can't help but think that the obscurity of the title gave me a few points Really rockin' though, I don't have much more to say but I enjoyed it!

By far Palp's best work, the mood is in-line with the original but with a serious boost in sound quality! The solos toward the end were an unexpected surprise, as well. Not much else to say about this, but I definitely like it! Great work on remixing a track from this underrated soundtrack, too!