Emunator

This one ain't bad. The intro/buildup didn't feel very interesting to me aside from the percussion, which picked up eventually. The mix felt like it should be building up to something more climactic and there were a few times you started to touch on it, but it never really happened for me The sounds and production are wonderful and there's a few interesting moments, but personally I feel like this was leading up to something that never came.

This one doesn't feel as intensely loud as Polar Star Overdrive but it matches it in pure energy. The guitar solo is hit or miss at parts, but when it's a hit, it's REALLY good! This one's short as hell but I think you get the point across nicely in 2 and a half minutes Absolutely no filler here!

While I don't like this one as much as some of the other megacollabs on FFIV, it's purely for personal reasons and has nothing to do with the merit put forward by OA or Nutritious. The concept was wonderful and I honestly didn't think a virtual choir could be executed this wonderfully! Really a monumental track and I can see why everyone's enjoying this so much, it's just not my cup-o-tea, personally Objectively speaking, though, one of the best-conceived and well-executed songs on the album!

This is probably my least favorite bLiNd mix from FFIV, not because it's a bad song, but just because the other two are so damn good Still, given the source tune I never would have guessed that it would eventually be taken in this direction! That aspect is probably the most astounding part of this remix! The vocal samples didn't feel as well-utilized as they were in Path of Deception, but they don't bring the mix down by much. The drums at :13 and elsewhere in the mix, on the other hand, are just awesome I dunno why they stick with me as much as they do, but it's a great effect and probably my favorite part about this song! Glad this got on the project - even as my least favorite of Jordan's mixes from Echoes, it's still really damn good!

God DAMN this song is insane. One of those ones that I love to crank up as loud as I can and see if I can catch anybody's attention with it, because that's exactly what this mix does; it grabs your attention and doesn't let go. The phat bass and breathy vocals are a perfect combination, and while some of the sound effects and transitions get a bit tired by the time the mix is over, I love the overall sound design and the sheer ballsiness of this song! You took a stylistic risk but it paid off in the form of, what I think, is the best pure-electronic song on the album!

This just goes to prove that Audi... err, Sole Signal is a master of his genre. Everything he does is turned up to 11 and holds absolutely no punches. The growling piano and bass, insane leads, and tried-and-true drums all feel like the perfect D&B song to me. It's electronic music through and through, but involvement with other instruments is just present enough so that the song feels unique and classy! I was looking forward to this one a lot because of the remixer and the fact that I recognized the source from SMRPG, and it absolutely lived up to my high expectations and even surpassed them. Please keep making music like this!

Right from the start you can tell this one is gonna be epic. Tweek does a great job of implementing his fabulous production into this genre. I don't like it as much as his FFIV sub but the production quality here is undeniably good. The beautiful solo violin/flute samples juxtaposed with the heavier symphonic elements at certain parts is really cool Not really my idea of "casual listening" music but this would fit fantastically into just about any modern-day RPG right at the most climactic battle in the game. What you've done here, you did extraordinarily well, Tweek!

I've been listening to this one since DoD days, but for some reason it doesn't feel quite as epic or intense as I remember it (I don't have the DoD version anymore, so maybe this is a cut-down version from that ) There's a lot of neat ideas here and they're executed well, though, and it's a great expansion on the original (which I just checked out a couple of days ago because of this song.) Not one of PoD's most amazing mixes but I definitely like the mood the song was created in, and some of the guitar riffs in particular are quite good in this context. It's refreshing to see such a talented artist branching out and doing all sorts of styles like this, from blues to jazz to metal... Keep it up PoD

Hehehehe... nice title Right off the bat, I was really captivated by the excellent bass work. This feels like classic Mazedude, nice mellow groove with a lot of subtle, nuanced instrumental qualities. Really cool mangling on some of the synths, as well! Despite me not being familiar with more than 2 themes off the EP, I could tell that there was a lot of creativity involved and this seems like a perfect way of showcasing that. I'd never have guessed that it was such a short source tune unless you'd told me... I guess that is the premise of the album, huh?

Yeah, this one isn't bad. Very simple riffs and beats but you kinda can't help but get into the groove Once the bass picks up and the strings start to come in, it's especially fun! I don't know what you did with the synth that comes in at 2:03, but damn is it good! That's my favorite part of the song Really, this isn't what I'd call a standout track by any means, but it's got all the makings of a good, unassuming mix that doesn't try to be more than it is, but still throws a lot of cool tricks at the listener with each repeated verse. Everytime I thought this mix had given all it had to give, it threw something new like the piano at me and I just got more into it!

This is pretty straightforward orchestral goodness, which honestly is hard to impress me with, but I love the haunting, deliberate intro and how it gradually picks up and climaxes at the end. This is one of those instrumental mixes where the end really is a payout on all the setup that went on in the beginning and middle. A problem I've noticed with most orchestral subs on this site is that the ending never lives up to what the rest of the song set up, but this song proved to be an exception! Also, I loved the second paragraph of the submission email, very cool concept

Yeah, in the interests of beating a dead horse I'm gonna compare this to Brawl's soundtrack as well, especially the flutes and the choir at the end - in that context I think this mix would be absolutely perfect. Some of the arrangement sounds a bit amateurish and repetitive but that doesn't stop this from being an enjoyable take on one of my favorite themes from any Mega Man game

Yeah, this one's a favorite of mine just for the awesome solos. The synth choices didn't bother me a bit and honestly I thought it was perfect for the kind of music you've got going here. The foundation for the song is pretty generic but the lead writing is what makes this one of my favorite Willrock mixes. Very enjoyable mix, but you've only improved since this!

This is AWESOME, the chopped female vocals are what draw me to this track. That part was expertly implemented and just sounds plain awesome. Aside from that, the song is breezy, creative, and just makes you want to get up and dance! One of the most fun tracks to hit the front page this year, you can't beat this kind of goodness!

This whole song feels flighty - your lead synths bounce around like they're floating along in the breeze It's really quaint. The orchestra hit is kind of cheesy and out of place but all the other instruments really jive together and create a great song to lounge around to on a carefree day. At first I was really off-put by this song, but looking back I can't remember why, it's actually very enjoyable Also, kudos on finding such a laid-back use for a D&B drumloop, that's good work!

Yeah, on the album version the solo piano threw me off a bit just because it doesn't seem to have anything to do with the actual track - I had the same problem with Dhsu's collab with Sixto, the piano was really misleading and, although it sounded great on its own, didn't seem to fit in well with the track. The radio edit feels a lot more natural by showcasing parts of the song where the piano and Mustin's instruments mix more seamlessly. The outro where the piano was again featured felt a LOT more appropriate for the song Other than that, great choice in synths, the bass especially is really insane. Also, I don't hide the fact that I'm a sucker for electric pianos so that aspect of the mix really stood out for me, too!

This is one of Nut's better arrangements, I think. The synths are incredibly subtle, I don't even notice them unless I'm paying close attention. The intro is my favorite part, I love the strings you've got playing throughout most of it that section. Also, after hearing "Full of Courage" on the FFIV album, it was really cool hearing that theme make a cameo in here! Nice work, I like this one a lot!

This feels a bit more accessible than some of Beatdrop's other work for some reason, but it still has all the other things that define his style - massive beats and synths, a wall-of-sound approach to mixing, and some really insane glitchy effects (the stutter at 1:12 was especially cool!) To be honest, most of your music is so loud and intense that it almost gives me a headache listening to it... but, in a good way This would feel right at home in a rave/club setting with the volume/bass pumped up to max. Killer song!

Proto, you are a BAMF! The synth mangling, the retro-sounding orchestra hits (and the rest of the sounds used, too) and the way all the pieces of music were linked together with sound effects and clever transitions make this one of the most FUN remixes I've heard in a long time. You seem like a genuinely talented dude with a lot of passion for music, so please keep bringing it to the table like this Proto I'm so stoked for all of your Pokémon mixes! By the way, I liked the fadeout actually, though I think it could have lasted a little bit longer. No complaints from me on that count

This mix has a nice pace to it, it feels a lot different than a lot of orchestral remixes you hear normally. The snare rolls and the strings definitely aid with creating that effect. Nice simple, short writing that's fun to listen to! I'm usually off-put by straight orchestral arrangements but I think this is one of those exceptions that's unique enough to stand on its own merit. But... what happened with the ending? At the risk of sounding unnecessarily harsh, that was really one of the most anti-climactic endings I've heard in any remix on the site so far. The foundations for a good mix are here, but definitely pay attention to that aspect next time you make a mix

Hah, just when I mention how little I hear organs on OCR songs I come across this one and 2 others right in a row. Thanks for answering my prayers OCRemix! This one doesn't really grab me as much as Sixto's other mixes but it's still a great take on a very-much-over-remixed theme. The writing on the organ and the piano is a bit generic in contrast with the flourishing guitar/bass, and I would have liked to hear a distinct organ solo, but the guitar at the end was enough to satisfy my tastes This one passed under my radar when it was first posted but I think it's growing on me, even if it is pretty simple and straightforward.

Whooo, the remastered version is killer I thought that aspect of the song already sounded great from the start, but every element of the song feels clear, defined, and full. The whole soundscape is full of action so I like to listen to this one multiple times in a row so I can pick out the individual instruments and appreciate the work that went into them. This is a really stellar collab - the fusion of organic and synthetic instruments was completely seamless and ultimately places this track squarely in the middle of my preferred genre of music. Killer work!

Yes, I remember digging it up off the WIP forums and liking it then... it's just as good now I always love how Rozo picks such cohesive sets of synths and sounds for each of his remixes, it makes everything silky smooth and nothing ever sticks out like a sore thumb. It's easy to get lost in his remixes because of this quality. This is a nice benchmark for him in terms of production and sound design, but after hearing what he's done in tracks like "Eye of the Storm," I can see how much he's improved in a short time. Nice work all around, Rozo!

Yeah, this one has grown to be my favorite (and probably one of the most objectively-amazing) songs off of Humans+Gears. I don't even know where to start. The 2:14 transition is flooring, the unorthodox sound effects used really make the mix. The mastering and stereo effects are also masterfully done, I really, REALLY enjoy listening to this on a nice pair of headphones or on a nice car stereo. Reading about the amount of work that goes into your songs is pretty insane, Eliot. It's a shining example of how you can take a great-sounding idea and turn it into a great-sounding song. One of my favorite songs, period!

Personally, the brass samples didn't bother me - they're not the best but the writing for the instruments was so groovin' that I didn't even notice. The drumming, guitar, and organ really brought a lot of life to the song and give it the feel of a live performance, even though the samples aren't quite up to snuff. Not quite as amazing as the Project Chaos rendition of the song, but it's damn close Dr.Manhattan's work always astounds me on DoD, nice to see that he's coming around OCR finally